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Girl with cats, lithograph (watermark: lion), leaf: 38 x 51.6 cm (largest mass), R. under the
LZT20A52_113

Girl with cats, lithograph (watermark: lion), leaf...

Holbein leaves home in Basel, around 1857, pen lithograph, mounted on base paper, mounted in
LZT20A52_234

Holbein leaves home in Basel, around 1857, pen lit...

Maternité devant la mer, ou Maternité au Pouldu, 1900, Chalk and brush lithograph in 3 colors on
LZT20A51_294

Maternité devant la mer, ou Maternité au Pouldu, 1...

Prayer II, around 1913, lithograph, watercolored, sheet: 17.5 x 11.7 cm, Im Stein u., l, .,
LZT20A51_330

Prayer II, around 1913, lithograph, watercolored, ...

Two girls with cats, lithograph (watermark: BERGISCH, GLADBACH), sheet: 40.5 x 51.5 cm (largest
LZT20A52_112

Two girls with cats, lithograph (watermark: BERGIS...

Holbein meets a countryman in the tavern, around 1857, pen lithograph, mounted on base paper,
LZT20A52_235

Holbein meets a countryman in the tavern, around 1...

The death of a human, at the same time in the airplane and the railway, around 1913, lithograph,
LZT20A51_295

The death of a human, at the same time in the airp...

L'Exécution de Maximilien, 1867/68, chalk lithograph, cut out and mounted on carrier sheet, missing
LZT20A51_432

L'Exécution de Maximilien, 1867/68, chalk lithogra...

The beloved Holbein at the window of Maria, c. 1857, pen lithograph, mounted on base paper, mounted
LZT20A52_232

The beloved Holbein at the window of Maria, c. 185...

Female nude in the lost profile to the left, lithograph, sheet: 43 x 30.8 cm (largest mass), R.
LZT20A52_122

Female nude in the lost profile to the left, litho...

Enfoncé Lafayette! .... Dummy, mon vieux !, chalk lithograph, first and only condition, folio: 34.2
LZT20A52_170

Enfoncé Lafayette! .... Dummy, mon vieux !, chalk ...

The desperate Holbein in the room of Erasmus, c. 1857, pen lithograph, mounted on base paper,
LZT20A52_233

The desperate Holbein in the room of Erasmus, c. 1...

Selfportrait Hans Holbein d., J. (after the later self-portrait in the Uffizi), around 1857, pen
LZT20A52_230

Selfportrait Hans Holbein d., J. (after the later ...

Cover drawing to Adelbert von Chamisso's story Peter Schlemihl's miraculous story, 1915, black
LZT20A51_268

Cover drawing to Adelbert von Chamisso's story Pet...

Le beau Narcisse, 1842, chalk lithograph, 1st condition (from 4), sheet: 35.7 x 27.3 cm |, Image:
LZT20A52_194

Le beau Narcisse, 1842, chalk lithograph, 1st cond...

Nous sommes tous d'honnêtes gens, embrassons-nous, et que ça finisse, 1834, chalk lithograph,
LZT20A52_199

Nous sommes tous d'honnêtes gens, embrassons-nous,...

Lion Dvorant un cheval, 1844, chalk lithograph, 4th condition (from 5), sheet: 23.5 x 31.6 cm |,
LZT20A51_325

Lion Dvorant un cheval, 1844, chalk lithograph, 4t...

Without title, lithograph in blue, 99/100, sheet: 28.3 x 37.4 cm, U. r., signed in red pencil:
LZT20A52_351

Without title, lithograph in blue, 99/100, sheet: ...

The musing Holbein is surprised by Erasmus, around 1857, pen lithograph, mounted on pad paper,
LZT20A52_231

The musing Holbein is surprised by Erasmus, around...

L'Abandon d'Ariane, 1842, chalk lithograph, 3rd condition (from 4), sheet: 33.5 x 24.7 cm |, Image:
LZT20A52_195

L'Abandon d'Ariane, 1842, chalk lithograph, 3rd co...

Athalie, 1851, chalk lithograph, 2nd condition (from 2), sheet: 26.8 x 35.3 cm |, 21.5 x 28.5 cm,
LZT20A52_198

Athalie, 1851, chalk lithograph, 2nd condition (fr...

Théorie de Baigneuses, (1897), brush lithograph on Chinese paper, mounted on backing paper, first
LZT20A51_428

Théorie de Baigneuses, (1897), brush lithograph on...

Hamlet veut suivre l'ombre de son père (William Shakespeare, Hamlet, Actes I, Scène IV), 1835,
LZT20A52_192

Hamlet veut suivre l'ombre de son père (William Sh...

Ingrate patrie, tu n'auras pas mon oeuvre! ..., 1840, chalk lithograph, 5th condition (from 5),
LZT20A52_201

Ingrate patrie, tu n'auras pas mon oeuvre! ..., 18...

Selfportrait Hans Holbein d., J. (after the early Basler so-called self portrait with the red
LZT20A52_229

Selfportrait Hans Holbein d., J. (after the early ...

Woman of the artist with Thomas and Mine, lithograph, sheet: 31 x 43.3 cm (largest mass), R. signed
LZT20A52_110

Woman of the artist with Thomas and Mine, lithogra...

Monsieur, pardon si je vous gêne un peu [...], 1844, chalk lithograph, 4th condition (from 4),
LZT20A52_193

Monsieur, pardon si je vous gêne un peu [...], 184...

Great cupid, va!, (Lepeintre Jne, rôle de Tragala dans Vingt ans plus tard)., 1834, chalk
LZT20A52_200

Great cupid, va!, (Lepeintre Jne, rôle de Tragala ...

Obsession, 1894, chalk lithograph, edition: 25, page: 46 x 31.7 cm |, Image: 36.2 x 22.8 cm, Signed
LZT20A51_430

Obsession, 1894, chalk lithograph, edition: 25, pa...

Unknown (American), Washington Entering New York, 19th century, color lithograph, Framed: 28 × 42
LZT20A56_446

Unknown (American), Washington Entering New York, ...

The irascible Holbein throws down a member of parliament down the stairs, around 1857, pen
LZT20A52_239

The irascible Holbein throws down a member of parl...

Le Ventre législatif., Aspect of the bancs ministériels de la chambre improstituée de 1834, 1834,
LZT20A51_353

Le Ventre législatif., Aspect of the bancs ministé...

Holbein with Thomas More before King Henry VIII, c. 1857, pen lithograph, mounted on base paper,
LZT20A52_238

Holbein with Thomas More before King Henry VIII, c...

Frontispiece for Fables et Contes by Hippolyte de Thierry-Faletans, 1868, quill lithograph, sheet:
LZT20A52_430

Frontispiece for Fables et Contes by Hippolyte de ...

Holbein portrays Catherine Howard, around 1857, pen lithograph, mounted on base paper, mounted in
LZT20A52_241

Holbein portrays Catherine Howard, around 1857, pe...

Une séance de l'union électorale, 1851, chalk lithograph, 2nd condition (from 3), sheet: 25.6 x 33
LZT20A52_196

Une séance de l'union électorale, 1851, chalk lith...

Holbein portrays Anne Boleyn, around 1857, pen lithograph, mounted on base paper, mounted in
LZT20A52_240

Holbein portrays Anne Boleyn, around 1857, pen lit...

Achille et Agamemnon, 1851, chalk lithograph, 2nd condition (from 2), sheet: 26.9 x 34.6 cm |, 20.5
LZT20A52_197

Achille et Agamemnon, 1851, chalk lithograph, 2nd ...

Holbein on the deathbed of his daughter Maria, c. 1857, pen lithograph, mounted on base paper,
LZT20A52_243

Holbein on the deathbed of his daughter Maria, c. ...

Holbein with Henry VIII in the garden, around 1857, pen lithograph, mounted on base paper, mounted
LZT20A52_242

Holbein with Henry VIII in the garden, around 1857...

Holbein is received by Thomas Morus, around 1857, pen lithograph, mounted on base paper, mounted in
LZT20A52_236

Holbein is received by Thomas Morus, around 1857, ...

Holbein wakes up in the house of Thomas More, around 1857, pen lithograph, mounted on base paper,
LZT20A52_237

Holbein wakes up in the house of Thomas More, arou...

Dearest ‘Tis Sweet to Loving Hearts (valentine), 1840/60, George Kershaw, English, 19th century,
LZT20A03_191

Dearest ‘Tis Sweet to Loving Hearts (valentine), 1...

Haste From My Lattice, Letter Fly! (valentine), c. 1850, Unknown Artist, English, 19th century,
LZT20A03_200

Haste From My Lattice, Letter Fly! (valentine), c....

In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6
LZT20A04_150

In the Shadow Are People, Weeping and Praying, Sur...

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24, 1896, Odilon Redon, French,
LZT20A04_163

Intelligence was Mine! I Became the Great Buddha!,...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,
LZT20A04_172

I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,
LZT20A04_185

The Beasts of the Sea, Round Like Leather Bottles,...

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André
LZT20A04_194

Frontispiece for Le mouvement idéaliste en peintur...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Beatrice, 1897, Odilon Redon, French, 1840-1916, France, Lithograph in yellow, blue, and green on
LZT20A04_209

Beatrice, 1897, Odilon Redon, French, 1840-1916, F...

Mounted Mameluke Chieftain Calling for Aid, 1817, Baron Antoine Jean Gros, French, 1771-1835,
LZT20A09_217

Mounted Mameluke Chieftain Calling for Aid, 1817, ...

The Commentary, 1843, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory China
LZT20A09_232

The Commentary, 1843, Paul Gavarni, French, 1804-1...

Les Propos de Thomas Vireloque: The old story, my lambkins, 1852, Paul Gavarni, French, 1804-1866,
LZT20A10_039

Les Propos de Thomas Vireloque: The old story, my ...

Les Propos de Thomas Vireloque: Misere et corde, quarrel for tops, 1852–53, Paul Gavarni, French,
LZT20A10_050

Les Propos de Thomas Vireloque: Misere et corde, q...

Masks and faces: Women afraid of a glass of wine…, 1857–58, Paul Gavarni, French, 1804-1866,
LZT20A10_061

Masks and faces: Women afraid of a glass of wine…,...

Husbands Always Make Me Laugh: Ninie, I’ve just had an idea, 1853, Paul Gavarni, French, 1804-1866,
LZT20A10_064

Husbands Always Make Me Laugh: Ninie, I’ve just ha...

Egglestone Abbey, from the River, 1899, Joseph Pennell, American, 1857-1926, United States,
LZT20A17_403

Egglestone Abbey, from the River, 1899, Joseph Pen...

Cover of L’Estampe originale, with notes, 1893, Henri de Toulouse-Lautrec, French, 1864-1901,
LZT20A22_256

Cover of L’Estampe originale, with notes, 1893, He...

Les maris me font toujours rire: Je suis le mari de M’ame Jolibiais, 1853, Paul Gavarni, French,
LZT20A24_276

Les maris me font toujours rire: Je suis le mari d...

Hamlet and Ophelia, 1835–43, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on
LZT20A27_135

Hamlet and Ophelia, 1835–43, Eugène Delacroix, Fre...

The Farriers, 1888, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph
LZT20A40_314

The Farriers, 1888, James McNeill Whistler, Americ...

The Garden, 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph
LZT20A40_323

The Garden, 1891, James McNeill Whistler, American...

Draped Figure, Reclining, 1892, James McNeill Whistler, Printed by Henry Belfond, American,
LZT20A40_334

Draped Figure, Reclining, 1892, James McNeill Whis...

Study, 1894, James McNeill Whistler, American, 1834-1903, United States, Lithograph on cream laid
LZT20A41_125

Study, 1894, James McNeill Whistler, American, 183...

Lippincott’s for January, 1895, published, Will Carqueville (American, 1871-1946), published by J.B
LZT20A02_128

Lippincott’s for January, 1895, published, Will Ca...

Needlework, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph
LZT20A02_427

Needlework, 1896, James McNeill Whistler, American...

St. Anne’s, Soho, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer
LZT20A02_434

St. Anne’s, Soho, 1896, James McNeill Whistler, Am...

Portrait of Dr. Whistler, No. 2, 1894, James McNeill Whistler, American, 1834-1903, United States,
LZT20A02_445

Portrait of Dr. Whistler, No. 2, 1894, James McNei...

The Charger, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China
LZT20A04_128

The Charger, 1894, Odilon Redon, French, 1840-1916...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,
LZT20A04_141

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

Arï, 1898, Odilon Redon, French, 1840-1916, France, Lithograph in black on heavy cream wove paper,
LZT20A04_216

Arï, 1898, Odilon Redon, French, 1840-1916, France...

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon
LZT20A04_227

And There Fell a Great Star From Heaven, Burning a...

My Daughter Has Danced, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on
LZT20A10_075

My Daughter Has Danced, 1857–58, Paul Gavarni, Fre...

Andromeda, 1899, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory wove
LZT20A16_445

Andromeda, 1899, Henri Fantin-Latour, French, 1836...

Picnic, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove
LZT20A19_087

Picnic, 1898, Henri de Toulouse-Lautrec, French, 1...

Frontispiece, from Elles, 1896, Henri de Toulouse-Lautrec (French, 1864-1901), published by Gustave
LZT20A19_096

Frontispiece, from Elles, 1896, Henri de Toulouse-...

Sight, plate 39 from Types Parisiens, August 4, 1839, Honoré Victorin Daumier, French, 1808-1879,
LZT20A23_039

Sight, plate 39 from Types Parisiens, August 4, 18...

A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future,
LZT20A24_286

A Suggestion by the Charivari to Mr. Léon Faucher ...

The source of the Seine is the Cote d’Or, and it empties into the Channel. On its way it traverses
LZT20A34_125

The source of the Seine is the Cote d’Or, and it e...

Wednesday: Footpath on the Mönchsberg Near Salzburg, 1823, Ferdinand Olivier, German, 1785-1841,
LZT20A38_307

Wednesday: Footpath on the Mönchsberg Near Salzbur...

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894,
LZT20A40_086

Manao tupapau (She Thinks of the Ghost or The Ghos...

Draped Model, Standing, 1893, printed posthumously, James McNeill Whistler, American, 1834-1903,
LZT20A40_345

Draped Model, Standing, 1893, printed posthumously...

The Whitesmiths, Impasse des Carmélites, 1894, James McNeill Whistler, American, 1834-1903, United
LZT20A40_356

The Whitesmiths, Impasse des Carmélites, 1894, Jam...

l’Etendard Francais, 1891, Jules Chéret, (French, 1836-1932), printed by Imprimerie Chaix, France,
LZT20A43_078

l’Etendard Francais, 1891, Jules Chéret, (French, ...

Reading, 1879, published 1887, James McNeill Whistler, American, 1834-1903, United States,
LZT20A02_379

Reading, 1879, published 1887, James McNeill Whist...

The thermometer of the engineer Chevalier was right… at 10 degrees the large rivers as well as the
LZT20A10_185

The thermometer of the engineer Chevalier was righ...

Brunnen, from Picturesque Selections, 1859, James Duffield Harding, (English, 1798-1863), Published
LZT20A17_096

Brunnen, from Picturesque Selections, 1859, James ...

Pandy Mill, from Picturesque Selections, c. 1859–60, James Duffield Harding, (English, 1798-1863),
LZT20A17_107

Pandy Mill, from Picturesque Selections, c. 1859–6...

Military Prison, 1827, Denis Auguste Marie Raffet (French, 1804-1860), printed by François le
LZT20A17_469

Military Prison, 1827, Denis Auguste Marie Raffet ...

Sheet of Sketches, 1828, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut
LZT20A17_482

Sheet of Sketches, 1828, Denis Auguste Marie Raffe...

Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut
LZT20A17_490

Sheet of Sketches, 1829, Denis Auguste Marie Raffe...

Defendant! Do you have any means of living?, Thank you Mr President…. I have quite a good stomach,
LZT20A18_335

Defendant! Do you have any means of living?, Thank...

The Sisters, 1894/95, James McNeill Whistler, American, 1834-1903, United States, Transfer
LZT20A18_342

The Sisters, 1894/95, James McNeill Whistler, Amer...

The Terror of Grenelle, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color
LZT20A20_413

The Terror of Grenelle, 1894, Henri de Toulouse-La...

Cover for the first album of L’Estampe originale, 1893, Henri de Toulouse-Lautrec (French,
LZT20A21_332

Cover for the first album of L’Estampe originale, ...

Girl with Bowl, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer
LZT20A22_132

Girl with Bowl, 1895, James McNeill Whistler, Amer...

Black and white, plate 23 from Émotions Parisiennes, 1840, Honoré Victorin Daumier, French,
LZT20A23_054

Black and white, plate 23 from Émotions Parisienne...

The Aztecs before the scientists, plate 211 from Actualités, 1855, Honoré Victorin Daumier, French,
LZT20A23_065

The Aztecs before the scientists, plate 211 from A...

A Bad Case of Consumption, from Puck, 1890, Joseph Keppler, American, 1838-1894, United States,
LZT20A24_230

A Bad Case of Consumption, from Puck, 1890, Joseph...

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