463 results for: drawing paper

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Slice with two warriors and Basler coat of arms, in the upper pictures Justitia and Fides, pen in

LZT20A52_104

Slice with two warriors and Basler coat of arms, i...

Luigi Gasparini, Italian, 1779-1814, Classical Landscape with a City, between late 18th and early

LZT20A56_234

Luigi Gasparini, Italian, 1779-1814, Classical Lan...

Cover drawing to Adelbert von Chamisso's story Peter Schlemihl's miraculous story, 1915, black

LZT20A51_268

Cover drawing to Adelbert von Chamisso's story Pet...

In the corner picture David beheaded Goliath, around 1545, feather in black, partly gray washed,

LZT20A52_185

In the corner picture David beheaded Goliath, arou...

The Beloved, 1915, colored woodcut on blotting paper, colored print of sawn drawing plate and

LZT20A51_270

The Beloved, 1915, colored woodcut on blotting pap...

manner of Francesco Galli Bibiena, Italian, 1659-1739, Ruins of a Building with Two Women, 18th

LZT20A56_231

manner of Francesco Galli Bibiena, Italian, 1659-1...

Felix Cavalli, Italian, Fantastic Landscape with Peddlars, 1793, gouache and watercolor with pen

LZT20A56_320

Felix Cavalli, Italian, Fantastic Landscape with P...

Reading in the Garden, c. 1868, pencil on light gray drawing paper, sheet: 12.6 x 22.6 cm,

LZT20A52_429

Reading in the Garden, c. 1868, pencil on light gr...

Felix Cavalli, Italian, Fantastic Landscape with a Hermit, 1793, watercolor with pen and black and

LZT20A56_321

Felix Cavalli, Italian, Fantastic Landscape with a...

Pedigree of Adrian Zingg, 1757/90, red whole leather fringe tape stitched on four raised frets,

LZT20A51_355

Pedigree of Adrian Zingg, 1757/90, red whole leath...

Unknown (Italian), Head of a Man Wearing a Cap, ca. 1650, gouache and watercolor with pen and black

LZT20A56_319

Unknown (Italian), Head of a Man Wearing a Cap, ca...

Slice tear to comfort the sick, around 1545, feather in black and brown, brown and light brown

LZT20A52_186

Slice tear to comfort the sick, around 1545, feath...

Unknown (Italian), after Agostino Carracci, Italian, 1557-1602, Satyr Chastising a Nymph, 17th

LZT20A56_313

Unknown (Italian), after Agostino Carracci, Italia...

Calvary (fragment), fish louse, drawing with pen or brush in black, heightened with white, on

LZT20A52_117

Calvary (fragment), fish louse, drawing with pen o...

Figure with umbrella, seen from behind, 1866/69, black chalk and heights with white chalk on brown

LZT20A52_422

Figure with umbrella, seen from behind, 1866/69, b...

Unknown (Italian), after Michelangelo, Italian, 1475-1564, A Group of Soldiers from the Crucifixion

LZT20A56_260

Unknown (Italian), after Michelangelo, Italian, 14...

Disc break with four scenes from the story of Hugdietrich of Greece (embroidering queen and

LZT20A53_250

Disc break with four scenes from the story of Hugd...

Disc tear with shield holder and the coat of arms Jenner, 1518, pen in black, gray washed,

LZT20A52_259

Disc tear with shield holder and the coat of arms ...

Cover/Frontispiece for Les Fleurs du Mal, plate 1 of 9, 1890, Odilon Redon, French, 1840-1916,

LZT20A04_242

Cover/Frontispiece for Les Fleurs du Mal, plate 1 ...

Drawing: Expressions of Emotion (Laughter, Weeping, Compassion, Sadness), from Encyclopédie,

LZT20A26_142

Drawing: Expressions of Emotion (Laughter, Weeping...

Woman Shearing Sheep, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French,

LZT20A26_422

Woman Shearing Sheep, 1853, after drawing made in ...

Plate Ten from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian,

LZT20A29_068

Plate Ten from Drawings of Several Movements by So...

Title Page, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales, 1775,

LZT20A36_378

Title Page, from Twelve Views in Aquatinta from Dr...

Portrait of Carle Vernet, Standing and Drawing, 1818, Horace Vernet, French, 1789-1863, France,

LZT20A09_218

Portrait of Carle Vernet, Standing and Drawing, 18...

I Adore You as I Adore the Vault of the Night Sky, O Vessel of Sadness, O Tall Silent Woman, plate

LZT20A04_243

I Adore You as I Adore the Vault of the Night Sky,...

Mower, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean

LZT20A26_421

Mower, 1853, after drawing made in 1852, Jacques A...

Plate Eleven from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian,

LZT20A29_069

Plate Eleven from Drawings of Several Movements by...

Episcopal Palace at St. Davids, from Twelve Views in Aquatinta from Drawings taken on the Spot in

LZT20A36_377

Episcopal Palace at St. Davids, from Twelve Views ...

Double House for Mr. Straus, Perspective View, 1883, Adler & Sullivan, Architects (American, fl.

LZT20A36_205

Double House for Mr. Straus, Perspective View, 188...

Drawing for Standing Nude, c. 1879, Mary Cassatt, American, 1844-1926, United States, Graphite on

LZT20A39_261

Drawing for Standing Nude, c. 1879, Mary Cassatt, ...

Sketchbook, c. 1793–94, George Romney, English, 1734-1802, England, Book with eleven graphite

LZT20A28_181

Sketchbook, c. 1793–94, George Romney, English, 17...

Plate Eight from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian,

LZT20A29_066

Plate Eight from Drawings of Several Movements by ...

Falls of St. Anthony on the Mississippi, plate seven of the first number of Picturesque Views of

LZT20A20_018

Falls of St. Anthony on the Mississippi, plate sev...

January, Twelfth Night Drawing Characters from George Cruikshank’s Steel Etchings to The Comic

LZT20A08_188

January, Twelfth Night Drawing Characters from Geo...

The Drawing Room, 1783, François Dequevauviller (French, 1745-1807), after Nicolas Lavreince

LZT20A11_124

The Drawing Room, 1783, François Dequevauviller (F...

Reaper, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean

LZT20A26_419

Reaper, 1853, after drawing made in 1852, Jacques ...

Plate Nine from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian,

LZT20A29_067

Plate Nine from Drawings of Several Movements by S...

Contest for the Prize for the Study of Heads and Expression, 1763, based on a drawing from 1761,

LZT20A41_475

Contest for the Prize for the Study of Heads and E...

Sketchbook, June 1883–September 1887, Gustave Caillebotte, French, 1848–1894, France, Sketchbook

LZT20A42_246

Sketchbook, June 1883–September 1887, Gustave Cail...

The Drawing Class, 1810/13, Unknown Artist, American, 19th century, United States, Watercolor over

LZT20A27_272

The Drawing Class, 1810/13, Unknown Artist, Americ...

Portrait of Madame de Poullain, n.d., After Caspar Netscher, Dutch, 1639-1684, Holland, Drawing on

LZT20A37_405

Portrait of Madame de Poullain, n.d., After Caspar...

Johann Wolfert van Brederode, 1644, Cornelis Visscher, the Elder (Netherlandish, c. 1520-86), after

LZT20A10_217

Johann Wolfert van Brederode, 1644, Cornelis Vissc...

Sheaf-Binder, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after

LZT20A26_408

Sheaf-Binder, 1853, after drawing made in 1852, Ja...

Two Scraps of Lace, c. 1838/42, William Henry Fox Talbot, English, 1800–1877, England, Photogenic

LZT20A29_274

Two Scraps of Lace, c. 1838/42, William Henry Fox ...

Young Woman Writing or Drawing, n.d., Attributed to Elisabetta Sirani, Italian, 1638-1665, Italy,

LZT20A09_156

Young Woman Writing or Drawing, n.d., Attributed t...

Tailpiece, plate 9 of 9, 1890, Odilon Redon, French, 1840-1916, France, Photogravure made from an

LZT20A04_248

Tailpiece, plate 9 of 9, 1890, Odilon Redon, Frenc...

A Fruit Market, from The Houghton Gallery, 1775, Richard Earlom (British, 1743–1822), after Frans

LZT20A07_089

A Fruit Market, from The Houghton Gallery, 1775, R...

Woman Pulling Flax, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862),

LZT20A26_407

Woman Pulling Flax, 1853, after drawing made in 18...

Plate Two from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian,

LZT20A29_063

Plate Two from Drawings of Several Movements by So...

Portrait of Julie Manet, 1890, Berthe Morisot, French, 1841–1895, France, Transfer drawing in

LZT20A44_113

Portrait of Julie Manet, 1890, Berthe Morisot, Fre...

Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of

LZT20A04_247

Glory and Praise to You, Satan, in the Heights of ...

A Herb Market, from The Houghton Gallery, 1779, Richard Earlom (English, 1743–1822), after Frans

LZT20A07_090

A Herb Market, from The Houghton Gallery, 1779, Ri...

Tower at Lacock, 1837, William Henry Fox Talbot, English, 1800–1877, England, Photogenic drawing,

LZT20A29_276

Tower at Lacock, 1837, William Henry Fox Talbot, E...

Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made

LZT20A29_298

Some Account of the Art of Photogenic Drawing, or ...

Myddelton Biddulph Armorial Medallion, c. 1846, Designed by Augustus Welby Northmore Pugin

LZT20A41_106

Myddelton Biddulph Armorial Medallion, c. 1846, De...

Frontispiece to Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian,

LZT20A29_062

Frontispiece to Drawings of Several Movements by S...

Ceaselessly by my side the demon stirs, plate 7 from Charles Baudelaire’s Flowers of Evil, 1890,

LZT20A04_246

Ceaselessly by my side the demon stirs, plate 7 fr...

Woman Spinning, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862),

LZT20A26_404

Woman Spinning, 1853, after drawing made in 1852, ...

Woman Crushing Flax, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French,

LZT20A26_413

Woman Crushing Flax, 1853, after drawing made in 1...

The South Gate of Cardiff Castle in Glamorgan Shire, from Twelve Views in Aquatint from Drawings

LZT20A36_379

The South Gate of Cardiff Castle in Glamorgan Shir...

Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling,

LZT20A01_206

Terpsichore (recto), and Dancing Female Figure (ve...

Letter with Drawing of Whistler Menacing Du Maurier, 1894, George Du Maurier, English, 1834-1896,

LZT20A22_069

Letter with Drawing of Whistler Menacing Du Maurie...

Moses Drawing Water from the Rock, c. 1688, Guglielmo Borremans, Flemish, active 1688-1737,

LZT20A08_410

Moses Drawing Water from the Rock, c. 1688, Guglie...

St. Quintin’s Castle near Cowbridge in Glamorgan Shire, from Twelve Views in Aquatinta from

LZT20A36_380

St. Quintin’s Castle near Cowbridge in Glamorgan S...

Sketchbook, c. 1879–85, Odilon Redon, French, 1840-1916, France, 55-page sketch book of drawings in

LZT20A27_299

Sketchbook, c. 1879–85, Odilon Redon, French, 1840...

The Grand Châtelet, Paris, c. 1780, after an earlier drawing, 1861, Charles Meryon, French,

LZT20A01_163

The Grand Châtelet, Paris, c. 1780, after an earli...

Woman Raking Hay, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862),

LZT20A26_406

Woman Raking Hay, 1853, after drawing made in 1852...

Man Drawing from a Cast, c. 1641, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory

LZT20A18_097

Man Drawing from a Cast, c. 1641, Rembrandt van Ri...

Plate Six from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian,

LZT20A29_065

Plate Six from Drawings of Several Movements by So...

Stem of Leaves and Flowers, c. 1835/37, William Henry Fox Talbot, English, 1800–1877, England,

LZT20A30_282

Stem of Leaves and Flowers, c. 1835/37, William He...

The Drawing Lesson, 1749, Jacques Philippe Le Bas (French, 1707-1783), after Jean Baptiste Siméon

LZT20A42_043

The Drawing Lesson, 1749, Jacques Philippe Le Bas ...

Thresher, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after

LZT20A26_416

Thresher, 1853, after drawing made in 1852, Jacque...

Death on a Pale Horse, 1784, after the drawing of 1775, Joseph Haynes (English, 1760-1829), after

LZT20A40_012

Death on a Pale Horse, 1784, after the drawing of ...

Child Drawing (Jean Buhot), 1892, Félix Hilaire Buhot, French, 1847-1898, France, Lithograph in

LZT20A10_415

Child Drawing (Jean Buhot), 1892, Félix Hilaire Bu...

Plate Four from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian,

LZT20A29_064

Plate Four from Drawings of Several Movements by S...

Denon Instructing a Young Woman Drawing on a Lithographic Stone, c. 1820, Dominique-Vivant Denon,

LZT20A29_372

Denon Instructing a Young Woman Drawing on a Litho...

Woman with a Cat, c. 1900, Paul Gauguin, French, 1848-1903, France, Transfer drawing in

LZT20A36_412

Woman with a Cat, c. 1900, Paul Gauguin, French, 1...

The Artist Drawing from the Model, c. 1639, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching

LZT20A38_445

The Artist Drawing from the Model, c. 1639, Rembra...

National Park Bank, New York City, New York, Competition Design Drawing, c. 1866, Peter Bonnett

LZT20A39_311

National Park Bank, New York City, New York, Compe...

Sketchbook, n.d., George Cruikshank, English, 1792-1878, England, Sketchbook with 16 leaves and 34

LZT20A35_209

Sketchbook, n.d., George Cruikshank, English, 1792...

View Up Neath River from the House at Briton Ferry in Glamorgan Shire, from Twelve Views in

LZT20A36_382

View Up Neath River from the House at Briton Ferry...

Frontispiece from Cipriani’s Rudiments of Drawing, 1792, Francesco Bartolozzi, Italian, 1727-1815,

LZT20A04_266

Frontispiece from Cipriani’s Rudiments of Drawing,...

Annunciation to the Shepherds, c. 1710, After Jacobo Bassano, Italian, c. 1510-1592, Italy, Oil on

LZT20A23_076

Annunciation to the Shepherds, c. 1710, After Jaco...

The Well, plate 13 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778,

LZT20A02_488

The Well, plate 13 from Imaginary Prisons, 1761, G...

Chepstow Castle in Monmouth Shire, from Twelve Views in Aquatinta from Drawings taken on the Spot

LZT20A36_374

Chepstow Castle in Monmouth Shire, from Twelve Vie...

Pembroke Castle, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales,

LZT20A36_383

Pembroke Castle, from Twelve Views in Aquatinta fr...

Inconvienences of a Crowded Drawing Room, published May 6, 1818, George Cruikshank (English,

LZT20A19_334

Inconvienences of a Crowded Drawing Room, publishe...

Conversation, a Family Drawing and Reading, the Nurse Holding an Infant, a Portrait of Prince

LZT20A29_367

Conversation, a Family Drawing and Reading, the Nu...

Part of the Remains of Llanphor, near Pembroke, from Twelve Views in Aquatinta from Drawings taken

LZT20A36_384

Part of the Remains of Llanphor, near Pembroke, fr...

Pont-Neuf and the Samaritaine Seen from Under the First Arch of the Pont-au-Change, Paris, 1855,

LZT20A01_159

Pont-Neuf and the Samaritaine Seen from Under the ...

If On a Close Dark Night a Good Christian, Out of Charity, Behind Some Old Ruin, Buries Your Arched

LZT20A04_244

If On a Close Dark Night a Good Christian, Out of ...

Two Plant Specimens, 1839, William Henry Fox Talbot, English, 1800–1877, England, Photogenic

LZT20A29_273

Two Plant Specimens, 1839, William Henry Fox Talbo...

Reclining Male Nude, n.d., Louis-Joseph-César Ducornet, French, 1806-1856, France, Charcoal drawing

LZT20A37_439

Reclining Male Nude, n.d., Louis-Joseph-César Duco...

Copy after Drawing by Carlo Maratta, 1731, Francisco Vieira de Mattos, the elder (Portuguese,

LZT20A08_387

Copy after Drawing by Carlo Maratta, 1731, Francis...

Sketches, Fragment: Peasant Seated at the Foot of a Tree, after 1863, Jean François Millet, French,

LZT20A26_349

Sketches, Fragment: Peasant Seated at the Foot of ...

Benton Castle Looking down the Reach to Milford Haven, from Twelve Views in Aquatinta from Drawings

LZT20A36_376

Benton Castle Looking down the Reach to Milford Ha...

Manerbawr Castle in Pembroke Shire, from Twelve Views in Aquatinta from Drawings taken on the Spot

LZT20A36_385

Manerbawr Castle in Pembroke Shire, from Twelve Vi...

Boy’s Baijia Pao (One Hundred Household Robe), Qing dynasty (1644–1911), 1850/1900, Han-Chinese,

LZT20A39_101

Boy’s Baijia Pao (One Hundred Household Robe), Qin...

On the Backdrop of Our Nights God with His Knowing Finger Traces a Multiform Implacable Nightmare,

LZT20A04_245

On the Backdrop of Our Nights God with His Knowing...

The Grand Châtelet, Paris, c. 1780, after an earlier drawing, 1861, Charles Meryon (French,

LZT20A17_371

The Grand Châtelet, Paris, c. 1780, after an earli...

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