5688 résultats pour : ivory

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circle of Carlo Dolci, Italian, 1616-1687, Head of a Boy Facing Right, mid-17th century, black and

LZT20A56_223

circle of Carlo Dolci, Italian, 1616-1687, Head of...

Francolinus lathami, Print, The Latham's francolin or forest francolin (Peliperdix lathami) is a

LZT20A45_335

Francolinus lathami, Print, The Latham's francolin...

Punuk, Native American, Turreted Object, 500/1200, Walrus ivory, carved and engraved, 2 5/8 x 2 7/8

LZT20A57_063

Punuk, Native American, Turreted Object, 500/1200,...

Okvik, Native American, Engraved Cylinder, ca. 300 BCE, walrus ivory stained black by mineral

LZT20A56_463

Okvik, Native American, Engraved Cylinder, ca. 300...

Okvik, Native American, Winged Object Fragment, c. 300, walrus ivory stained black by mineral

LZT20A56_462

Okvik, Native American, Winged Object Fragment, c....

Eskimo, Native American, Okvik, Native American, Winged Object, ca. 300, walrus ivory, patina,

LZT20A56_473

Eskimo, Native American, Okvik, Native American, W...

school of Anne Louis Girodet de Rouchy Trioson, French, 1767-1824, Aphrodite, between late 18th and

LZT20A56_242

school of Anne Louis Girodet de Rouchy Trioson, Fr...

The Woman and Tambourine, plate 3 from Liber Studiorum, published 1807, Joseph Mallord William

LZT20A02_204

The Woman and Tambourine, plate 3 from Liber Studi...

The Fifth Plague of Egypt, plate 16 from Liber Studiorum, published June 10, 1808, Joseph Mallord

LZT20A02_213

The Fifth Plague of Egypt, plate 16 from Liber Stu...

The Virgin Appearing to St. John, from The Apocalypse, c. 1511, Albrecht Dürer, German, 1471-1528,

LZT20A03_182

The Virgin Appearing to St. John, from The Apocaly...

Dearest ‘Tis Sweet to Loving Hearts (valentine), 1840/60, George Kershaw, English, 19th century,

LZT20A03_191

Dearest ‘Tis Sweet to Loving Hearts (valentine), 1...

Friendship Offering (valentine), c. 1850, Unknown Artist, American or English, 19th century, United

LZT20A03_210

Friendship Offering (valentine), c. 1850, Unknown ...

In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6

LZT20A04_150

In the Shadow Are People, Weeping and Praying, Sur...

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24, 1896, Odilon Redon, French,

LZT20A04_163

Intelligence was Mine! I Became the Great Buddha!,...

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896, Odilon Redon,

LZT20A04_172

I am Still the Great Isis! Nobody Has Ever Yet Lif...

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24, 1896, Odilon Redon, French,

LZT20A04_185

The Beasts of the Sea, Round Like Leather Bottles,...

We Both Saw a Large Pale Light, plate 2 of 6, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_198

We Both Saw a Large Pale Light, plate 2 of 6, 1896...

Imaginary View of Padua, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in

LZT20A06_395

Imaginary View of Padua, from Vedute, 1735/44, Can...

Funereal Cartouche with Inscription and Sketches of Skeletons and Ornamental Details, 1628, Baccio

LZT20A07_338

Funereal Cartouche with Inscription and Sketches o...

Christ on the Cross (The Small Crucifixion), 1500/38, Albrecht Altdorfer, German, c.1480-1538,

LZT20A07_360

Christ on the Cross (The Small Crucifixion), 1500/...

The Wool Carder (recto), Fragmentary Sketch of Man Standing by Fence (verso), 1857/58, Jean

LZT20A07_371

The Wool Carder (recto), Fragmentary Sketch of Man...

Cornelia Exhibiting Her Two Sons to a Friend, n.d., Livio Mehus, Flemish, c. 1630-1691, Flanders,

LZT20A08_286

Cornelia Exhibiting Her Two Sons to a Friend, n.d....

Two Kneeling Male Saints, n.d., Unknown Cremonese, Late 16th century, Italy, Graphite on ivory laid

LZT20A08_299

Two Kneeling Male Saints, n.d., Unknown Cremonese,...

The Commentary, 1843, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory China

LZT20A09_232

The Commentary, 1843, Paul Gavarni, French, 1804-1...

Les Propos de Thomas Vireloque: Misere et corde, quarrel for tops, 1852–53, Paul Gavarni, French,

LZT20A10_050

Les Propos de Thomas Vireloque: Misere et corde, q...

Masks and faces: Women afraid of a glass of wine…, 1857–58, Paul Gavarni, French, 1804-1866,

LZT20A10_061

Masks and faces: Women afraid of a glass of wine…,...

Autumn, 1644, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 179 × 123

LZT20A13_262

Autumn, 1644, Wenceslaus Hollar, Czech, 1607-1677,...

The Resurrection, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c

LZT20A15_042

The Resurrection, from The Fall and Redemption of ...

Lanscape with Peasant Dwelling, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching,

LZT20A17_140

Lanscape with Peasant Dwelling, 1845, Charles Émil...

San Francisco, 1855–56, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French,

LZT20A17_381

San Francisco, 1855–56, Charles Meryon (French, 18...

The Gleaners, 1855–56, Jean François Millet (French, 1814-1875), printed by Auguste Delâtre

LZT20A17_392

The Gleaners, 1855–56, Jean François Millet (Frenc...

Egglestone Abbey, from the River, 1899, Joseph Pennell, American, 1857-1926, United States,

LZT20A17_403

Egglestone Abbey, from the River, 1899, Joseph Pen...

Hind Head Hill, plate 25 from Liber Studiorum, published January 1, 1811, Joseph Mallord William

LZT20A18_255

Hind Head Hill, plate 25 from Liber Studiorum, pub...

A Military Inspection, 1870/91, Attributed to Charles Keene, England, 1823-1891, England, Pen and

LZT20A18_396

A Military Inspection, 1870/91, Attributed to Char...

The Title Page for ‘Douze Eaux Fortes d’après Nature’, 1858, James McNeill Whistler, American,

LZT20A22_082

The Title Page for ‘Douze Eaux Fortes d’après Natu...

Cover of L’Estampe originale, with notes, 1893, Henri de Toulouse-Lautrec, French, 1864-1901,

LZT20A22_256

Cover of L’Estampe originale, with notes, 1893, He...

Landscape with the Great Ruins, from The Small Landscapes, c. 1638, Schelte Adamsz. Bolswert

LZT20A23_331

Landscape with the Great Ruins, from The Small Lan...

Architectural Details: Base, Capital, and Mask, c. 1515, or later, Giovanni Antonio da Brescia,

LZT20A23_454

Architectural Details: Base, Capital, and Mask, c....

Beggar Leaning on a Stick, Facing Left, c. 1630, Rembrandt van Rijn, Dutch, 1606-1669, Holland,

LZT20A24_170

Beggar Leaning on a Stick, Facing Left, c. 1630, R...

Study for an illustration in Tacitus Tibère, ou Les Six Premiers Livres des Annales Book II, Vol.

LZT20A28_304

Study for an illustration in Tacitus Tibère, ou Le...

Design for a Ceiling: Apotheosis of Callisto or Diana? (recto), and Sketch of Figures (verso),

LZT20A28_479

Design for a Ceiling: Apotheosis of Callisto or Di...

Italian Landscape with Ruins, n.d., Jonas Umbach the Elder, German, 1624-1693, Germany, Etching in

LZT20A30_415

Italian Landscape with Ruins, n.d., Jonas Umbach t...

Arch of Septimius Severus. 1. Temple of Concord. 2. Ascent to the Capitoline Hill, plate 13 from

LZT20A32_464

Arch of Septimius Severus. 1. Temple of Concord. 2...

Rear View of the Temple of Pola in Istria. 1. Rear view of another temple, plate 22 from Some Views

LZT20A32_473

Rear View of the Temple of Pola in Istria. 1. Rear...

Hungarian Horseman, c. 1651, Stefano della Bella, Italian, 1610-1664, Italy, Etching in black on

LZT20A34_142

Hungarian Horseman, c. 1651, Stefano della Bella, ...

The Truth in the Case of Mr. Waldemar, 1861, Alphonse Legros, French, 1837-1911, France, Etching

LZT20A35_130

The Truth in the Case of Mr. Waldemar, 1861, Alpho...

Glaucus and Scylla, 1661, Salvator Rosa, Italian, 1615-1673, Italy, Etching and drypoint on ivory

LZT20A38_235

Glaucus and Scylla, 1661, Salvator Rosa, Italian, ...

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French,

LZT20A40_068

Te atua (The God), from the Suite of Late Wood-Blo...

Nocturne, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint with

LZT20A40_303

Nocturne, 1878, James McNeill Whistler, American, ...

Draped Figure, Reclining, 1892, James McNeill Whistler, Printed by Henry Belfond, American,

LZT20A40_334

Draped Figure, Reclining, 1892, James McNeill Whis...

Night, from On Death Part I, 1888–89, Max Klinger, German, 1857-1920, Germany, Etching, aquatint

LZT20A41_299

Night, from On Death Part I, 1888–89, Max Klinger,...

Two Lovers Giving Thanks to the Statue of Health, n.d., Ange Laurent de La Live de Jully (French,

LZT20A42_019

Two Lovers Giving Thanks to the Statue of Health, ...

Judith Presented to Holofernes, plate five from The Story of Judith and Holofernes, 1564, Philip

LZT20A42_055

Judith Presented to Holofernes, plate five from Th...

Cow Drinking, from Die Zweite Thierfolge, 1800, Johann Christian Reinhart, German, 1761-1847,

LZT20A43_269

Cow Drinking, from Die Zweite Thierfolge, 1800, Jo...

Monte Circello, 1831, Ludwig Richter, German, 1803-1884, Germany, Etching on ivory wove paper, 155

LZT20A43_280

Monte Circello, 1831, Ludwig Richter, German, 1803...

View of Dresden from Pieschen, c. 1805, Adrian Zingg, Swiss, 1734-1816, Switzerland, Brush and

LZT20A43_298

View of Dresden from Pieschen, c. 1805, Adrian Zin...

Academic Nude (recto and verso), from Seconde Livre de Figures d’Academies gravées en Partie par

LZT20A43_305

Academic Nude (recto and verso), from Seconde Livr...

Bouquet with Peonies, from Collection of Different Bouquets of Flowers, Invented and Drawn by Jean

LZT20A43_316

Bouquet with Peonies, from Collection of Different...

The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof, 1766, Bernardo Bellotto, Italian,

LZT20A44_182

The Ruins of the Pirnaischer Suburb with the Palai...

Mme Simon II, 1891, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 230 x 155

LZT20A02_121

Mme Simon II, 1891, Anders Zorn, Swedish, 1860-192...

St. Catherine’s Hill Near Guilford, plate 33 from Liber Studiorum, published June 1811, Joseph

LZT20A02_226

St. Catherine’s Hill Near Guilford, plate 33 from ...

Winchelsea, Sussex, plate 42 from Liber Studiorum, published April 23, 1812, Joseph Mallord William

LZT20A02_235

Winchelsea, Sussex, plate 42 from Liber Studiorum,...

Calm, plate 44 from Liber Studiorum, Published April 23, 1812, Joseph Mallord William Turner,

LZT20A02_237

Calm, plate 44 from Liber Studiorum, Published Apr...

Needlework, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph

LZT20A02_427

Needlework, 1896, James McNeill Whistler, American...

St. Anne’s, Soho, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A02_434

St. Anne’s, Soho, 1896, James McNeill Whistler, Am...

Portrait of Dr. Whistler, No. 2, 1894, James McNeill Whistler, American, 1834-1903, United States,

LZT20A02_445

Portrait of Dr. Whistler, No. 2, 1894, James McNei...

Perhaps they are of another breed, plate 61 from The Disasters of War, 1812/15, published 1863,

LZT20A03_412

Perhaps they are of another breed, plate 61 from T...

The Charger, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China

LZT20A04_128

The Charger, 1894, Odilon Redon, French, 1840-1916...

Saint Anthony: Help Me, O My God!, plate 2 of 24, 1896, Odilon Redon, French, 1840-1916, France,

LZT20A04_141

Saint Anthony: Help Me, O My God!, plate 2 of 24, ...

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon

LZT20A04_227

And There Fell a Great Star From Heaven, Burning a...

Agony in the Garden, from Passion of Christ, 1575/1600, Jan Sadeler, the Elder (Flemish,

LZT20A04_255

Agony in the Garden, from Passion of Christ, 1575/...

Dock Scene (recto), Two Sketches of Male Figures (verso), 1660/64, Guillaume Courtois, French,

LZT20A06_458

Dock Scene (recto), Two Sketches of Male Figures (...

Head Looking Upwards, n.d., Unknown Artist, Italian, late 16th Century, Italy, Red and black chalk,

LZT20A07_084

Head Looking Upwards, n.d., Unknown Artist, Italia...

A Bishop Carrying a Reliquary with a Skull and Study of Two Hands Holding a Reliquary of a Female

LZT20A07_327

A Bishop Carrying a Reliquary with a Skull and Stu...

Queen Christine of Sweden, n.d., Adriaen Pietersz van de Venne, Dutch, 1589-1662, Holland,

LZT20A09_173

Queen Christine of Sweden, n.d., Adriaen Pietersz ...

My Daughter Has Danced, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on

LZT20A10_075

My Daughter Has Danced, 1857–58, Paul Gavarni, Fre...

Dido Killing Herself, 1520/30, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black

LZT20A15_053

Dido Killing Herself, 1520/30, Albrecht Altdorfer,...

Colonel Lamont I (Whole length), 1900, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory

LZT20A16_060

Colonel Lamont I (Whole length), 1900, Anders Zorn...

Lady Hobby, March 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the

LZT20A16_125

Lady Hobby, March 1, 1793, Francesco Bartolozzi (I...

John Fisher, Évêque de Rochester, November 1, 1793, Francesco Bartolozzi (Italian, 1727-1815),

LZT20A16_134

John Fisher, Évêque de Rochester, November 1, 1793...

Decorative Study: Woman with Sunflowers, 1892/98, Attributed to Aubrey Vincent Beardsley, English,

LZT20A16_143

Decorative Study: Woman with Sunflowers, 1892/98, ...

The Boat Studio, from The Boat Trip, 1861, Charles François Daubigny, French, 1817-1878, France,

LZT20A16_260

The Boat Studio, from The Boat Trip, 1861, Charles...

Andromeda, 1899, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory wove

LZT20A16_445

Andromeda, 1899, Henri Fantin-Latour, French, 1836...

The Claws of a Cat and the Dress of a Devotee, similar to Vice is often clothed in Virtue’s habit,

LZT20A17_008

The Claws of a Cat and the Dress of a Devotee, sim...

Poor Folly, plate eleven from Los Proverbios, 1815/24, Francisco José de Goya y Lucientes, Spanish,

LZT20A17_021

Poor Folly, plate eleven from Los Proverbios, 1815...

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one

LZT20A17_030

The Way in Which the Ancient Spaniards Hunted Bull...

Crossing the Meadow, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on cream laid

LZT20A17_158

Crossing the Meadow, 1846, Charles Émile Jacque, F...

Le Petit Pont, Paris, 1850, Charles Meryon, French, 1821-1868, France, Etching and engraving in

LZT20A17_359

Le Petit Pont, Paris, 1850, Charles Meryon, French...

Rue Pirouette aux Halles, Paris, 1860, Charles Meryon (French, 1821-1868), printed by Auguste

LZT20A17_370

Rue Pirouette aux Halles, Paris, 1860, Charles Mer...

View of the Fountainhead of the Acqua Felice, from Views of Rome, 1750/59, Giovanni Battista

LZT20A17_416

View of the Fountainhead of the Acqua Felice, from...

View of the Remains of the Praetorian Fort [the Poecile], Hadrian’s Villa, Tivoli, from Views of

LZT20A17_425

View of the Remains of the Praetorian Fort [the Po...

Jason, plate 6 from Liber Studiorum, published 1807, Joseph Mallord William Turner (English,

LZT20A18_237

Jason, plate 6 from Liber Studiorum, published 180...

The Abbey Farm, c. 1893, Alphonse Legros, French, 1837-1911, France, Etching and drypoint on ivory

LZT20A18_409

The Abbey Farm, c. 1893, Alphonse Legros, French, ...

Frontispiece, from Elles, 1896, Henri de Toulouse-Lautrec (French, 1864-1901), published by Gustave

LZT20A19_096

Frontispiece, from Elles, 1896, Henri de Toulouse-...

West Front of St. Patrick’s Cathedral, published November 1793, James Malton, English, 1761-1803,

LZT20A21_240

West Front of St. Patrick’s Cathedral, published N...

Prout’s Neck, Breakers, 1883, Winslow Homer, American, 1836-1910, United States, Watercolor, with

LZT20A22_038

Prout’s Neck, Breakers, 1883, Winslow Homer, Ameri...

Reception, 1850/1855, Constantin Guys, French, 1802-1892, France, Pen and brown ink with brush and

LZT20A22_118

Reception, 1850/1855, Constantin Guys, French, 180...

Opening the Fold, n.d., Samuel Palmer, English, 1805-1881, England, Etching in black on paper, 119

LZT20A22_472

Opening the Fold, n.d., Samuel Palmer, English, 18...

Christ’s Entry into Jerusalem, from Passio domini nostri Jesu Christi, c. 1503, Urs Graf, the Elder

LZT20A23_467

Christ’s Entry into Jerusalem, from Passio domini ...

Fosco, 1872, James McNeill Whistler, American, 1834-1903, United States, Drypoint in black ink on

LZT20A24_188

Fosco, 1872, James McNeill Whistler, American, 183...

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