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149 résultats pour : off-white plate paper

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Willem Buytewech, Dutch, 1591-1624, after Peter Paul Rubens, Flemish, 1577-1640, Saint Mary
LZT20A53_474

Willem Buytewech, Dutch, 1591-1624, after Peter Pa...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Savoy Scaffolding, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching in
LZT20A24_197

Savoy Scaffolding, 1887, James McNeill Whistler, A...

Black and white, plate 23 from Émotions Parisiennes, 1840, Honoré Victorin Daumier, French,
LZT20A23_054

Black and white, plate 23 from Émotions Parisienne...

The New Fashion Phaeton, February 22, 1776, Attributed to Philip Dawe, English, 1750-1785, England,
LZT20A37_460

The New Fashion Phaeton, February 22, 1776, Attrib...

The Upper Part of a Door, 1852, Felix Bracquemond, French, 1833–1914, France, Etching and drypoint
LZT20A15_420

The Upper Part of a Door, 1852, Felix Bracquemond,...

Reading (Mr. and Mrs. Ch. Deering), 1893, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on
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Reading (Mr. and Mrs. Ch. Deering), 1893, Anders Z...

Liverdun, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul
LZT20A22_437

Liverdun, 1858, James McNeill Whistler, American, ...

The Death of Chatterton, 1860, Thomas O. Barlow (English, 1824-1889), after Henry Wallis (English,
LZT20A38_495

The Death of Chatterton, 1860, Thomas O. Barlow (E...

Recruits Going to Join the Regiment, 1717–26, Henri-Simon Thomassin (French, 1687-1741), after
LZT20A41_265

Recruits Going to Join the Regiment, 1717–26, Henr...

Landscape with a Square Tower, 1650, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching and
LZT20A24_178

Landscape with a Square Tower, 1650, Rembrandt van...

Lindsey Row, Chelsea, 1888, James McNeill Whistler, American, 1834-1903, United States, Transfer
LZT20A40_313

Lindsey Row, Chelsea, 1888, James McNeill Whistler...

Rag Pickers, Quartier Mouffetard, Paris, 1858, James McNeill Whistler, American, 1834-1903, United
LZT20A02_313

Rag Pickers, Quartier Mouffetard, Paris, 1858, Jam...

Jesus in the Temple, n.d., Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint and etching
LZT20A43_385

Jesus in the Temple, n.d., Jean Baptiste Le Prince...

The Unsafe Tenement, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with
LZT20A22_418

The Unsafe Tenement, 1858, James McNeill Whistler,...

The Light of the World, 1860, William Henry Simmons (English, 1811-1882), after William Holman Hunt
LZT20A38_494

The Light of the World, 1860, William Henry Simmon...

Hamlet and the Body of Polonius, plate 11 from Hamlet, 1835, Eugène Delacroix, French, 1798-1863,
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Hamlet and the Body of Polonius, plate 11 from Ham...

Three Persons Viewing the Gladiator by Candlelight, 1769, William Pether (English, 1731/38-1821),
LZT20A38_237

Three Persons Viewing the Gladiator by Candlelight...

Hedging and Ditching, plate 47 from Liber Studiorum, published May 23, 1812, Joseph Mallord William
LZT20A02_239

Hedging and Ditching, plate 47 from Liber Studioru...

The Music Room, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching, with
LZT20A02_316

The Music Room, 1859, James McNeill Whistler, Amer...

Rest of the Holy Family in Egypt, 1764, Charles-François Hutin, French, 1715-1776, France, Etching
LZT20A42_086

Rest of the Holy Family in Egypt, 1764, Charles-Fr...

Spanish Woman, 1884, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on off-white laid paper, 174
LZT20A02_108

Spanish Woman, 1884, Anders Zorn, Swedish, 1860-19...

Mary, 1884, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on off-white laid paper, 220 x 139 mm
LZT20A15_438

Mary, 1884, Anders Zorn, Swedish, 1860-1920, Swede...

The Little Venice, 1880, James McNeill Whistler, American, 1834-1903, United States, Etching in
LZT20A22_417

The Little Venice, 1880, James McNeill Whistler, A...

En Plein Soleil, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with
LZT20A22_448

En Plein Soleil, 1858, James McNeill Whistler, Ame...

Portrait of a Young Man, Looking to the Left (Self-Portrait), from Life-Sized Heads, 1760, Thomas
LZT20A37_191

Portrait of a Young Man, Looking to the Left (Self...

Plates four, five, and six from A Harlot’s Progress, 1732/61, William Hogarth, English, 1697-1764,
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Plates four, five, and six from A Harlot’s Progres...

Whistler with the White Lock, 1876/79, James McNeill Whistler, American, 1834-1903, United States,
LZT20A22_079

Whistler with the White Lock, 1876/79, James McNei...

Hamlet and the Queen, plate 1 from Hamlet, 1834, Eugène Delacroix, French, 1798-1863, France,
LZT20A27_132

Hamlet and the Queen, plate 1 from Hamlet, 1834, E...

The Barefooted Child, 1896–98, Mary Cassatt, American, 1844-1926, United States, Drypoint and
LZT20A20_029

The Barefooted Child, 1896–98, Mary Cassatt, Ameri...

Hands Etching-O Laborum, 1865, Francis Seymour Haden, English, 1818-1910, England, Etching and
LZT20A01_292

Hands Etching-O Laborum, 1865, Francis Seymour Had...

The Priest’s House, Rouen, 1894/95, James McNeill Whistler, American, 1834-1903, United States,
LZT20A18_345

The Priest’s House, Rouen, 1894/95, James McNeill ...

Limehouse, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint in black ink
LZT20A18_388

Limehouse, 1878, James McNeill Whistler, American,...

The Virgin Mary Cradling the Baby Jesus, 1764, Charles-François Hutin, French, 1715-1776, France,
LZT20A42_085

The Virgin Mary Cradling the Baby Jesus, 1764, Cha...

Gold House, Brussels, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching
LZT20A22_460

Gold House, Brussels, 1887, James McNeill Whistler...

Contest for the Prize for the Study of Heads and Expression, 1763, based on a drawing from 1761,
LZT20A41_475

Contest for the Prize for the Study of Heads and E...

Hercules at the Crossroads (Jealousy), c. 1498, Albrecht Dürer, German, 1471-1528, Germany,
LZT20A23_026

Hercules at the Crossroads (Jealousy), c. 1498, Al...

This is Not Less so, plate 67 from The Disasters of War, 1815/20, published 1863, Francisco José de
LZT20A03_417

This is Not Less so, plate 67 from The Disasters o...

The Dam Wood, 1874/75, James McNeill Whistler, American, 1834-1903, United States, Drypoint in
LZT20A02_322

The Dam Wood, 1874/75, James McNeill Whistler, Ame...

Nut Shop, St James’s Place, Houndsditch, 1887, James McNeill Whistler, American, 1834-1903, United
LZT20A02_340

Nut Shop, St James’s Place, Houndsditch, 1887, Jam...

The Lamp, 1890–91, Mary Cassatt (American, 1844-1926), printed with Leroy (French, active
LZT20A35_072

The Lamp, 1890–91, Mary Cassatt (American, 1844-19...

And Beyond, the Astral Idol, the Apotheosis, plate 2 of 6, 1891, Odilon Redon, French, 1840-1916,
LZT20A04_101

And Beyond, the Astral Idol, the Apotheosis, plate...

Paul Verlaine II, 1895, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on off-white laid paper,
LZT20A16_002

Paul Verlaine II, 1895, Anders Zorn, Swedish, 1860...

The Adam and Eve, Old Chelsea, 1878, James McNeill Whistler, American, 1834-1903, United States,
LZT20A27_399

The Adam and Eve, Old Chelsea, 1878, James McNeill...

La Mère Gérard, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching in black
LZT20A22_088

La Mère Gérard, 1858, James McNeill Whistler, Amer...

The Little Savoyard, n.d., François Boucher, French, 1703-1770, France, Etching on off-white laid
LZT20A43_310

The Little Savoyard, n.d., François Boucher, Frenc...

Pickle Herring Wharf, 1876/77, James McNeill Whistler, American, 1834-1903, United States, Etching
LZT20A24_193

Pickle Herring Wharf, 1876/77, James McNeill Whist...

Limehouse, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint in black ink
LZT20A02_374

Limehouse, 1878, James McNeill Whistler, American,...

Place, plate one from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Ivory chine collé on
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Place, plate one from A Glove, 1881, Max Klinger, ...

Abduction, plate nine from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching and
LZT20A37_099

Abduction, plate nine from A Glove, 1881, Max Klin...

La Marchande de Moutarde (The Mustard Seller), 1858, James McNeill Whistler, American, 1834-1903,
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La Marchande de Moutarde (The Mustard Seller), 185...

Abandoned, plate five from A Life, 1884, Max Klinger, German, 1857-1920, Germany, Etching and
LZT20A37_186

Abandoned, plate five from A Life, 1884, Max Kling...

East Gate, Winchelsea, plate 67 from Liber Studiorum, published January 1, 1819, Joseph Mallord
LZT20A02_254

East Gate, Winchelsea, plate 67 from Liber Studior...

The Arch of Septimus Severus, 1820, Luigi Rossini, Italian, 1790-1857, Italy, Etching on off-white
LZT20A00_006

The Arch of Septimus Severus, 1820, Luigi Rossini,...

La Rétameuse, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul
LZT20A22_452

La Rétameuse, 1858, James McNeill Whistler, Americ...

House of the Swan, Brussels, 1887, James McNeill Whistler, American, 1834-1903, United States,
LZT20A22_457

House of the Swan, Brussels, 1887, James McNeill W...

The Death of St. Jerome, 1764, Étienne de Lavallée-Poussin, French, 1735-1802, France, Etching on
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The Death of St. Jerome, 1764, Étienne de Lavallée...

Dumblain Abbey, plate 56 from Liber Studiorum, published January 1, 1816, Joseph Mallord William
LZT20A18_284

Dumblain Abbey, plate 56 from Liber Studiorum, pub...

Gaiety Stage Door, 1879, published 1887, James McNeill Whistler, American, 1834-1903, United
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Gaiety Stage Door, 1879, published 1887, James McN...

Aesacus and Hesperie, plate 66 from Liber Studiorum, published January 1, 1819, Joseph Mallord
LZT20A02_253

Aesacus and Hesperie, plate 66 from Liber Studioru...

Apollo, 1588, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving in black ink on off-white
LZT20A42_452

Apollo, 1588, Hendrick Goltzius, Dutch, 1558-1617,...

Billingsgate, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and
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Billingsgate, 1859, James McNeill Whistler, Americ...

Murano, Glass Furnace, 1879/80, James McNeill Whistler, American, 1834-1903, United States,
LZT20A02_330

Murano, Glass Furnace, 1879/80, James McNeill Whis...

And Beyond, the Astral Idol, the Apotheosis, plate 2 of 6, 1891, Odilon Redon, French, 1840-1916,
LZT20A04_102

And Beyond, the Astral Idol, the Apotheosis, plate...

The Beggars, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and
LZT20A22_442

The Beggars, 1879/80, James McNeill Whistler, Amer...

La Mère Gérard, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching in black
LZT20A22_453

La Mère Gérard, 1858, James McNeill Whistler, Amer...

Anthony: What is the object of all this? The Devil: There is no object!, plate 18 of 24, 1896,
LZT20A04_177

Anthony: What is the object of all this? The Devil...

A Farm Cottage, 1766, Johann Georg Wille, German, 1715-1808, Germany, Engraving on off-white wove
LZT20A37_030

A Farm Cottage, 1766, Johann Georg Wille, German, ...

Victoria Club, 1879, published 1887, James McNeill Whistler, American, 1834-1903, United States,
LZT20A40_311

Victoria Club, 1879, published 1887, James McNeill...

The Temple of Minerva Medica, plate 23 from Liber Studiorum, Publishd January 1, 1811, Joseph
LZT20A02_218

The Temple of Minerva Medica, plate 23 from Liber ...

Stéphane Mallarmé, 1892, published 1893, James McNeill Whistler, American, 1834-1903, United
LZT20A02_406

Stéphane Mallarmé, 1892, published 1893, James McN...

Homage, plate six from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory
LZT20A37_096

Homage, plate six from A Glove, 1881, Max Klinger,...

Annie, 1857/58, James McNeill Whistler, American, 1834-1903, United States, Etching with foul
LZT20A22_454

Annie, 1857/58, James McNeill Whistler, American, ...

Victoria Club, 1879, published 1887, James McNeill Whistler, American, 1834-1903, United States,
LZT20A40_312

Victoria Club, 1879, published 1887, James McNeill...

Miravan, 1772, Valentine Green (English, 1739-1813), after Joseph Wright of Derby (English,
LZT20A36_237

Miravan, 1772, Valentine Green (English, 1739-1813...

Rescue, plate four from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory
LZT20A37_095

Rescue, plate four from A Glove, 1881, Max Klinger...

Seymour Haden, Jr, Seated, 1857/58, James McNeill Whistler, American, 1834-1903, United States,
LZT20A22_406

Seymour Haden, Jr, Seated, 1857/58, James McNeill ...

Soupe à trois sous (Soup for three sous), 1859, James McNeill Whistler, American, 1834-1903, United
LZT20A22_455

Soupe à trois sous (Soup for three sous), 1859, Ja...

The Slanderer, 1851, Charles Rambert (French, active c. 1836-1867, died before 1899), printed by
LZT20A36_079

The Slanderer, 1851, Charles Rambert (French, acti...

The Election Hoax. My dear friend… do not think that I have come to ask you for your vote. I
LZT20A30_077

The Election Hoax. My dear friend… do not think th...

Maja von Heijne, 1900, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on off-white laid paper,
LZT20A16_048

Maja von Heijne, 1900, Anders Zorn, Swedish, 1860-...

The Abundance of Egypt, 1857, William Holman Hunt, English, 1827-1910, England, Etching on cream
LZT20A37_014

The Abundance of Egypt, 1857, William Holman Hunt,...

Mount for The Sea at Bognor, 1897–99, Theodore Roussel, French, worked in England, 1847-1926,
LZT20A42_203

Mount for The Sea at Bognor, 1897–99, Theodore Rou...

Oriental Rider in the Mountains, 1866, Rodolphe Bresdin, French, 1825-1885, France, Etching and
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Oriental Rider in the Mountains, 1866, Rodolphe Br...

Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames (the Thames Set), 1859,
LZT20A18_366

Black Lion Wharf, from A Series of Sixteen Etching...

The Past, the Present, the Future, plate 349, 1834, Honoré Victorin Daumier, French, 1808-1879,
LZT20A23_088

The Past, the Present, the Future, plate 349, 1834...

Quiet, plate eight from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory
LZT20A37_098

Quiet, plate eight from A Glove, 1881, Max Klinger...

Landscape with a Walker and a Cascade, plate 5 from the second suite Livre de paysages (Book of
LZT20A43_340

Landscape with a Walker and a Cascade, plate 5 fro...

Castel Gélos (Vallée d’Ossau), c. 1847, Charles François Daubigny (French, 1817-1878), after
LZT20A16_284

Castel Gélos (Vallée d’Ossau), c. 1847, Charles Fr...

Fumette, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting
LZT20A22_399

Fumette, 1858, James McNeill Whistler, American, 1...

Plate Nine from Evenings in Rome, 1763/64, Hubert Robert, French, 1733–1808, France, Etching in
LZT20A42_033

Plate Nine from Evenings in Rome, 1763/64, Hubert ...

Procris and Cephalus, plate 41 from Liber Studiorum, published February 14, 1812, Joseph Mallord
LZT20A18_269

Procris and Cephalus, plate 41 from Liber Studioru...

Norwegian Seacoast During a Storm, 1819, Johan Christian Clausen Dahl, Norwegian, 1788-1857,
LZT20A39_114

Norwegian Seacoast During a Storm, 1819, Johan Chr...

Forge of the Carmelites, 1900, Donald Shaw MacLaughlan, American, born Canada, 1876-1938, United
LZT20A21_390

Forge of the Carmelites, 1900, Donald Shaw MacLaug...

Railway Arch, American Square, 1887, James McNeill Whistler, American, 1834-1903, United States,
LZT20A24_195

Railway Arch, American Square, 1887, James McNeill...

The Pool, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint
LZT20A18_367

The Pool, 1859, James McNeill Whistler, American, ...

Fears, plate seven from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory
LZT20A37_097

Fears, plate seven from A Glove, 1881, Max Klinger...

Circumcision, 1763/64, Jean Honoré Fragonard (French, 1732-1806), after Jacopo Robusti, called
LZT20A41_238

Circumcision, 1763/64, Jean Honoré Fragonard (Fren...

J.B. Faure, 1891, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on off-white wove paper, 200 x
LZT20A15_464

J.B. Faure, 1891, Anders Zorn, Swedish, 1860-1920,...

Plate Seven from Evenings in Rome, 1763/64, Hubert Robert, French, 1733–1808, France, Etching in
LZT20A42_032

Plate Seven from Evenings in Rome, 1763/64, Hubert...

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