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Skyphos mug with depictions of ducks. Late Geometric period, ca. 725–700 BC. Attributed to Attica.

LZT26A03_389

Skyphos mug with depictions of ducks. Late Geometr...

Skyphos mug with depictions of ducks, Late Geometric period, ca. 725–700 BC. Skyphos with a

LZT26A03_390

Skyphos mug with depictions of ducks, Late Geometr...

Icon: Saint Nicholas the Wonderworker. Nicholas of Myra ca. 270–352. Late 19th century, Russia.

LZT26A06_278

Icon: Saint Nicholas the Wonderworker. Nicholas of...

Middle wing of the triptych: Our Lady Znamienije, Ruthenian workshop; Mary mother of Jesus Christ;

LZT26A19_017

Middle wing of the triptych: Our Lady Znamienije, ...

Icon: St. Nicholas. Russian workshop. Nicholas of Myra ca. 270–345/352. Icon depicting Saint

LZT26A19_026

Icon: St. Nicholas. Russian workshop. Nicholas of ...

Icon: Saint Nicholas the Wonderworker. Russian workshop. Nicholas of Myra ca. 270–352. In the

LZT26A06_277

Icon: Saint Nicholas the Wonderworker. Russian wor...

Icon: St. Nicholas Mozajski. Orthodox workshop; Nicholas of Myra St.; ca. 270–345/352. The icon

LZT26A19_019

Icon: St. Nicholas Mozajski. Orthodox workshop; Ni...

Icon: St. Nicholas. Russian workshop. Nicholas of Myra St.; ca. 270–345/352. Icon depicting saints;

LZT26A19_027

Icon: St. Nicholas. Russian workshop. Nicholas of ...

Icon: St. Nicholas Mozajski, Orthodox workshop; Nicholas of Myra ca. 270–345/352; icons; swords;

LZT26A19_020

Icon: St. Nicholas Mozajski, Orthodox workshop; Ni...

Skyphos mug with depictions of ducks, Skyphos with a profiled belly. Just below the rim are two

LZT26A03_387

Skyphos mug with depictions of ducks, Skyphos with...

Icon: St. Nicholas the Wonderworker, Russian workshop; Nicholas of Myra ca. 270–352, bishops, Mary

LZT26A06_274

Icon: St. Nicholas the Wonderworker, Russian works...

Skyphos mug with depictions of ducks. Late Geometric period, ca. 725–700 BC. Attributed to Attica.

LZT26A03_388

Skyphos mug with depictions of ducks. Late Geometr...

Husbands Always Make Me Laugh: Ninie, I’ve just had an idea, 1853, Paul Gavarni, French, 1804-1866,

LZT20A10_064

Husbands Always Make Me Laugh: Ninie, I’ve just ha...

The Lovers, 1846/50, Jean François Millet, French, 1814-1875, France, Black crayon on buff wove

LZT20A17_394

The Lovers, 1846/50, Jean François Millet, French,...

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one

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The Way in Which the Ancient Spaniards Hunted Bull...

Visiting the Sick, published July 28, 1806, James Gillray (English, 1756-1815), published by Hannah

LZT20A19_239

Visiting the Sick, published July 28, 1806, James ...

The New Fashion Phaeton, February 22, 1776, Attributed to Philip Dawe, English, 1750-1785, England,

LZT20A37_460

The New Fashion Phaeton, February 22, 1776, Attrib...

The Wreck of the Atlantic—Cast Up by the Sea, published April 26, 1873, Winslow Homer (American,

LZT20A39_498

The Wreck of the Atlantic—Cast Up by the Sea, publ...

Recruits Going to Join the Regiment, 1717–26, Henri-Simon Thomassin (French, 1687-1741), after

LZT20A41_265

Recruits Going to Join the Regiment, 1717–26, Henr...

Facade of the Church of Brou, 1825, Richard Parkes Bonington, English, 1802-1828, England,

LZT20A43_482

Facade of the Church of Brou, 1825, Richard Parkes...

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting,

LZT20A17_031

Charles V spearing a bull in the ring at Valladoli...

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published

LZT20A17_056

Origin of the harpoons or banderillas, plate seven...

Opening of the Budget, published November 17, 1796, James Gillray (English, 1756-1815), published

LZT20A19_222

Opening of the Budget, published November 17, 1796...

A Man Saved Against his Will, plate seven from Les Canotiers Parisiens, 1843, Honoré-Victorin

LZT20A42_227

A Man Saved Against his Will, plate seven from Les...

The Widower, 1877, James Tissot, French, 1836-1902, France, Etching and drypoint on ivory laid

LZT20A38_120

The Widower, 1877, James Tissot, French, 1836-1902...

Achilles and Agamemnon. Achilles:, And what do I care about your Troy!, plate one from Physionomies

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Achilles and Agamemnon. Achilles:, And what do I c...

There is Something Beneath the Sackcloth, i.e. you can’t judge a man by his clothes, plate eight

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There is Something Beneath the Sackcloth, i.e. you...

Standing Woman, c. 1870–1875, Constantin Guys, French, 1802-1892, France, Pen and brown ink, and

LZT20A22_116

Standing Woman, c. 1870–1875, Constantin Guys, Fre...

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique, plate 27 from

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The Celebrated Picador, Fernando del Toro, Draws t...

The Moors make a different play in the ring calling the bull with their burnous, plate six from The

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The Moors make a different play in the ring callin...

Brandès and Leloir, in Les Cabotins, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France,

LZT20A19_035

Brandès and Leloir, in Les Cabotins, 1894, Henri d...

Flannel Armour, Female Patriotism, published November 18, 1793, James Gillray (English, 1756-1815),

LZT20A19_395

Flannel Armour, Female Patriotism, published Novem...

Sketches of Mythological Subjects, n.d., Giovanni Battista Cipriani, Italian, 1727-1785, Italy, Pen

LZT20A07_434

Sketches of Mythological Subjects, n.d., Giovanni ...

The Forceful Rendón Stabs a Bull with the Pique, from which Pass He Died in the Ring at Madrid,

LZT20A17_047

The Forceful Rendón Stabs a Bull with the Pique, f...

Madame Du Barry, c. 1771, Jean-Baptiste-André Gautier D’Agoty, French, 1740-1786, France, Mezzotint

LZT20A35_067

Madame Du Barry, c. 1771, Jean-Baptiste-André Gaut...

O How Extremely Happy Could Farmers Be, if only they would count their blessings, 1768, Jean

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O How Extremely Happy Could Farmers Be, if only th...

Portrait of René François de Beauveau du Rivau, 1727, Pierre Drevet (French, 1663-1738) and

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Portrait of René François de Beauveau du Rivau, 17...

The Annunciation, plate one from The Birth and Early Life of Christ, 1594, Hendrick Goltzius

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The Annunciation, plate one from The Birth and Ear...

The National Parachute, published July 10, 1802, James Gillray (English, 1756-1815), published by

LZT20A19_264

The National Parachute, published July 10, 1802, J...

Design: Hands, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published

LZT20A26_134

Design: Hands, from Encyclopédie, 1762/77, Benoît-...

Ballet at the Paris Opéra, 1877, Edgar Degas, French, 1834-1917, France, Pastel over monotype on

LZT20A32_327

Ballet at the Paris Opéra, 1877, Edgar Degas, Fren...

Philip IV, 1778, Francisco José de Goya y Lucientes (Spanish, 1746-1828), after Diego Velázquez

LZT20A16_493

Philip IV, 1778, Francisco José de Goya y Luciente...

A Picnic By Land, published June 5, 1858, Winslow Homer (American, 1836-1910), published by

LZT20A39_442

A Picnic By Land, published June 5, 1858, Winslow ...

In the Hanneton, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph in black on

LZT20A19_091

In the Hanneton, 1898, Henri de Toulouse-Lautrec, ...

Pepe Illo making the pass of the ‘recorte’, plate 29 from The Art of Bullfighting, 1815, published

LZT20A17_048

Pepe Illo making the pass of the ‘recorte’, plate ...

Thomas Wright, 1737, Thomas Frye, Irish, 1710-1762, Ireland, Mezzotint with engraving in black on

LZT20A42_095

Thomas Wright, 1737, Thomas Frye, Irish, 1710-1762...

Spring, published April 16, 1893, Théophile-Alexandre Steinlen, French, born Switzerland,

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Spring, published April 16, 1893, Théophile-Alexan...

Old Woman Leaning on a Cane, from Life-Sized Heads, 1760, Thomas Frye, Irish, 1710-1762, Ireland,

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Old Woman Leaning on a Cane, from Life-Sized Heads...

Gaspar de Guzman, Conde Duque of Olivares, 1778, Francisco José de Goya y Lucientes (Spanish,

LZT20A16_494

Gaspar de Guzman, Conde Duque of Olivares, 1778, F...

The Honeymoon, 1806, Charles Williams, English, active 1797-1830, published by William Holland,

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The Honeymoon, 1806, Charles Williams, English, ac...

The Committee, plate ten from Hudibras, February 1725/26, William Hogarth, English, 1697-1764,

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The Committee, plate ten from Hudibras, February 1...

Husbands Always Make Me Laugh: Come, Mme. Rabat-joie, shut up, 1853, Paul Gavarni, French,

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Husbands Always Make Me Laugh: Come, Mme. Rabat-jo...

Dancing Giant, from Disparates, published as plate 4 in Los Proverbios, 1816–19, published 1864,

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Dancing Giant, from Disparates, published as plate...

He who does not like thee will defame thee in jest, plate 17 from Los Proverbios, 1815/24,

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He who does not like thee will defame thee in jest...

Pickle Herring Wharf, 1876/77, James McNeill Whistler, American, 1834-1903, United States, Etching

LZT20A24_193

Pickle Herring Wharf, 1876/77, James McNeill Whist...

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of

LZT20A17_049

The Moors had settled in Spain, giving up the supe...

Ceres and Phytalus, c. 1662, Salvator Rosa, Italian, 1615-1673, Italy, Etching with drypoint in

LZT20A43_007

Ceres and Phytalus, c. 1662, Salvator Rosa, Italia...

Democritus and Protagoras, 1778, William Pether (English, 1738-1821), after Salvator Rosa (Italian,

LZT20A00_023

Democritus and Protagoras, 1778, William Pether (E...

Four Hunting Subjects, No. 1, 1725, Jean-Baptiste Oudry, French, 1686-1755, France, Etching on

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Four Hunting Subjects, No. 1, 1725, Jean-Baptiste ...

Landscape with Woman and Cows (recto), Sketch of a Landscape (verso), n.d., Richard Wilson

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Landscape with Woman and Cows (recto), Sketch of a...

To Go Amongst the Branches, i.e. to talk through one’s hat, plate three from Los Proverbios,

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To Go Amongst the Branches, i.e. to talk through o...

Hudibras and the Skimmington, plate seven from Hudibras, February 1725/26, William Hogarth,

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Hudibras and the Skimmington, plate seven from Hud...

Hungry Rats in an Empty Barn, published March 1806, Charles WIlliams (English, active 1797-1830),

LZT20A19_248

Hungry Rats in an Empty Barn, published March 1806...

What Does the Abbot Say About It, n.d., Nicolas Delaunay (French, 1739-1792), after Nicolas

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What Does the Abbot Say About It, n.d., Nicolas De...

Shere Mill Pond, No. II (large plate), 1860, Francis Seymour Haden, English, 1818-1910, England,

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Shere Mill Pond, No. II (large plate), 1860, Franc...

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Head of a Tahitian with Profile of Second Head to ...

Husbands Always Make Me Laugh: He goes on the loose, 1853, Paul Gavarni, French, 1804-1866, France,

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Husbands Always Make Me Laugh: He goes on the loos...

Soldiers Frightened by a Phantom, from Disparates, published as plate 2 in Los Proverbios, 1816–19,

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Soldiers Frightened by a Phantom, from Disparates,...

Without commending himself either to God or the devil, plate 15 from Los Proverbios, 1815/24,

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Without commending himself either to God or the de...

At the window (Open here I flung the shutter…), from The Raven (Le Corbeau), 1875, Édouard Manet

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At the window (Open here I flung the shutter…), fr...

Billingsgate, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and

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Billingsgate, 1859, James McNeill Whistler, Americ...

Brunnen, 1852, Alexandre Calame, Swiss, 1810-1864, Switzerland, 278 x 210 mm (image), 454 x 352 mm

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Brunnen, 1852, Alexandre Calame, Swiss, 1810-1864,...

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816,

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Another way of hunting on foot, plate two from The...

New Ministers Going on Duty, published February 14, 1806, Charles WIlliams (English, active

LZT20A19_247

New Ministers Going on Duty, published February 14...

E. R. Bacon, 1897, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 230 x 149

LZT20A02_058

E. R. Bacon, 1897, Anders Zorn, Swedish, 1860-1920...

Battersea Reach, 1863, Francis Seymour Haden, English, 1818-1910, England, Etching with drypoint on

LZT20A17_069

Battersea Reach, 1863, Francis Seymour Haden, Engl...

Two Figures (related to the painting Tahitian Landscape), 1891/93, Paul Gauguin, French, 1848-1903,

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Two Figures (related to the painting Tahitian Land...

The Advance Guard of the Grand Army of the United States Crossing the Long Bridge over the Potomac

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The Advance Guard of the Grand Army of the United ...

Mariano Ceballos, alias the Indian, kills the bull from his horse, plate 23 from The Art of

LZT20A17_043

Mariano Ceballos, alias the Indian, kills the bull...

Two teams of picadors thrown one after the other by a single bull, plate 32 from The Art of

LZT20A17_052

Two teams of picadors thrown one after the other b...

Leaf from New Kreuterbuch by Leonhart Fuchs, plate 97 from Woodcuts from Books of the XVI Century,

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Leaf from New Kreuterbuch by Leonhart Fuchs, plate...

Wollaton Hall in the County of Nottingham, plate 68 from Britannia Illustrata, published 1707, Jan

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Wollaton Hall in the County of Nottingham, plate 6...

Seated Youth Wearing a Monk’s Habit: Study for Saint Benedict, 1590, Bartolomeo Cesi, Italian,

LZT20A08_356

Seated Youth Wearing a Monk’s Habit: Study for Sai...

November, April 14, 1788, William Nelson Gardiner (Irish, 1766-1814), after William Hamilton

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November, April 14, 1788, William Nelson Gardiner ...

View of Fortifications, from Views of the Port of Livorno, 1654/55, Stefano della Bella, Italian,

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View of Fortifications, from Views of the Port of ...

A Tower of Cortez, Mexico, 1883, Thomas Moran, American, born England, 1837-1926, United States,

LZT20A44_048

A Tower of Cortez, Mexico, 1883, Thomas Moran, Ame...

Oriental Banquet Scene, 1795/96, Jean Baptiste Hilaire, French, 1753-1822, France, Pen and gray and

LZT20A31_119

Oriental Banquet Scene, 1795/96, Jean Baptiste Hil...

Half-Length Figure, late 18th century, after Michelangelo Buonarroti, Italian, 1475-1564, Italy,

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Half-Length Figure, late 18th century, after Miche...

I’m Not Going in There Anymore!, I Think There are Crayfish Down There…, plate one from Les

LZT20A42_483

I’m Not Going in There Anymore!, I Think There are...

Portrait of Guillaume de Brisacier, 1664, Antoine Masson (French, 1636-1700), after Nicolas Mignard

LZT20A03_140

Portrait of Guillaume de Brisacier, 1664, Antoine ...

Plate Two, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching

LZT20A06_237

Plate Two, from A Rake’s Progress, June 1735, Will...

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94, printed 1941/42, Paul Gauguin

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Maruru (Offerings of Gratitude), from the Noa Noa ...

The Tower of London, plate five from Britannia Illustrata, published 1707, Jan Kip (Dutch, c.

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The Tower of London, plate five from Britannia Ill...

Male Head and Sketch of Right Hand Holding Stylus, 1520/24, After Antonio Allegri, called

LZT20A08_085

Male Head and Sketch of Right Hand Holding Stylus,...

The Battle R—L, published June 3, 1816, Attributed to William Heath (English, 1794-1840), published

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The Battle R—L, published June 3, 1816, Attributed...

The Tooth Puller (plate 15), 1843, Charles Émile Jacque, French, 1813-1894, France, Lithograph in

LZT20A26_394

The Tooth Puller (plate 15), 1843, Charles Émile J...

Summer Afternoon, 1895, Hans am Ende, German, 1864-1918, Germany, Etching and aquatint with brown

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Summer Afternoon, 1895, Hans am Ende, German, 1864...

A large mortar with a short range, plate 488, 1834, Honoré Victorin Daumier, French, 1808-1879,

LZT20A23_089

A large mortar with a short range, plate 488, 1834...

The Adoration of the Magi, plate five from The Birth and Early Life of Christ, c. 1593, Hendrick

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The Adoration of the Magi, plate five from The Bir...

Interior, called The Skaters, c. 1655, Cornelis Visscher (Dutch, c. 1629-1658), after Adriaen van

LZT20A09_158

Interior, called The Skaters, c. 1655, Cornelis Vi...

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