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Depiction of how Henry IV, King of France and Navarre, received the German princely camp, Visit of

LZT26B45_483

Depiction of how Henry IV, King of France and Nava...

How to work with the microscope, book, writer (clerical worker): Lionel Smith Beale, publisher:

LZT26A98_469

How to work with the microscope, book, writer (cle...

Description of writing the Italian letter (continuation), Short report and substantiation of how

LZT26B24_133

Description of writing the Italian letter (continu...

How one can properly grasp or hold the pen, To what nature of letters these dryly types of pens

LZT26B29_040

How one can properly grasp or hold the pen, To wha...

Description of writing the Italian letter, Short report and substantiation of how the Italian

LZT26B24_134

Description of writing the Italian letter, Short r...

Onderrechtinghe der Nederlantsche grove ende cleyne letteren, Beschrijving van het schrijven van de

LZT26B24_135

Onderrechtinghe der Nederlantsche grove ende cleyn...

How to hold or grip the pen, Instruction on how to hold the reed pen (continuation),

LZT26B29_041

How to hold or grip the pen, Instruction on how to...

Instruction on how to hold the reed pen (second continuation) with an explanation of the examples

LZT26B24_140

Instruction on how to hold the reed pen (second co...

Instruction on how to make a reed pen, page 1 of 2, General instruction of this book. Thorough

LZT26B24_131

Instruction on how to make a reed pen, page 1 of 2...

How to hold or grip the pen, Instruction on how to hold the reed pen (continuation), Mirror of the

LZT26B24_141

How to hold or grip the pen, Instruction on how to...

General instruction of this book. Thorough report on how to make a good pen, Instruction on how to

LZT26B29_036

General instruction of this book. Thorough report ...

Short report and substantiation of how the Italian letters must be made individually, Description

LZT26A74_464

Short report and substantiation of how the Italian...

Description of the Italian letter (second continuation) and explanation of how to cut the reed pen

LZT26A74_463

Description of the Italian letter (second continua...

Provost arrests soldier, The Provost, print, A high-ranking officer arrests a scruffy-looking

LZT26B12_401

Provost arrests soldier, The Provost, print, A hig...

Discussion about portraiture, cartoon, A man tells an artist, in a painting exhibition, how he

LZT26B26_156

Discussion about portraiture, cartoon, A man tells...

Two Sinhalese tillers, sketchbook page, Two men are standing outside at the edge of an open field.

LZT26A75_441

Two Sinhalese tillers, sketchbook page, Two men ar...

View of a pass in the High Grindelwald Glacier, Switzerland, Grindelwald : Glacier superior, Views

LZT26B09_449

View of a pass in the High Grindelwald Glacier, Sw...

Psyche goes to look for the golden wool, Story of Amor and Psyche, print, Series number, 23, 32,

LZT26A93_318

Psyche goes to look for the golden wool, Story of ...

The Re-creation of the Kees, Re-creation of the Kees, cartoon, print, Print of a soldier, a member

LZT26A97_081

The Re-creation of the Kees, Re-creation of the Ke...

Psyche Collects Golden Wool, Story of Amor and Psyche, print, Series number, 23, 32, Venus

LZT26A83_025

Psyche Collects Golden Wool, Story of Amor and Psy...

The image of how the Magistracy and Clergy of the city of Amsterdam were escorted out and brought

LZT26B34_223

The image of how the Magistracy and Clergy of the ...

Robert Macaire explains to Bertrand how to deceive the public, Caricatures, Caricaturana, cartoon,

LZT26A93_416

Robert Macaire explains to Bertrand how to deceive...

Two fishing girls, How girls fish, print, A girl fishes the fallen fishing rod of a second girl out

LZT26B13_076

Two fishing girls, How girls fish, print, A girl f...

Psyche goes to look for the golden wool, Story of Amor and Psyche, print, Series number, 23, 32,

LZT26B37_293

Psyche goes to look for the golden wool, Story of ...

Robert Macaire explains to Bertrand how to deceive the public, Caricatures, Caricaturana, cartoon,

LZT26B38_109

Robert Macaire explains to Bertrand how to deceive...

Short report and substantiation of how the Italian letters must be written by each individual,

LZT26A74_465

Short report and substantiation of how the Italian...

Lauterbrunnen Valley. Wengern. Switzerland, View of the Lauterbrunnen Valley, Switzerland, Views

LZT26A80_074

Lauterbrunnen Valley. Wengern. Switzerland, View o...

Description of writing the Italian letter, Short report and substantiation of how the Italian

LZT26A74_461

Description of writing the Italian letter, Short r...

Description of the writing of the Italian letter (fourth continuation) and the beginning of the

LZT26A74_466

Description of the writing of the Italian letter (...

Murder of Simon of Trent, Liber Chronicarum, print, album page, book illustration, The ritual

LZT26B30_079

Murder of Simon of Trent, Liber Chronicarum, print...

Cartoon of the monument erected in honor of Louis XIV on the Place des Victoires in Paris in 1685,

LZT26A97_301

Cartoon of the monument erected in honor of Louis ...

Figue of all the strokes of the pens, Cutting of a reed pen, Mirror of the art of writing,

LZT26B29_039

Figue of all the strokes of the pens, Cutting of a...

Chalice, glass, 1736–1744. Naliboki, Belarus Grand Duchy of Lithuania. Height 17.2 cm; width 7.7 cm

LZT26A15_085

Chalice, glass, 1736–1744. Naliboki, Belarus Grand...

Chalice, glass, 1736–1744. Height 17.2 cm; width 7.7 cm. Round foot, slightly raised, trace of

LZT26A15_084

Chalice, glass, 1736–1744. Height 17.2 cm; width 7...

Chalice, glass, c. 1736–1744. Round foot, slightly raised, trace of adhesive; baluster stem, solid,

LZT26A15_083

Chalice, glass, c. 1736–1744. Round foot, slightly...

Chalice, glass, 1736–1744. Naliboki, Belarus Grand Duchy of Lithuania. Height 17.2 cm; width 7.7 cm

LZT26A15_082

Chalice, glass, 1736–1744. Naliboki, Belarus Grand...

Chalice, Naliboki glassworks 1722–1862. Engraved glass chalice, 1736–1744. Round slightly raised

LZT26A15_088

Chalice, Naliboki glassworks 1722–1862. Engraved g...

Chalice, glass, 1736–1744. Naliboki, Belarus Grand Duchy of Lithuania. Height 17.2 cm; width 7.7 cm

LZT26A15_087

Chalice, glass, 1736–1744. Naliboki, Belarus Grand...

Chalice, glass, 1736–1744. Naliboki, Belarus Grand Duchy of Lithuania. Height 17.2 cm; width 7.7 cm

LZT26A15_086

Chalice, glass, 1736–1744. Naliboki, Belarus Grand...

Four virtues with banners grouped around a mirror (Prudentia, Justitia, Fortitudo, Temperantia), c.

LZT20A52_011

Four virtues with banners grouped around a mirror ...

The Skt. Adolf = Diamantt = Giant = Hohrn, at the Flohzohrn, in India and, the Hahr = comb, 1917,

LZT20A51_216

The Skt. Adolf = Diamantt = Giant = Hohrn, at the ...

Mockery of the Jews, around 1470/80, reprint of the 17th or 18th century, woodcut, page: 27.9 x 43

LZT20A51_387

Mockery of the Jews, around 1470/80, reprint of th...

Signboard of a schoolmaster (children's page), 1516, mixed technique on spruce, 55.3 x 65.5 cm, Not

LZT20A48_408

Signboard of a schoolmaster (children's page), 151...

The posture of a rider, how he should sit petite and well on horseback, 1734, etching, sheet: 60 x

LZT20A52_291

The posture of a rider, how he should sit petite a...

Design for a facade painting at the house Zum Greifenstein in Basel, 1st half of the 16th century,

LZT20A52_244

Design for a facade painting at the house Zum Grei...

Synagogue, c. 1572, chiaroscuro woodcut of three plates (black, brown and light brown), leaf: 37.8

LZT20A51_443

Synagogue, c. 1572, chiaroscuro woodcut of three p...

Adelaide, Adelaide.. I think I can see the comet coming!!…, Oh my God… this is the end of the

LZT20A20_362

Adelaide, Adelaide.. I think I can see the comet c...

Robert:, Well, well! My dear director… how’s business? Bertrand:, Good, very good, I am quite

LZT20A40_114

Robert:, Well, well! My dear director… how’s busin...

- How are you feeling today, Mr. Chapolard?, Madame Pochet, a concierge who knows how to behave,

LZT20A10_175

- How are you feeling today, Mr. Chapolard?, Madam...

How the Heart Will Be Perfected by God from Der beschlossen gart des rosenkratz marie, plate twenty

LZT20A24_493

How the Heart Will Be Perfected by God from Der be...

O How Extremely Happy Could Farmers Be, if only they would count their blessings, 1768, Jean

LZT20A43_380

O How Extremely Happy Could Farmers Be, if only th...

How Sweet You Are (Valentine), c. 1840, Unknown Artist, American or English, 19th century, United

LZT20A35_325

How Sweet You Are (Valentine), c. 1840, Unknown Ar...

This is How it Happened, plate 47 from The Disasters of War, 1812/15, published 1863, Francisco

LZT20A03_399

This is How it Happened, plate 47 from The Disaste...

How Cities are Born (Wedding in the Village), 1840, Charles François Daubigny, French, 1817-1878,

LZT20A16_220

How Cities are Born (Wedding in the Village), 1840...

How Wearily, Oh, How Wearily Drags Life (valentine), c. 1830, Unknown Artist, American or English,

LZT20A35_341

How Wearily, Oh, How Wearily Drags Life (valentine...

Husband: My dear, how about a first kiss on my chin? The wife (aside): To think that I am married

LZT20A20_356

Husband: My dear, how about a first kiss on my chi...

Husbands Always Make Me Laugh: How badly you lie, my dear, 1853, Paul Gavarni, French, 1804-1866,

LZT20A10_070

Husbands Always Make Me Laugh: How badly you lie, ...

The Disadvantage of Buying a Newspaper That is Publishing the News Twelve Hours Before the others.,

LZT20A10_192

The Disadvantage of Buying a Newspaper That is Pub...

Study for How a Devil in Woman’s Likeness Would Have Tempted Sir Bors, 1893, Aubrey Vincent

LZT20A15_391

Study for How a Devil in Woman’s Likeness Would Ha...

The Jayotype., Mr. Jay: The gentleman is married?, The gentleman: Certainly, but how the devil did

LZT20A10_174

The Jayotype., Mr. Jay: The gentleman is married?,...

The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as

LZT20A23_092

The Embroiderer. An example of the errors, nature ...

The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, 1862,

LZT20A23_139

The New Paris. How fortunate for those in a hurry ...

Quomodo debeamus uti liberalitate ad captandam multitudinis beniuolentiam (How We Must Use

LZT20A25_054

Quomodo debeamus uti liberalitate ad captandam mul...

Fragments faience vase, two ears with scroll ornaments and lion head, polychrome, vase crockery holder soil find ceramic

LZT19B41_392

Fragments faience vase, two ears with scroll ornam...

design: M. Holtzhey, Medal on the commemoration of the centenary of the Treaty of Munster, penning footage silver, grams

LZT19B46_490

design: M. Holtzhey, Medal on the commemoration of...

Scene tile, double child's play, goat buck buck, how many horns I have on, corner motif meander, wall tile tile sculpture

LZT19B64_017

Scene tile, double child's play, goat buck buck, h...

Cup and saucer, Costerman-uproar, blue Chinese porcelain, cup-saucer drinking utensils tableware holder ceramic porcelain cup

LZT19B49_314

Cup and saucer, Costerman-uproar, blue Chinese por...

Three-piece bronze mold for crane, mold casting tools tool kit base metal bronze, molded turned Three-piece bronze mold

LZT19B46_317

Three-piece bronze mold for crane, mold casting to...

Samuel Ruel (watch), Pocket watch with enamel dial with port quay scene in color and with gold interior and exterior case

LZT19B49_347

Samuel Ruel (watch), Pocket watch with enamel dial...

Cup and saucer, Costerman-uproar, blue Chinese porcelain, cup and saucer drinking utensils tableware holder ceramic porcelain

LZT19B49_316

Cup and saucer, Costerman-uproar, blue Chinese por...

Fireback, angel with kneeling man, Tobias, text Tobie am Vicap, hob plate cast iron, cast Rectangular two notches on each side

LZT19B64_472

Fireback, angel with kneeling man, Tobias, text To...

Facing brick in two parts with How, It, Vaert ... Schandelijck sharpened, facing brick building component sandstone stone, total

LZT19B55_237

Facing brick in two parts with How, It, Vaert ... ...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_334

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_348

Edificij et machine, Martini, Francesco di Giorgio...

View of a tree-lined street with snow, Ashfield, Massachusetts; A.W. & G.E. Howes; 1896; Gelatin silver print

LZT19B09_152

View of a tree-lined street with snow, Ashfield, M...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_335

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_347

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_331

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_346

Edificij et machine, Martini, Francesco di Giorgio...

Gracious. Goodness. Mr. Smith, how dare you think of intruding on a lady in such a situation.; American; about 1870; Albumen

LZT19B04_164

Gracious. Goodness. Mr. Smith, how dare you think ...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_332

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_344

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_325

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_339

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_356

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_370

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_340

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_353

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_372

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_327

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_336

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_352

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_326

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_338

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_351

Edificij et machine, Martini, Francesco di Giorgio...

How like Watteau; about 1858; Albumen silver print

LZT19B06_183

How like Watteau; about 1858; Albumen silver print

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_330

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_365

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_380

Edificij et machine, Martini, Francesco di Giorgio...

Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480

LZT19B31_328

Edificij et machine, Martini, Francesco di Giorgio...

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