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HRM23B04_431
Viollet-Le-Duc, between 1876 and 1884. Creator: Na...
HRM23B04_430
Self-Portrait in Indian Costume, c.1863. Creator: ...
HRM22A99_326
Nadar (known as Felix Tournachon, 1820-1910), phot...
HRM21B05_276
Marie-Eugène Chevreul, 1886. Creator: Paul Nadar.
HRM21B04_085
Portrait de Jules Janin d'Apres Nadar, c. 1857, pr...
HRM21B04_087
Portrait du Prince Adam Georges Czartorisky, d'apr...
HRM21B04_086
Portrait de Theophile Gautier d'apres Nadar, c. 18...
HRM21A92_423
Antoine Gustave Droz (French writer, 1832-1895), c...
HRM21A92_435
F. de Lesseps, c. 1876. Creator: Nadar.
HRM21A92_424
Baron Isidore Justin Séverin Taylor (Belgian playw...
HRM21A92_434
Eugène Viollet-Le-Duc (French architect, 1814-1879...
HRM21A92_426
Champfleury (born Jules François Felix Fleury-Huss...
HRM21A92_437
Francis Planté (French pianist, 1839-1934), 1865/7...
HRM21A92_427
Edmond About, c. 1853/79. Creator: Nadar.
HRM21A92_436
Ferdinand Fabre, 1853/76. Creator: Nadar.
HRM21A92_428
Edmond de Goncourt (French writer and critic, 1822...
HRM21A92_439
Georges Sand (born Amantine Lucile Aurore Dupin, F...
HRM21A92_429
Edouard-René Laboulaye, 1853/79. Creator: Nadar.
HRM21A92_438
François Coppée (French poet and novelist, 1842-19...
HRM21A92_430
Édouard Manet (French painter, 1832-1883), 1865. C...
HRM21A92_441
Gustave Doré, 1856/58. Creator: Nadar.
HRM21A92_431
Élie-Louis, duc Decazes (French statesman and dipl...
HRM21A92_440
Gondinet, 1853/76. Creator: Nadar.
HRM21A92_432
Ernest Legouvé, 1853/76. Creator: Nadar.
HRM21A92_443
Isaac Péreire, c. 1853/76. Creator: Nadar.
HRM21A92_445
Le Neptune, Place Saint-Pierre à Montmartre, Septe...
HRM21A92_433
Eugène Scribe, c. 1858. Creator: Nadar.
HRM21A92_442
Interior of Le Géant Inflating, 1863. Creator: Nad...
HRM21A92_444
Le Geant, Champ de Mars, October 18, 1863, probabl...
HRM21A92_447
Mme. Pape-Carpantier, 1853/78. Creator: Nadar.
HRM21A92_446
Louis Figuier, 1853/77. Creator: Nadar.
HRM21A92_449
Theodore Barrière, c. 1853/73. Creator: Nadar.
HRM21A92_448
Portrait of La Fontaine, c. 1854-1860. Creator: Na...
HRM21A92_450
Thiers, c. 1870. Creator: Nadar.
HRM21A71_358
Portrait of Nadar (Felix Tournachon) (1820-1910), ...
HRM21A47_123
Honoré Daumier, 1856/1858.
HRM21A47_185
Vache Garonnaise, agée de 5 à 6 ans, 1856.
HRM21A47_122
Self-Portrait with Wife Ernestine in a Balloon Gon...
HRM20A87_499
Caricature of Henri Mürger, 1849-61. Creator: Nada...
HRM20A77_316
Figure 55: Astonishment badly rendered by the subj...
HRM20A77_327
Figure 9: A study of m. frontalis in maximum contr...
HRM20A77_336
Figure 82: Lady Macbeth, strong expression of crue...
HRM20A77_347
Figure 18: Aggression, wickedness, 1854-56, printe...
HRM20A77_358
Mécanisme de la physionomie humaine ou Analyse éle...
HRM20A79_107
[Album Containing Photographs, Engravings, Drawing...
HRM20A77_317
Figure 56: Surprise, 1854-56, printed 1862.
HRM20A77_326
Figure 42: Gaiety expressed by the ideas of lustfu...
HRM20A77_337
Figure 36: Scornful laughter and scornful disgust,...
HRM20A77_346
Figure 60: Fright, 1854-56, printed 1862.
HRM20A79_109
[Paul Nadar at the Breast of His Wet Nurse], 1856.
HRM20A77_311
Figure 48: Mild weeping, pity and feeble false lau...
HRM20A77_318
Figure 47: A suggestion of this same weeping, 1854...
HRM20A77_329
Figure 39: The attention attracted by an object th...
HRM20A77_338
Figure 50: Affected weeping and face in repose, 18...
HRM20A77_349
Figure 49: Painful weeping and forward looking., 1...
HRM20A77_356
Figure 19: Suffering , 1854-56, printed 1862.
HRM20A79_110
[Nadar with His Wife, Ernestine, in a Balloon], ca...
HRM20A79_125
[Draped Standing Nude], 1856-59.
HRM20A77_310
Icono-photographique. Mécanisme de la Physionomie ...
HRM20A77_319
Figure 12: A study of the contraction of and the e...
HRM20A77_328
Figure 15: Meditation, mental concentration, 1854-...
HRM20A77_339
Figure 78: Scene of coquetry, 1854-56, printed 186...
HRM20A77_348
Figure 17: On the right, electrization of m. proce...
HRM20A77_357
Figure 3: The face of an old man... photographed i...
HRM20A79_111
[Seated Model, Partially Draped], 1856-59.
HRM20A79_124
Catacombs, Paris, April 1862.
HRM20A77_312
Faradisation du muscle frontal, 1854-56, printed 1...
HRM20A77_323
Figure 10: Showing the expressive lines of m. fron...
HRM20A77_332
Figure 53: Whimpering and false laughter, 1854-56,...
HRM20A77_343
Figure 45: Pain and despair. , 1854-56, printed 18...
HRM20A77_354
Figure 25: Not an expression of pain, 1854-56, pri...
HRM20A77_313
Figure 34: Grimace, 1854-56, printed 1862.
HRM20A77_322
Figure 21: Painful recollection and recollection o...
HRM20A77_333
Figure 73: Head of Niobe, 1854-56, printed 1862.
HRM20A77_342
Figure 75: Nun saying her prayers, 1854-56, printe...
HRM20A77_355
Figure 24: Extreme pain to the point of exhaustion...
HRM20A77_314
Figure 4: The face in repose of a young man , 1854...
HRM20A77_325
Figure 81: Lady Macbeth, moderate expression of cr...
HRM20A77_334
Figure 26: Expression of painful attention and att...
HRM20A77_345
Figure 70: Head of the Laocoön of Rome, 1854-56, p...
HRM20A77_352
Figure 52: Voluntary retraction of the lower lip, ...
HRM20A77_315
Figure 83: Lady Macbeth, ferocious cruelty, 1854-5...
HRM20A77_324
Figure 63: Expression of terror, 1854-56, printed ...
HRM20A77_335
Figure 20: Profound suffering, with resignation, 1...
HRM20A77_344
Figure 6: The grimace produced is similar to a tic...
HRM20A77_353
Figure 54: Voluntary lowering of the lower jaw, 18...
HRM20A79_118
Pierrot Running, 1854-55.
HRM20A79_117
Gioacchino Rossini, March 1856.
HRM20A79_116
Pierrot Laughing, 1855.
HRM20A79_126
Pierrot in pain, ca. 1854-55.
HRM20A79_114
Eugène Pelletan, 1855-59.
HRM20A79_127
Jean-François Millet, 1856-58, printed ca. 1900.
HRM20A77_320
Figure 57: Astonishment, stupefaction, amazement, ...
HRM20A77_331
Figure 8: Contraction of the right m. frontalis. ,...
HRM20A77_340
Figure 16: Expression of severity , 1854-56, print...
HRM20A77_351
Figure 66: Head of Arrotino (the spy, the knife gr...
HRM20A79_112
Jules Janin, ca. 1856.
HRM20A79_123
[Standing Female Nude], 1860-61.
HRM20A77_321
Figure 71: Same head as in Plate 70, 1854-56, prin...
HRM20A77_330
Figure 27: Expression proportionally more pained, ...
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