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Pluto, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light brown

LZT20A52_474

Pluto, 1588/90 (probably print 1617/20), chiaroscu...

Rock cliff at the seashore, around 1597/1600 (probably print 1617/20), chiaroscuro woodcut of three

LZT20A52_483

Rock cliff at the seashore, around 1597/1600 (prob...

Broken glass with coat of arms Christoph Stauffer, in the background the stachelschützenhaus on

LZT20A52_168

Broken glass with coat of arms Christoph Stauffer,...

David playing the harp in front of Saul, 1555, Clair-obscur woodcut of four plates (light beige,

LZT20A52_103

David playing the harp in front of Saul, 1555, Cla...

Landscape with peasant homestead, c. 1597/1600 (print probably 1617/20), chiaroscuro woodcut of

LZT20A52_482

Landscape with peasant homestead, c. 1597/1600 (pr...

Oceanus, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light brown

LZT20A52_472

Oceanus, 1588/90 (probably print 1617/20), chiaros...

Nox, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light brown and

LZT20A52_479

Nox, 1588/90 (probably print 1617/20), chiaroscuro...

Dursli with two bundles of wood in front of his house., Illustrated illustration for Jeremias

LZT20A52_062

Dursli with two bundles of wood in front of his ho...

In the corner picture David beheaded Goliath, around 1545, feather in black, partly gray washed,

LZT20A52_185

In the corner picture David beheaded Goliath, arou...

Oceanus, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three panels (ocher, light olive

LZT20A52_471

Oceanus, 1588/90 (probably print 1617/20), chiaros...

Helios, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light brown

LZT20A52_478

Helios, 1588/90 (probably print 1617/20), chiarosc...

circle of Peter Paul Rubens, Flemish, 1577-1640, River God, between 1577 and 1640, black chalk,

LZT20A56_276

circle of Peter Paul Rubens, Flemish, 1577-1640, R...

Disc ripped with armed giants, surrounded by 18 guild arms, in the upper guild guild, 1606, pen in

LZT20A53_246

Disc ripped with armed giants, surrounded by 18 gu...

Jeremiah Wildt-Socin in the house skirt (Beatus ille qui procul negotiis), 1788, charcoal or black

LZT20A52_082

Jeremiah Wildt-Socin in the house skirt (Beatus il...

Landscape with a shepherd couple, c. 1597/1600 (print probably 1617/20), chiaroscuro woodcut of

LZT20A52_481

Landscape with a shepherd couple, c. 1597/1600 (pr...

Slice tear with the buses of the hl., Hieronymus, in the upper picture scenes from the life of the

LZT20A53_278

Slice tear with the buses of the hl., Hieronymus, ...

Portrait of a young man, 1517, silver pen, on light gray primed paper, with red chalk and brush in

LZT20A51_337

Portrait of a young man, 1517, silver pen, on ligh...

Slice tear to comfort the sick, around 1545, feather in black and brown, brown and light brown

LZT20A52_186

Slice tear to comfort the sick, around 1545, feath...

View of the moated castle Öttlingen, also called Friedlingen, 1649, feather in brown, light blue

LZT20A53_042

View of the moated castle Öttlingen, also called F...

Landscape with waterfall, c. 1597/1600 (print probably 1617/20), chiaroscuro woodcut of three

LZT20A52_432

Landscape with waterfall, c. 1597/1600 (print prob...

Red carnation, yellow moss-rose, red rose-rose, white-red speckled tulips, yellow daffodils and

LZT20A53_140

Red carnation, yellow moss-rose, red rose-rose, wh...

View of the Öttlingen moated castle, also called Friedlingen, 1649, feather in brown, in places in

LZT20A53_041

View of the Öttlingen moated castle, also called F...

Two studies on an Anna Selbdritt group, around 1470/80, feather in dark and light brown, verso:

LZT20A53_176

Two studies on an Anna Selbdritt group, around 147...

Proserpina, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (light olive,

LZT20A52_476

Proserpina, 1588/90 (probably print 1617/20), chia...

Alexandre Calame, Swiss, 1810-1864, Landscape by Evening Light, 19th Century, Etching printed in

LZT20A54_312

Alexandre Calame, Swiss, 1810-1864, Landscape by E...

Michel Corneille the Younger, French, 1642-1708, Landscape with Cupids, 17th century, pen and black

LZT20A56_315

Michel Corneille the Younger, French, 1642-1708, L...

Proserpina, 1588/90 (probably print 1617/20), chiaroscuro woodcut of three plates (ocher, light

LZT20A52_477

Proserpina, 1588/90 (probably print 1617/20), chia...

Synagogue, c. 1572, chiaroscuro woodcut of three plates (black, brown and light brown), leaf: 37.8

LZT20A51_443

Synagogue, c. 1572, chiaroscuro woodcut of three p...

Priapus and Lotis, after 1540, feather in black, light green, blue and red watercolored, round cut

LZT20A52_347

Priapus and Lotis, after 1540, feather in black, l...

Folio Nineteen from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography,

LZT20A02_176

Folio Nineteen from Burchard of Sion’s De locis ac...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,

LZT20A04_172

I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,

LZT20A04_185

The Beasts of the Sea, Round Like Leather Bottles,...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_141

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894,

LZT20A40_086

Manao tupapau (She Thinks of the Ghost or The Ghos...

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59–1629), after Andrea Mantegna (Italian,

LZT20A14_500

Triumph of Caesar, 1599, Andrea Andreani (Italian,...

Study for The Speculators at the Palais Royal, 1797, Louis Léopold Boilly, French, 1761-1845,

LZT20A40_421

Study for The Speculators at the Palais Royal, 179...

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from Les Origines, 1883,

LZT20A04_007

There Was Perhaps a First Vision Attempted in the ...

Harold in Italy: In the Mountains, 1888, Henri Fantin-Latour, French, 1836-1904, France, Lithograph

LZT20A16_401

Harold in Italy: In the Mountains, 1888, Henri Fan...

To Victor Hugo, 1889, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light

LZT20A16_411

To Victor Hugo, 1889, Henri Fantin-Latour, French,...

Robert Schumann’s Last Composition, 1895, Henri Fantin-Latour, French, 1836-1904, France,

LZT20A16_422

Robert Schumann’s Last Composition, 1895, Henri Fa...

The Assault of the Shoe, 1888, Henri Charles Guérard, French, 1846-1897, France, Etching, with open

LZT20A41_474

The Assault of the Shoe, 1888, Henri Charles Guéra...

Folio Eighteen from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography,

LZT20A02_175

Folio Eighteen from Burchard of Sion’s De locis ac...

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24, 1896, Odilon Redon, French, 1840-1916,

LZT20A04_151

And He Discerns an Arid, Knoll-Covered Plain, plat...

He Falls Head Foremost Into the Abyss, plate 17 of 24, 1896, Odilon Redon, French, 1840-1916,

LZT20A04_173

He Falls Head Foremost Into the Abyss, plate 17 of...

He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896,

LZT20A04_199

He [The Narrator’s Dog] Kept His Eyes Fixed on Me ...

Physionomies Parisiennes: Petit Commerce. La Monnaie d’un Ballon., 1857–58, Paul Gavarni, French,

LZT20A09_231

Physionomies Parisiennes: Petit Commerce. La Monna...

Masks and faces: Mme. Beauminet, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in

LZT20A10_060

Masks and faces: Mme. Beauminet, 1857–58, Paul Gav...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_140

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–58, Paul Gavarni, French, 1804-1866, France,

LZT20A10_074

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–...

La Vieille aux Loques (The Old Woman with Rags), 1858, James McNeill Whistler, American, 1834-1903,

LZT20A00_279

La Vieille aux Loques (The Old Woman with Rags), 1...

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59–1629), after Andrea Mantegna (Italian,

LZT20A15_001

Triumph of Caesar, 1599, Andrea Andreani (Italian,...

Beneath the Wing of a Shadow the Black Creature was Biting Energetically, plate 4 of 6, 1891,

LZT20A04_107

Beneath the Wing of a Shadow the Black Creature wa...

Folio Sixteen from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c

LZT20A02_174

Folio Sixteen from Burchard of Sion’s De locis ac ...

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24, 1896,

LZT20A04_152

She Draws From Her Bosom a Sponge, Perfectly Black...

Intelligence was Mine! I Became the Buddha, plate 12 of 24, 1896, Odilon Redon, French, 1840-1916,

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Intelligence was Mine! I Became the Buddha, plate ...

Masks and faces: We have never permitted…, 1857–58, Paul Gavarni, French, 1804-1866, France,

LZT20A10_059

Masks and faces: We have never permitted…, 1857–58...

The Major’s Daughter, 1862, Joseph Swain (English, 1820-1909), after James McNeill Whistler

LZT20A22_089

The Major’s Daughter, 1862, Joseph Swain (English,...

And On Every Side Are Columns of Basalt,…the Light Falls From the Vaulted Roof, plate 3 of 24,

LZT20A04_143

And On Every Side Are Columns of Basalt,…the Light...

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59–1629), after Andrea Mantegna (Italian,

LZT20A14_498

Triumph of Caesar, 1599, Andrea Andreani (Italian,...

Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from Les Origines, 1883, Odilon

LZT20A04_009

Siren Coming out of the Waves, Dressed in Flames, ...

Folio Fifteen from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c

LZT20A02_173

Folio Fifteen from Burchard of Sion’s De locis ac ...

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24, 1896,

LZT20A04_153

She Draws From Her Bosom a Sponge, Perfectly Black...

Jules de L (also known as Lasteyrie the Argand lamp). Former member of the opposition, now ennemy

LZT20A23_317

Jules de L (also known as Lasteyrie the Argand lam...

St. Anthony: Help me, O my God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_142

St. Anthony: Help me, O my God!, plate 2 of 24, 18...

Sleep, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper

LZT20A04_219

Sleep, 1898, Odilon Redon, French, 1840-1916, Fran...

Portrait of Professor Huxley, 1891, Alphonse Legros, French, 1837-1911, France, Lithograph in black

LZT20A18_406

Portrait of Professor Huxley, 1891, Alphonse Legro...

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59–1629), after Andrea Mantegna (Italian,

LZT20A14_499

Triumph of Caesar, 1599, Andrea Andreani (Italian,...

The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from

LZT20A04_008

The Misshapen Polyp Floated on the Shores, a Sort ...

Pilgrim of the Sublunary World, plate 5 of 6, 1891, Odilon Redon, French, 1840-1916, France,

LZT20A04_109

Pilgrim of the Sublunary World, plate 5 of 6, 1891...

Mystical Conversation, 1892, Odilon Redon, French, 1840-1916, France, Lithograph in black on light

LZT20A04_116

Mystical Conversation, 1892, Odilon Redon, French,...

Obsession, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China

LZT20A04_127

Obsession, 1894, Odilon Redon, French, 1840-1916, ...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite,

LZT20A27_409

Manao tupapau (She Thinks of the Ghost or The Ghos...

Study of a Warship’s Prow with British Warships and Naples Harbor Beyond, c. 1748, Claude-Joseph

LZT20A42_240

Study of a Warship’s Prow with British Warships an...

Near Dieppe, plate one from Six Marines, 1833, Eugène Isabey (French, 1803-1886), printed by

LZT20A13_385

Near Dieppe, plate one from Six Marines, 1833, Eug...

Folio One from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c.

LZT20A02_167

Folio One from Burchard of Sion’s De locis ac mira...

Folio Six from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c.

LZT20A02_180

Folio Six from Burchard of Sion’s De locis ac mira...

Masks and faces, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light

LZT20A10_057

Masks and faces, 1857–58, Paul Gavarni, French, 18...

Centaur Aiming at the Clouds, 1895, Odilon Redon, French, 1840-1916, France, Lithograph in black

LZT20A04_137

Centaur Aiming at the Clouds, 1895, Odilon Redon, ...

Untitled Trial Lithograph, 1900, Odilon Redon, French, 1840-1916, France, Lithograph in black on

LZT20A04_238

Untitled Trial Lithograph, 1900, Odilon Redon, Fre...

Diana of Ephesus as Allegory of Nature, c. 1680, Joseph Werner, Swiss, 1637-1710, Switzerland, Pen

LZT20A37_443

Diana of Ephesus as Allegory of Nature, c. 1680, J...

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59-1629), after Andrea Mantegna (Italian,

LZT20A14_496

Triumph of Caesar, 1599, Andrea Andreani (Italian,...

There Were Struggles and Vain Victories, plate 6 of 8 from Les Origines, 1883, Odilon Redon,

LZT20A04_011

There Were Struggles and Vain Victories, plate 6 o...

Bengal Tiger, 1829, Eugène Delacroix (French, 1798-1863), printed by E. Ardit (French, act.

LZT20A15_397

Bengal Tiger, 1829, Eugène Delacroix (French, 1798...

Folio Ten from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c.

LZT20A02_168

Folio Ten from Burchard of Sion’s De locis ac mira...

Folio Five from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c.

LZT20A02_179

Folio Five from Burchard of Sion’s De locis ac mir...

The Entombment (Stabat Mater Prayer), from a Book of Hours, c. 1480, circle of Jean Colombe, French

LZT20A02_199

The Entombment (Stabat Mater Prayer), from a Book ...

Untitled (Father and Daughter), n.d., Paul Gavarni, French, 1804-1866, France, Lithograph in black

LZT20A10_078

Untitled (Father and Daughter), n.d., Paul Gavarni...

Etude for Eve, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light

LZT20A16_439

Etude for Eve, 1898, Henri Fantin-Latour, French, ...

Muleteers of Tetuan, 1833, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on

LZT20A24_291

Muleteers of Tetuan, 1833, Eugène Delacroix, Frenc...

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59-1629), after Andrea Mantegna (Italian,

LZT20A14_497

Triumph of Caesar, 1599, Andrea Andreani (Italian,...

The Satyr with the Cynical Smile, plate 5 of 8 from Les Origines, 1883, Odilon Redon, French,

LZT20A04_010

The Satyr with the Cynical Smile, plate 5 of 8 fro...

Light, 1893, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper laid

LZT20A04_122

Light, 1893, Odilon Redon, French, 1840-1916, Fran...

Folio Eleven from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c.

LZT20A02_169

Folio Eleven from Burchard of Sion’s De locis ac m...

Folio Four from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c.

LZT20A02_178

Folio Four from Burchard of Sion’s De locis ac mir...

He [The Narrator’s Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896,

LZT20A04_200

He [The Narrator’s Dog] Kept His Eyes Fixed on Me ...

Masks and faces: I have been slandered, 1857–58, Paul Gavarni, French, 1804-1866, France,

LZT20A10_055

Masks and faces: I have been slandered, 1857–58, P...

Child’s Head With Flowers, 1897, Odilon Redon, French, 1840-1916, France, Lithograph in black on

LZT20A04_211

Child’s Head With Flowers, 1897, Odilon Redon, Fre...

Untitled Trial Lithograph, 1900, Odilon Redon, French, 1840-1916, France, Lithograph in black on

LZT20A04_236

Untitled Trial Lithograph, 1900, Odilon Redon, Fre...

LZT20A16_440

Crying Woman: Study of a Seated Woman in Right Pro...

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