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Diana and Actaeon, 1734, oil on canvas, 130.8 x 196.2 cm, signed and dated on the left of the

LZT20A49_235

Diana and Actaeon, 1734, oil on canvas, 130.8 x 19...

The Charger, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China

LZT20A04_128

The Charger, 1894, Odilon Redon, French, 1840-1916...

Black and white, plate 23 from Émotions Parisiennes, 1840, Honoré Victorin Daumier, French,

LZT20A23_054

Black and white, plate 23 from Émotions Parisienne...

Sunday, Lyme Regis, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A40_367

Sunday, Lyme Regis, 1895, James McNeill Whistler, ...

The Fifty, 1771, Jean Michel Moreau, French, 1741-1814, France, Etching with roulette and stipple

LZT20A43_408

The Fifty, 1771, Jean Michel Moreau, French, 1741-...

Effet de Nuit III, 1897, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 300

LZT20A16_017

Effet de Nuit III, 1897, Anders Zorn, Swedish, 186...

The Thames, 1896, James McNeill Whistler, American, 1834-1903, United States, Lithotint in black,

LZT20A22_463

The Thames, 1896, James McNeill Whistler, American...

Mars, Venus and Cupid, 17th century, Attributed to Gennaro Landi, Italian, active 17th century,

LZT20A07_359

Mars, Venus and Cupid, 17th century, Attributed to...

Oh! that this too too solid flesh would melt., published March 20, 1791, James Gillray (English,

LZT20A19_297

Oh! that this too too solid flesh would melt., pub...

Tuesday: The Castle of Salzburg Seen from the South, 1823, Ferdinand Olivier, German, 1785-1841,

LZT20A38_306

Tuesday: The Castle of Salzburg Seen from the Sout...

Abigail Before David, c. 1507, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands,

LZT20A21_333

Abigail Before David, c. 1507, Lucas van Leyden, N...

Two Peasants with Donkey, n.d., Attributed to or possibly after Michelangelo Cerquozzi, Italian,

LZT20A09_032

Two Peasants with Donkey, n.d., Attributed to or p...

Laguna, Venice, 1880, Frank Duveneck, American, 1848-1919, United States, Etching on ivory laid

LZT20A16_370

Laguna, Venice, 1880, Frank Duveneck, American, 18...

Fire on the Leaders and Cavalry…, 1830–31, Denis Auguste Marie Raffet (French, 1804-1860), printed

LZT20A17_459

Fire on the Leaders and Cavalry…, 1830–31, Denis A...

The Crowning with Thorns, plate seven from The Passion of Christ, 1597, Hendrick Goltzius, Dutch,

LZT20A30_302

The Crowning with Thorns, plate seven from The Pas...

The Idler, 1816, Pierre Guérin (French, 1774-1833), printed by Gottfried Engelmann (French,

LZT20A29_379

The Idler, 1816, Pierre Guérin (French, 1774-1833)...

Model Draping, probably 1889, James McNeill Whistler, American, 1834-1903, United States, Transfer

LZT20A40_316

Model Draping, probably 1889, James McNeill Whistl...

Head of Woman With Corsage of Flowers, 1900, Odilon Redon, French, 1840-1916, France, Lithograph in

LZT20A04_240

Head of Woman With Corsage of Flowers, 1900, Odilo...

Rightly or wrongly, plate two from The Disasters of War, 1812/15, published 1863, Francisco José de

LZT20A03_358

Rightly or wrongly, plate two from The Disasters o...

Omnibus, 1892, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 267 x 190 mm

LZT20A15_483

Omnibus, 1892, Anders Zorn, Swedish, 1860-1920, Sw...

Letting the Sheep Out, 1876, Charles Émile Jacque, French, 1813-1894, France, Etching and aquatint

LZT20A24_148

Letting the Sheep Out, 1876, Charles Émile Jacque,...

Chest of Drawers with Dressing Glass, c. 1815, Attributed to the workshop of Thomas Seymour (active

LZT20A29_104

Chest of Drawers with Dressing Glass, c. 1815, Att...

View of Ariccia, 1853, George Loring Brown, American, 1814-1889, United States, Etching on cream

LZT20A44_016

View of Ariccia, 1853, George Loring Brown, Americ...

Sense of Hearing., Wake up Nini!…. I have been calling her for more than an hour, and she always

LZT20A23_040

Sense of Hearing., Wake up Nini!…. I have been cal...

View of the Seine near Asnières during the dog days, plate 2 from Croquis D’été, 1854, Honoré

LZT20A23_053

View of the Seine near Asnières during the dog day...

La Robe Rouge, 1894, printed 1895, James McNeill Whistler, American, 1834-1903, United States,

LZT20A41_122

La Robe Rouge, 1894, printed 1895, James McNeill W...

Drachm (Coin) Depicting the God Zeus, 196/146 BC, Greek, Thessaly, Silver, Diam. 2.3 cm, 5.72 g

LZT20A09_284

Drachm (Coin) Depicting the God Zeus, 196/146 BC, ...

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards, 1889, published 1910,

LZT20A03_447

Quartier des Gobelins, plate 20 from Le Long de la...

The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from

LZT20A04_008

The Misshapen Polyp Floated on the Shores, a Sort ...

He Raises the Bronze Urn, plate 4 of 10, 1888, Odilon Redon, French, 1840-1916, France, Lithograph

LZT20A04_061

He Raises the Bronze Urn, plate 4 of 10, 1888, Odi...

Holy Family with Angel, c. 1525, Jacopo Negretti, called Palma il Vecchio, or his school, Italian,

LZT20A08_098

Holy Family with Angel, c. 1525, Jacopo Negretti, ...

Boy Blowing Soap Bubbles, late 1868/early 1869, Édouard Manet, French, 1832-1883, France, Etching

LZT20A34_340

Boy Blowing Soap Bubbles, late 1868/early 1869, Éd...

Plate Seven from La Siège de la Rochelle, 1631, Jacques Callot (French, 1592-1635), printed by

LZT20A16_482

Plate Seven from La Siège de la Rochelle, 1631, Ja...

The Stone Bridge at Rouen, 1887, Camille Pissarro, French, 1830-1903, France, Soft ground etching

LZT20A41_291

The Stone Bridge at Rouen, 1887, Camille Pissarro,...

Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De

LZT20A23_050

Followers of Mr. Cobden, exercising their peaceful...

Courtyard, Chelsea Hospital, 1888, James McNeill Whistler, American, 1834-1903, United States,

LZT20A02_384

Courtyard, Chelsea Hospital, 1888, James McNeill W...

They Make Use of Them, plate 16 from The Disasters of War, 1810/12, published 1863, Francisco José

LZT20A03_371

They Make Use of Them, plate 16 from The Disasters...

ce panache éclatant qui flotte sur ma tête…, 1825, Horace Vernet (French, 1789-1863), poem by

LZT20A18_315

ce panache éclatant qui flotte sur ma tête…, 1825,...

I Will Save Him or Perish, 1825, Denis Auguste Marie Raffet, French, 1804-1860, France, Lithograph

LZT20A17_456

I Will Save Him or Perish, 1825, Denis Auguste Mar...

Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire, 1899/1900, Paul Gauguin, French,

LZT20A27_289

Fox, Busts of Two Women, and a Rabbit, headpiece f...

The Thames, 1896, James McNeill Whistler, American, 1834-1903, United States, Lithotint, in black

LZT20A40_385

The Thames, 1896, James McNeill Whistler, American...

Coin Depicting a Boeotian Shield, about 196/146 BC, Greek, Boeotia, Ancient Greece, Bronze, Diam. 1

LZT20A05_139

Coin Depicting a Boeotian Shield, about 196/146 BC...

Study for God the Father, c. 1660, Guillaume Courtois, French, 1628-1679, France, Red chalk on

LZT20A06_463

Study for God the Father, c. 1660, Guillaume Court...

Grazing Horse, plate three from Series of Horses, 1651, Dirck Stoop, Dutch, 1610-1686, Netherlands,

LZT20A04_470

Grazing Horse, plate three from Series of Horses, ...

Tetradrachm (Coin) Depicting the Goddess Athena, 196/187 BC, Greek, Athens, Silver, Diam. 3.6 cm,

LZT20A09_243

Tetradrachm (Coin) Depicting the Goddess Athena, 1...

Two Plough Horses, plate seven from Series of Horses, 1651, Dirck Stoop, Dutch, 1610-1686,

LZT20A14_343

Two Plough Horses, plate seven from Series of Hors...

The Family of the Oriental Peasant, from Scherzi, 1735–40, Giambattista Tiepolo, Italian,

LZT20A23_333

The Family of the Oriental Peasant, from Scherzi, ...

The Hospital, plate fifteen from The Miseries of War, n.d., Jacques Callot, French, 1592-1635,

LZT20A27_283

The Hospital, plate fifteen from The Miseries of W...

Bramble and Ivy, 1845, Eugène Blery, French, 1805-1887, France, Etching and drypoint on ivory wove

LZT20A37_462

Bramble and Ivy, 1845, Eugène Blery, French, 1805-...

Saint Matthew, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory paper, 260

LZT20A09_164

Saint Matthew, n.d., Cornelis Visscher, Dutch, c. ...

Male Nude Seated and Standing, c. 1646, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on

LZT20A18_110

Male Nude Seated and Standing, c. 1646, Rembrandt ...

The Proposition, from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing

LZT20A39_279

The Proposition, from A Life, 1884, Max Klinger (G...

Wooded Landscape with Traveler in Foreground, n.d., Attributed to Ercole Bazzicaluva, Italian, c

LZT20A07_226

Wooded Landscape with Traveler in Foreground, n.d....

Figure (recto and verso), from Premier livre de figures d’Academies gravées en Partie par les

LZT20A43_366

Figure (recto and verso), from Premier livre de fi...

The Lady of Richmond, January 1, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans

LZT20A16_122

The Lady of Richmond, January 1, 1795, Francesco B...

Plate One, from A New Book of Ornaments, 1704, Simon Gribelin II, French, 1661-1733, France,

LZT20A19_112

Plate One, from A New Book of Ornaments, 1704, Sim...

Whistler Asleep, 1897, Giovanni Boldini, Italian, 1842-1931, Italy, Drypoint in black on ivory laid

LZT20A22_075

Whistler Asleep, 1897, Giovanni Boldini, Italian, ...

Spandrel Design with Allegorical Figure of Fame (recto), Design for Coat of Arms (verso), c. 1532,

LZT20A07_469

Spandrel Design with Allegorical Figure of Fame (r...

The Little Rotherhithe, 1861, James McNeill Whistler, American, 1834-1903, United States, Etching

LZT20A18_371

The Little Rotherhithe, 1861, James McNeill Whistl...

The Barn, 1647, Adriaen van Ostade, Dutch, 1610-1685, Holland, Etching in black on buff laid paper,

LZT20A23_071

The Barn, 1647, Adriaen van Ostade, Dutch, 1610-16...

Moonrise, 1861, Charles François Daubigny, French, 1817-1878, France, Etching on cream chine laid

LZT20A28_427

Moonrise, 1861, Charles François Daubigny, French,...

Bramble and Ivy, 1845, Eugène Blery, French, 1805-1887, France, Etching, with additions in dark

LZT20A37_461

Bramble and Ivy, 1845, Eugène Blery, French, 1805-...

Sultane Blanche, plate 24 from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French,

LZT20A42_125

Sultane Blanche, plate 24 from Caravanne du Sultan...

Design for Tomb with Canopy, c. 1550, Attributed to Marco Marchetti, called Marco da Faenza,

LZT20A08_492

Design for Tomb with Canopy, c. 1550, Attributed t...

Screen of Six Sheets (311 & 312), n.d., Louis Crépy, Jr., French, 18th century, France, Etching on

LZT20A11_219

Screen of Six Sheets (311 & 312), n.d., Louis Crép...

Sunday Morning, 1892/94, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 276

LZT20A15_497

Sunday Morning, 1892/94, Anders Zorn, Swedish, 186...

Irregular Green Stone Basin, n.d., Giuseppe Grisoni, Italian, born Flanders, 1699-1769, Flanders,

LZT20A37_353

Irregular Green Stone Basin, n.d., Giuseppe Grison...

Cottage at the Top of a Hill, c. 1660, Jacob van Ruisdael, Dutch, 1628/29-1682, Holland, Etching in

LZT20A14_352

Cottage at the Top of a Hill, c. 1660, Jacob van R...

Babylon from Schedel Weltchronik (Schedel’s World History), Plate 9 from Woodcuts from Books of the

LZT20A24_477

Babylon from Schedel Weltchronik (Schedel’s World ...

The Hydropaths: Second Treatment (plate 2), 1843, Charles Émile Jacque, French, 1813-1894, France,

LZT20A26_395

The Hydropaths: Second Treatment (plate 2), 1843, ...

So You Are Experienced?, published January 9, 1897, after Henri de Toulouse-Lautrec, French,

LZT20A21_189

So You Are Experienced?, published January 9, 1897...

It fits you like a glove!, plate 34 from Types Parisiens, 1839, Honoré Victorin Daumier, French,

LZT20A23_036

It fits you like a glove!, plate 34 from Types Par...

View of Antioch from Supplementum Chronicarum, Plate 50 from Woodcuts from Books of the 15th

LZT20A24_470

View of Antioch from Supplementum Chronicarum, Pla...

Ley Süster (Lay Sister) from Ständ und Orden, plate 54 from Woodcuts from Books of the XVI Century,

LZT20A25_025

Ley Süster (Lay Sister) from Ständ und Orden, plat...

They Don’t Like it, plate nine from The Disasters of War, 1810/15, published 1863, Francisco José

LZT20A03_364

They Don’t Like it, plate nine from The Disasters ...

Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg, 1590/94, Attributed to Agostino

LZT20A07_012

Four Sketches: Griffin, Grotesque Head, Head of Sa...

Eunuque Blanc, plate 22 from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French,

LZT20A42_124

Eunuque Blanc, plate 22 from Caravanne du Sultan à...

Jan Lutma, Goldsmith, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 196 x 150mm

LZT20A18_117

Jan Lutma, Goldsmith, Rembrandt van Rijn, Dutch, 1...

Miss May Belfort (large plate), 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color

LZT20A19_059

Miss May Belfort (large plate), 1895, Henri de Tou...

Mother Bathing, 1894, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 120 x

LZT20A02_049

Mother Bathing, 1894, Anders Zorn, Swedish, 1860-1...

The Last Supper, plate one from The Passion of Christ, 1598, Hendrick Goltzius, Dutch, 1558-1617,

LZT20A30_294

The Last Supper, plate one from The Passion of Chr...

The Proposition, plate six from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto

LZT20A39_289

The Proposition, plate six from A Life, 1884, Max ...

Father Time, n.d., Attributed to Alessandro Algardi, Italian, 1598–1654, Italy, Pen and brown ink

LZT20A08_444

Father Time, n.d., Attributed to Alessandro Algard...

Maja von Heijne, 1900, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on off-white laid paper,

LZT20A16_048

Maja von Heijne, 1900, Anders Zorn, Swedish, 1860-...

The Agony in the Garden, plate two from The Passion of Christ, 1597, Hendrick Goltzius, Dutch,

LZT20A30_297

The Agony in the Garden, plate two from The Passio...

Study for The Feast of Love, c. 1717, Jean Antoine Watteau, French, 1684-1721, France, Red chalk

LZT20A30_394

Study for The Feast of Love, c. 1717, Jean Antoine...

Denarius (Coin) Portraying Empress Julia Domna, AD 196/211, Roman, minted in Rome, Roman Empire,

LZT20A03_266

Denarius (Coin) Portraying Empress Julia Domna, AD...

Matrona Belgica primaria (Belgian Matron of the First Rank) from Gynaeceum, sive Theatrum Mulierum,

LZT20A25_024

Matrona Belgica primaria (Belgian Matron of the Fi...

Cupid and Psyche, 1828, Jean Baptiste Regnault, French, 1754-1829, France, Oil on canvas, 60 1/8 ×

LZT20A29_303

Cupid and Psyche, 1828, Jean Baptiste Regnault, Fr...

And So He Rested on the Lonely Ground, 1885, Will Hicock Low, American, 1853-1932, United States,

LZT20A00_489

And So He Rested on the Lonely Ground, 1885, Will ...

Woman with a Vase, 1894, Albert Besnard, French, 1849-1934, France, Etching and aquatint on white

LZT20A02_054

Woman with a Vase, 1894, Albert Besnard, French, 1...

Study after The Dying Gaul Killing His Wife and Himself, n.d., Probably Jan de Bisschop (Dutch, c.

LZT20A07_299

Study after The Dying Gaul Killing His Wife and Hi...

Portrait of Francis Seymour Haden, No. 2 (While Etching), 1862, Francis Seymour Haden, English,

LZT20A22_435

Portrait of Francis Seymour Haden, No. 2 (While Et...

Idler, 1816, Pierre Guérin, French, 1774-1833, France, Lithograph in black on pinkish-cream wove

LZT20A09_213

Idler, 1816, Pierre Guérin, French, 1774-1833, Fra...

Nursemaid and Child, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching with

LZT20A18_364

Nursemaid and Child, 1859, James McNeill Whistler,...

Lock of the Canal Saint-Martin, 1890, published 1910, Louis Auguste Lepère, French, 1849-1918,

LZT20A20_044

Lock of the Canal Saint-Martin, 1890, published 19...

Charlatan’s show, plate 75 from The Disasters of War, 1815/20, published 1863, Francisco José de

LZT20A03_425

Charlatan’s show, plate 75 from The Disasters of W...

Infant Hercules (recto), Standing Putto with Hand to Chin (verso), 1523/1540, Follower of Francesco

LZT20A08_467

Infant Hercules (recto), Standing Putto with Hand ...

The Hungarian Woman Standing in the Door, 1817, Johann Adam Klein, German, 1792-1875, Germany,

LZT20A43_228

The Hungarian Woman Standing in the Door, 1817, Jo...

Seated Woman with Folio Resting on Her Lap, n.d., Style of Mario Balassi, Italian, 1604-1667,

LZT20A07_310

Seated Woman with Folio Resting on Her Lap, n.d., ...

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