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Verse accompanying the allegory on the restoration of the true religion in England with the arrival

LZT26A97_257

Verse accompanying the allegory on the restoration...

A Treatise on Landscape Painting and Effect in Water Colours: From the First Rudiments, to the

LZT20A20_446

A Treatise on Landscape Painting and Effect in Wat...

Lioness Tearing at the Chest of an Arab, 1849, Eugène Delacroix, French, 1798-1863, France, Soft

LZT20A35_050

Lioness Tearing at the Chest of an Arab, 1849, Eug...

Young Boy Seated, from the first issue of Specimens of Polyautography, 1803, Thomas Barker

LZT20A44_263

Young Boy Seated, from the first issue of Specimen...

Ancient temple commonly called the Temple of Health on the Via d’Albano five miles outside Rome,

LZT20A17_426

Ancient temple commonly called the Temple of Healt...

The Lovers, 1799, Johann Heinrich Ramberg, German, 1763-1840, Germany, Pen lithograph in brown on

LZT20A43_252

The Lovers, 1799, Johann Heinrich Ramberg, German,...

The Assault of the Shoe, 1888, Henri Charles Guérard, French, 1846-1897, France, Etching, with open

LZT20A41_473

The Assault of the Shoe, 1888, Henri Charles Guéra...

A Woman Sitting by the Window (Evening Thou Bringest All), from the first issue of Specimens of

LZT20A44_264

A Woman Sitting by the Window (Evening Thou Bringe...

Landscape with Old Trees by Water, from the first issue of Specimens of Polyautography, 1803, Henry

LZT20A44_265

Landscape with Old Trees by Water, from the first ...

Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from Les Origines, 1883, Odilon

LZT20A04_009

Siren Coming out of the Waves, Dressed in Flames, ...

Plate Three, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England,

LZT20A06_238

Plate Three, from A Rake’s Progress, June 1735, Wi...

Interior view of the Basilica of St. Peter’s in the Vatican, near the Tribune, from Views of Rome,

LZT20A01_281

Interior view of the Basilica of St. Peter’s in th...

The Tooth Puller, plate nine from Selection of Pictures from Venetian Collections, 1765, Jacopo

LZT20A44_224

The Tooth Puller, plate nine from Selection of Pic...

A. View of the Tomb of Licinianus Piso on the ancient Appian Way… B. Tomb of the Cornelii…, from

LZT20A17_430

A. View of the Tomb of Licinianus Piso on the anci...

Grotesque Borders for Halls & Rooms, published August 1799, Thomas Rowlandson (English, 1756-1827),

LZT20A20_425

Grotesque Borders for Halls & Rooms, published Aug...

The Sacrifice of Pan, 1808/15, Carl Wilhelm Kolbe, the elder, German, 1759-1835, Germany, Etching

LZT20A44_370

The Sacrifice of Pan, 1808/15, Carl Wilhelm Kolbe,...

Seated Woman, Head in Right Hand, 1897, Jean Louis Forain, French, 1852-1931, France, Lithograph in

LZT20A19_416

Seated Woman, Head in Right Hand, 1897, Jean Louis...

The Execution of Maximilian, 1867–68, Édouard Manet, French, 1832-1883, France, Lithograph in

LZT20A21_310

The Execution of Maximilian, 1867–68, Édouard Mane...

The Resurrection, c. 1655, Cornelis Visscher (Dutch, c. 1629-1658), after Paolo Caliari, called

LZT20A10_013

The Resurrection, c. 1655, Cornelis Visscher (Dutc...

La Pompe Notre Dame, Paris, 1852, Charles Meryon, French, 1821-1868, France, Etching on cream laid

LZT20A37_081

La Pompe Notre Dame, Paris, 1852, Charles Meryon, ...

The Sulky Club, published March 18, 1794, Henry William Bunbury, English, 1750-1811, England,

LZT20A19_366

The Sulky Club, published March 18, 1794, Henry Wi...

The Vampire, 1853, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French,

LZT20A15_423

The Vampire, 1853, Charles Meryon (French, 1821-18...

Portrait of the Artist’s Wife Asleep (Marie Guilloux), c. 1880, Albert-Charles Lebourg, French,

LZT20A37_475

Portrait of the Artist’s Wife Asleep (Marie Guillo...

Grimthorp in the County of Lincoln, plate 23 from Britannia Illustrata, published 1707, Jan Kip

LZT20A41_434

Grimthorp in the County of Lincoln, plate 23 from ...

Resting, Men and Dogs Under a Big Tree, from the first issue of Specimens of Polyautography, 1802,

LZT20A44_262

Resting, Men and Dogs Under a Big Tree, from the f...

The Entombment, c. 1655, Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory laid

LZT20A10_015

The Entombment, c. 1655, Cornelis Visscher, Dutch,...

Cavalry Charging, from the first issue of Specimens of Polyautography, 1801, published 1803, Conrad

LZT20A44_261

Cavalry Charging, from the first issue of Specimen...

Plate One, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching

LZT20A06_236

Plate One, from A Rake’s Progress, June 1735, Will...

Full Cry, from Fox Hunting, 1828, Charles Bentley (English, 1806-1854), after Henry Alken (English,

LZT20A20_249

Full Cry, from Fox Hunting, 1828, Charles Bentley ...

The Acropolis, Athens: The Pnyx, Areopagus, Acropolis and Mount Hymmettos, 1845, Théodore Caruelle

LZT20A38_451

The Acropolis, Athens: The Pnyx, Areopagus, Acropo...

Saul and the Witch of Endor, 1788, William Sharp (English, 1749-1824), after Benjamin West

LZT20A00_405

Saul and the Witch of Endor, 1788, William Sharp (...

Night, plate four from The Four Times of the Day, May 1738, William Hogarth, English, 1697-1764,

LZT20A06_248

Night, plate four from The Four Times of the Day, ...

The Spring in the Woods, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black

LZT20A16_432

The Spring in the Woods, 1898, Henri Fantin-Latour...

Franz Anton Maulbertsch (Austrian, 1724-1796). Das Bild der Duldung, 1785. Engraving and etching.

LZT16A23_109

Franz Anton Maulbertsch (Austrian, 1724-1796). Das...

Carle Vernet (aka Antoine Charles Horace Vernet, French, 1758 - 1836). Mohammedan Rider with Sabre

LZT16A21_148

Carle Vernet (aka Antoine Charles Horace Vernet, F...

Jacques Firmin Beauvarlet (French, 1731-1797) after Jean-Germain Drouais (French, 1763 - 1788). The

LZT16A22_138

Jacques Firmin Beauvarlet (French, 1731-1797) afte...