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Sleeping girl act, pencil, one-line rectangle edging, sheet: 12.7 x 18.2 cm (largest mass), U. l.,

LZT20A53_361

Sleeping girl act, pencil, one-line rectangle edgi...

Girl with cats, lithograph (watermark: lion), leaf: 38 x 51.6 cm (largest mass), R. under the

LZT20A52_113

Girl with cats, lithograph (watermark: lion), leaf...

Initial D with the crucifixion of St. Andrew, mid 15th c., Cover color on parchment, verso: Latin

LZT20A52_157

Initial D with the crucifixion of St. Andrew, mid ...

View from the Elisabethenschanze to the Rundbastion, to the Steinentor and the Steinenschanze in

LZT20A52_159

View from the Elisabethenschanze to the Rundbastio...

Schlemihl's Encounter with the Shadow, 1915, color woodcut, sheet: 53.3 x 37.9 cm largest mass,

LZT20A51_321

Schlemihl's Encounter with the Shadow, 1915, color...

The Stranger (The Man Who Roams the City), 1924/25, woodcut on paper, self-printing, folia: 57.3 x

LZT20A52_068

The Stranger (The Man Who Roams the City), 1924/25...

David playing the harp in front of Saul, 1555, Clair-obscur woodcut of four plates (light beige,

LZT20A52_103

David playing the harp in front of Saul, 1555, Cla...

Two girls with cats, lithograph (watermark: BERGISCH, GLADBACH), sheet: 40.5 x 51.5 cm (largest

LZT20A52_112

Two girls with cats, lithograph (watermark: BERGIS...

Juvenile act, 1905, drypoint on thin translucent paper, only condition, foliate: 48.1 x 31.2 cm

LZT20A52_125

Juvenile act, 1905, drypoint on thin translucent p...

Initial S with the Pentecost, mid 15th c., Cover color on parchment, Spread over paper, sheet: 10.7

LZT20A52_156

Initial S with the Pentecost, mid 15th c., Cover c...

Sitting Bather, 1912, chalk in blue, watercolored, leaf: 46 x 39.1 cm (largest mass), U. r., Signed

LZT20A51_320

Sitting Bather, 1912, chalk in blue, watercolored,...

L'Exécution de Maximilien, 1867/68, chalk lithograph, cut out and mounted on carrier sheet, missing

LZT20A51_432

L'Exécution de Maximilien, 1867/68, chalk lithogra...

Sheet from the portfolio The Koral of the Big Baal (after Bertolt Brecht), 1925, woodcut on

LZT20A52_071

Sheet from the portfolio The Koral of the Big Baal...

LZT20A52_122

Female nude in the lost profile to the left, litho...

Woman lying on her back, 1914, pencil and gouache, verso: pencil, sheet: 31.8 x 48.2 cm (largest

LZT20A51_229

Woman lying on her back, 1914, pencil and gouache,...

Les drames de la mer (Une descente dans le Maelstrom), 1889, zincography in black on yellow vellum,

LZT20A51_292

Les drames de la mer (Une descente dans le Maelstr...

Village in the plain, chalk in black, leaf: 30.7 x 47.5 cm (largest mass), U. r., monogrammed with

LZT20A51_391

Village in the plain, chalk in black, leaf: 30.7 x...

Sheet from the portfolio The Koral of the Great Baal (after Bertolt Brecht), 1925, woodcut on

LZT20A52_070

Sheet from the portfolio The Koral of the Great Ba...

The Curse, 1911, drypoint (WZ: J W. ZANDERS), proof, single condition, leaf: 39 x 49.5 cm (largest

LZT20A52_114

The Curse, 1911, drypoint (WZ: J W. ZANDERS), proo...

Female nude, asleep, 1910, drypoint on thin translucent paper, [which condition?, (Of 3)], Black:

LZT20A52_123

Female nude, asleep, 1910, drypoint on thin transl...

Haymaking, around 1920, chalk and watercolor over pencil, verso: pencil, leaf: 37.5 x 56 cm

LZT20A51_318

Haymaking, around 1920, chalk and watercolor over ...

Stäblinsbrunnen (= Simson Fountain) and former housing complex on the grounds of the New Post

LZT20A52_160

Stäblinsbrunnen (= Simson Fountain) and former hou...

Horse and horse studies, pencil on light brown paper, verso: pencil, leaf: 31.1 x 24.5 cm (largest

LZT20A51_390

Horse and horse studies, pencil on light brown pap...

Half-length portrait of an elderly man with a hood, last quarter of the 15th century, feather in

LZT20A53_175

Half-length portrait of an elderly man with a hood...

Villa Loverciana, c. 1925, woodcut on Japanese paper, sheet: 51.7 x 70.8 cm (largest mass) |,

LZT20A52_073

Villa Loverciana, c. 1925, woodcut on Japanese pap...

Study on lithography: Lucerna, the first street lighting in Lucerne, which attempts to blow out a

LZT20A53_392

Study on lithography: Lucerna, the first street li...

Prophet's Head, 1911, drypoint, [which condition?, (from 2)], sheet: 38.4 x 25.5 cm (largest mass)

LZT20A52_109

Prophet's Head, 1911, drypoint, [which condition?,...

In the sweat of your face, 1911, drypoint (W .: J W ZANDERS), proof, single condition, leaf: 39.8 x

LZT20A52_120

In the sweat of your face, 1911, drypoint (W .: J ...

The Mothers, mid-Oct 1921 - latest in early 1922, woodcut on Japanese paper, revised, II, VII,

LZT20A51_290

The Mothers, mid-Oct 1921 - latest in early 1922, ...

The Bläsitor seen in Kleinbasel from the Bläsistrasse (today: Klybeckstrasse), 1865, pen in gray,

LZT20A52_163

The Bläsitor seen in Kleinbasel from the Bläsistra...

Centaur, looking at a cloud, Royan 1863, pencil, sheet: 24.5 x 32.2 cm (largest mass), U. r.,

LZT20A51_393

Centaur, looking at a cloud, Royan 1863, pencil, s...

Muttenzer quarry, 1824, pencil, quill, watercolor and cover color, sheet: 32.7 x 46.5 cm (largest

LZT20A52_001

Muttenzer quarry, 1824, pencil, quill, watercolor ...

The confession, 1926, woodcut on ocher paper, sheet: 50.7 x 40.2 cm (largest mass) |, Picture:

LZT20A52_072

The confession, 1926, woodcut on ocher paper, shee...

Fratricide, 1911, drypoint on Zanders laid paper (Wz r.), Proof, 2nd condition (from 2), sheet: 37

LZT20A52_108

Fratricide, 1911, drypoint on Zanders laid paper (...

Adam's death, 1911, drypoint with surface tone (watermark: J W ZANDERS), proof, [which condition?,

LZT20A52_121

Adam's death, 1911, drypoint with surface tone (wa...

Les Bretonneries, 1889, zincography in black on wove paper, revised with watercolor and gouache,

LZT20A51_291

Les Bretonneries, 1889, zincography in black on wo...

Marché entre deux Païsans Suisses, 1785, aquatint, leaf: 21.6 x 32 cm (largest mass) |, Plate: 14.7

LZT20A51_401

Marché entre deux Païsans Suisses, 1785, aquatint,...

Female nude with raised left leg, pen in brown, washed, over black chalk over pencil, laminated on

LZT20A52_064

Female nude with raised left leg, pen in brown, wa...

Marieë, c. 1921, pen in blue-gray and colored pencil over pencil on brownish paper, material glued

LZT20A52_111

Marieë, c. 1921, pen in blue-gray and colored penc...

The wife of the artist, 1909, drypoint with vernis mou (?), Only condition, folia: 38.4 x 26.2 cm

LZT20A52_118

The wife of the artist, 1909, drypoint with vernis...

View from the Blumenrain to the St. Johanns Schwibbogen in Basel, pen in gray, brown and black,

LZT20A52_165

View from the Blumenrain to the St. Johanns Schwib...

Faust and Mephistopheles galloping past the Rabenstein on horseback, 1816 (issue 1825), copperplate

LZT20A52_101

Faust and Mephistopheles galloping past the Rabens...

Woman of the artist with Thomas and Mine, lithograph, sheet: 31 x 43.3 cm (largest mass), R. signed

LZT20A52_110

Woman of the artist with Thomas and Mine, lithogra...

Paradise, 1911, drypoint (watermark: H ANTIQUE), [which condition?], Folia: 38 x 48.1 cm (largest

LZT20A52_119

Paradise, 1911, drypoint (watermark: H ANTIQUE), [...

Adam and Eve, pencil, rectangular edging and quadrature grid, folia: 23 x 18.2 cm (largest mass),

LZT20A53_396

Adam and Eve, pencil, rectangular edging and quadr...

Athena reveals Orest, (1874), pen in brown on brownish paper, mounted, Leaf: 7.4, 15.5 x 24.7 cm

LZT20A52_138

Athena reveals Orest, (1874), pen in brown on brow...

Three goats, c. 1918, pencil, brush with ink, on half board, page: 38.3 x 50.1 cm (largest mass), U

LZT20A51_317

Three goats, c. 1918, pencil, brush with ink, on h...

View over the Totentanz on the Seidenhof, the St. Johanns Schwibbogen and the Erimanshof in Basel,

LZT20A52_166

View over the Totentanz on the Seidenhof, the St. ...

Vergil in the basket, around 1541/42, copperplate engraving on paper, mounted in adhesive tape,

LZT20A52_106

Vergil in the basket, around 1541/42, copperplate ...

Calvary (fragment), fish louse, drawing with pen or brush in black, heightened with white, on

LZT20A52_117

Calvary (fragment), fish louse, drawing with pen o...

The dancer Rosa Martin, pencil, sheet: 18.6 x 8.4 cm (largest mass), O. r., inscribed in pencil:

LZT20A52_142

The dancer Rosa Martin, pencil, sheet: 18.6 x 8.4 ...

Initial T with Moses and the Bronze Snake (beginning of the Canon Missae), mid 15th c., Cover color

LZT20A52_153

Initial T with Moses and the Bronze Snake (beginni...

Soldier at a bathing place, after a copperplate engraving by Marcantionio Raimondi (1510) with

LZT20A51_437

Soldier at a bathing place, after a copperplate en...

Initial R with the Resurrection of Christ, mid-15th century, cover color on parchment, spread over

LZT20A52_155

Initial R with the Resurrection of Christ, mid-15t...

The Prisoners, 1908, pencil on green-gray paper, glued paper fragments from the same paper o. l.,

LZT20A51_417

The Prisoners, 1908, pencil on green-gray paper, g...

Composition study on La Fantaisie, feather in blue and colored pencil in blue, Frame in blue

LZT20A51_453

Composition study on La Fantaisie, feather in blue...

Initial A with the harp playing King David and Wilden people, Fragment of a leaf tendril with duel

LZT20A52_154

Initial A with the harp playing King David and Wil...