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250 résultats pour : sentiment

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Grape Gathering near Naples, by A. De Curzon, in the Exhibition of Fine Arts at Paris, 1864.  Creator: Unknown.
HRM24A26_149

Grape Gathering near Naples, by A. De Curzon, in t...

The Chinese Giant, Chang, with his wife and attendant dwarf, 1865. Creator: Unknown.
HRM24A26_371

The Chinese Giant, Chang, with his wife and attend...

Presidential electioneering in New York: torchlight procession of the M'Clellan party, 1864. Creator: Unknown.
HRM24A15_067

Presidential electioneering in New York: torchligh...

Sketches from Mexico: court-martial of Mexican brigands at Puebla, 1864. Creator: Unknown.
HRM24A15_406

Sketches from Mexico: court-martial of Mexican bri...

The Reverse of Fortune, by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864. Creator: W Thomas.
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The Reverse of Fortune, by Mademoiselle Amanda Fou...

Presidential electioneering in New York - a street scene, 1864. Creator: Unknown.
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Presidential electioneering in New York - a street...

Restoration of Notre Dame, Paris: the Western Façade, 1862. Creator: Felix Thorigny.
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Restoration of Notre Dame, Paris: the Western Faça...

The International Exhibition: "The Departure of Hagar and Ishmael", modelled by Forsyth, 1862. Creator: Unknown.
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The International Exhibition: "The Departure of Ha...

The International Exhibition: "Memory", marble statue, by W. Brodie, R.S.A., 1862. Creator: Unknown.
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The International Exhibition: "Memory", marble sta...

The International Exhibition: "A Confession", by E. J. Aubert, 1862. Creator: W Thomas.
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The International Exhibition: "A Confession", by E...

Garibaldi at Varignano - from a drawing by M. Beaucé, 1862. Creator: Unknown.
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Garibaldi at Varignano - from a drawing by M. Beau...

His Majesty the King of Prussia, crowned at Königsberg, 1861. Creator: Unknown.
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His Majesty the King of Prussia, crowned at Königs...

Mr. Mason - one of the Confederate Commissioners to England and France seized on board the..., 1861. Creator: Unknown.
HRM23B24_397

Mr. Mason - one of the Confederate Commissioners t...

Presentation to the Highgate Rifle Corps of a silver bugle by Miss Burdet Coutts..., 1860. Creator: Unknown.
HRM23B08_116

Presentation to the Highgate Rifle Corps of a silv...

The Prince ascending the St. John, 1860. Creator: Smyth.
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The Prince ascending the St. John, 1860. Creator: ...

Abraham Lincoln, of Illinois, President Elect of the United States..., 1860. Creator: Unknown.
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Abraham Lincoln, of Illinois, President Elect of t...

Faith, Hope and Charity - sculpted by J. Thomas, 1858. Creator: Harvey Orrin Smith.
HRM23A81_371

Faith, Hope and Charity - sculpted by J. Thomas, 1...

The Late Ary Scheffer, 1858. Creator: Unknown.
HRM23A81_398

The Late Ary Scheffer, 1858. Creator: Unknown.

The Separation of the Apostles - from a picture by Charles Gleyre, 1858. Creator: Unknown.
HRM23A82_198

The Separation of the Apostles - from a picture by...

Scene from Tennyson's "Queen Mary" at the Lyceum Theatre, 1876. Creator: Unknown.
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Scene from Tennyson's "Queen Mary" at the Lyceum T...

Decoration Day at Philadelphia: Orphans decorating their Fathers' Graves in Glenwood Cemetery, 1876. Creator: Unknown.
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Decoration Day at Philadelphia: Orphans decorating...

Gaston de Foix - painted by Giorgione - bequeathed to the National Gallery by Mr. Samuel Rogers, 1 Creator: Unknown.
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Gaston de Foix - painted by Giorgione - bequeathed...

Presentation of the Grand Cordon of the Legion of Honour to the Sultan, at Constantinople, 1856.  Creator: Unknown.
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Presentation of the Grand Cordon of the Legion of ...

Le dernier bain!, 1840. Creator: Honore Daumier.
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Le dernier bain!, 1840. Creator: Honore Daumier.

''L'Europe sans Defiance; La France a tellement le sentiment que rien ne menace la paix', 1914. Creator: Unknown.
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''L'Europe sans Defiance; La France a tellement le...

Autographed letter from James Ramsay to Catherine Macaulay, 1774-07.  Creator: James Ramsay.
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Autographed letter from James Ramsay to Catherine ...

Thoughts and sentiments on the evil and wicked traffic of the slavery and...London, July 1787. Creator: Unknown.
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Thoughts and sentiments on the evil and wicked tra...

The Curtain Rises, Derry, NH, [193-]. Creator: Unknown.
HRM23A07_418

The Curtain Rises, Derry, NH, [193-]. Creator: Unk...

Reflexions sur la traite et l'esclavage des negres: traduit de l'anglais, 1788. Creator: Unknown.
HRM23A17_044

Reflexions sur la traite et l'esclavage des negres...

Un violent exercice étouffe les sentimens tendres, 1778.
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Un violent exercice étouffe les sentimens tendres,...

Un violent exercice étouffe les sentimens tendres, 1778.
HRM22B36_250

Un violent exercice étouffe les sentimens tendres,...

The Song of the Shirt - painted by A.E. Blunden - from the Exhibition of the Society of..., 1854. Creator: Unknown.
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The Song of the Shirt - painted by A.E. Blunden - ...

John, King of Saxony, 1854. Creator: Unknown.
HRM22B07_322

John, King of Saxony, 1854. Creator: Unknown.

Mr. Henry Russell - from a daguerreotype by Mayall, 1854. Creator: Unknown.
HRM22B07_413

Mr. Henry Russell - from a daguerreotype by Mayall...

Scene from the new drama of "The Old Chateau", at the Haymarket Theatre, 1854. Creator: Unknown.
HRM22B08_081

Scene from the new drama of "The Old Chateau", at ...

Les amants dans la campagne. Sentiments du jeune âge, c.1844.
HRM22A94_194

Les amants dans la campagne. Sentiments du jeune â...

The Crystal Palace at Sydenham - the Egyptian Avenue: Colossal Figures from Aboo Simbel, 1854. Creator: Unknown.
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The Crystal Palace at Sydenham - the Egyptian Aven...

Scene (the last) from the opera of "Medea", 1850. Creator: Unknown.
HRM22A34_181

Scene (the last) from the opera of "Medea", 1850. ...

The Late Lord Jeffrey, 1850. Creator: Unknown.
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The Late Lord Jeffrey, 1850. Creator: Unknown.

The late Rev. W. Lisle Bowles, 1850. Creator: Unknown.
HRM22A33_212

The late Rev. W. Lisle Bowles, 1850. Creator: Unkn...

Pinback button reading Teach the Children the Truth, 20th century. Creator: Unknown.
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Pinback button reading Teach the Children the Trut...

Lamartine, 1844. Creator: Unknown.
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Lamartine, 1844. Creator: Unknown.

Monument to Grace Darling
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Monument to Grace Darling

Infant Shakespeare Attended by Nature and the Passions
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Infant Shakespeare Attended by Nature and the Pass...

Le Colère (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
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Le Colère (from Caractères des passions, gravés su...

l'Amour simple, Abattement, Le Desir (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
HRM20A98_247

l'Amour simple, Abattement, Le Desir (from Caractè...

La Veneration, Le Ravissement, Extrême Douleur corporelle (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
HRM20A98_243

La Veneration, Le Ravissement, Extrême Douleur cor...

Le Pleurer and mouvement composé (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
HRM20A98_244

Le Pleurer and mouvement composé (from Caractères ...

Mouvement Violent, Mouvement violent ou le coeur seroidit, La Jalousie (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
HRM20A98_249

Mouvement Violent, Mouvement violent ou le coeur s...

Dotage, April 20, 1790.
HRM20A98_292

Dotage, April 20, 1790.

Mouvement de douleur, Douleur aigue de corps et d'Esprit, Mouvement composé (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun), 1695-1720.
HRM20A98_248

Mouvement de douleur, Douleur aigue de corps et d'...

Edmund Kean in the Character of Macbeth, 1814. Creator: George Henry Harlow.
HRM20A87_225

Edmund Kean in the Character of Macbeth, 1814. Cre...

Susanna and the Elders, early 17th-mid 17th century. Creator: Gerrit van Honthorst.
HRM20A87_233

Susanna and the Elders, early 17th-mid 17th centur...

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. , 1854-56, printed 1862.
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Figure 55: Astonishment badly rendered by the subj...

Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862.
HRM20A77_327

Figure 9: A study of m. frontalis in maximum contr...

Figure 82: Lady Macbeth, strong expression of cruelty , 1854-56, printed 1862.
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Figure 82: Lady Macbeth, strong expression of crue...

Figure 18: Aggression, wickedness, 1854-56, printed 1862.
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Figure 18: Aggression, wickedness, 1854-56, printe...

Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l?expression des passions applicable à la pratique des arts plastiques, 1854-56, printed 1862.
HRM20A77_358

Mécanisme de la physionomie humaine ou Analyse éle...

Figure 56: Surprise, 1854-56, printed 1862.
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Figure 56: Surprise, 1854-56, printed 1862.

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. , 1854-56, printed 1862.
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Figure 42: Gaiety expressed by the ideas of lustfu...

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862.
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Figure 36: Scornful laughter and scornful disgust,...

Figure 60: Fright, 1854-56, printed 1862.
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Figure 60: Fright, 1854-56, printed 1862.

Figure 48: Mild weeping, pity and feeble false laughter , 1854-56, printed 1862.
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Figure 48: Mild weeping, pity and feeble false lau...

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862.
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Figure 47: A suggestion of this same weeping, 1854...

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. , 1854-56, printed 1862.
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Figure 39: The attention attracted by an object th...

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862.
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Figure 50: Affected weeping and face in repose, 18...

Figure 49: Painful weeping and forward looking., 1854-56, printed 1862.
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Figure 49: Painful weeping and forward looking., 1...

Figure 19: Suffering , 1854-56, printed 1862.
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Figure 19: Suffering , 1854-56, printed 1862.

Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862.
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Icono-photographique. Mécanisme de la Physionomie ...

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi , 1854-56, printed 1862.
HRM20A77_319

Figure 12: A study of the contraction of and the e...

Figure 15: Meditation, mental concentration, 1854-56, printed 1862.
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Figure 15: Meditation, mental concentration, 1854-...

Figure 78: Scene of coquetry, 1854-56, printed 1862.
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Figure 78: Scene of coquetry, 1854-56, printed 186...

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. , 1854-56, printed 1862.
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Figure 17: On the right, electrization of m. proce...

Figure 3: The face of an old man... photographed in repose., 1854-56, printed 1862.
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Figure 3: The face of an old man... photographed i...

Faradisation du muscle frontal, 1854-56, printed 1862.
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Faradisation du muscle frontal, 1854-56, printed 1...

Figure 10: Showing the expressive lines of m. frontalis in a young girl , 1854-56, printed 1862.
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Figure 10: Showing the expressive lines of m. fron...

Figure 53: Whimpering and false laughter, 1854-56, printed 1862.
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Figure 53: Whimpering and false laughter, 1854-56,...

Figure 45: Pain and despair. , 1854-56, printed 1862.
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Figure 45: Pain and despair. , 1854-56, printed 18...

Figure 25: Not an expression of pain, 1854-56, printed 1862.
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Figure 25: Not an expression of pain, 1854-56, pri...

Figure 34: Grimace, 1854-56, printed 1862.
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Figure 34: Grimace, 1854-56, printed 1862.

Figure 21: Painful recollection and recollection or calling something to mind , 1854-56, printed 1862.
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Figure 21: Painful recollection and recollection o...

Figure 73: Head of Niobe, 1854-56, printed 1862.
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Figure 73: Head of Niobe, 1854-56, printed 1862.

Figure 75: Nun saying her prayers, 1854-56, printed 1862.
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Figure 75: Nun saying her prayers, 1854-56, printe...

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. , 1854-56, printed 1862.
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Figure 24: Extreme pain to the point of exhaustion...

Figure 4: The face in repose of a young man , 1854-56, printed 1862.
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Figure 4: The face in repose of a young man , 1854...

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862.
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Figure 81: Lady Macbeth, moderate expression of cr...

Figure 26: Expression of painful attention and attention, attentive gaze. , 1854-56, printed 1862.
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Figure 26: Expression of painful attention and att...

Figure 70: Head of the Laocoön of Rome, 1854-56, printed 1862.
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Figure 70: Head of the Laocoön of Rome, 1854-56, p...

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862.
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Figure 52: Voluntary retraction of the lower lip, ...

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862.
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Figure 83: Lady Macbeth, ferocious cruelty, 1854-5...

Figure 63: Expression of terror, 1854-56, printed 1862.
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Figure 63: Expression of terror, 1854-56, printed ...

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862.
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Figure 20: Profound suffering, with resignation, 1...

Figure 6: The grimace produced is similar to a tic of the face , 1854-56, printed 1862.
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Figure 6: The grimace produced is similar to a tic...

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862.
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Figure 54: Voluntary lowering of the lower jaw, 18...

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862.
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Figure 57: Astonishment, stupefaction, amazement, ...

Figure 8: Contraction of the right m. frontalis. , 1854-56, printed 1862.
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Figure 8: Contraction of the right m. frontalis. ,...

Figure 16: Expression of severity , 1854-56, printed 1862.
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Figure 16: Expression of severity , 1854-56, print...

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862.
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Figure 66: Head of Arrotino (the spy, the knife gr...

Figure 71: Same head as in Plate 70, 1854-56, printed 1862.
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Figure 71: Same head as in Plate 70, 1854-56, prin...

Figure 27: Expression proportionally more pained, 1854-56, printed 1862.
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Figure 27: Expression proportionally more pained, ...

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