1369 résultats pour : 1853

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Portrait of the model Giulia Leonardi, 1910, oil on canvas, 40.8 x 32.4 cm, Dated and signed lower

LZT20A49_047

Portrait of the model Giulia Leonardi, 1910, oil o...

Willows on the Rhone, c. 1885, oil on canvas, 34.9 x 27 cm, signed lower right: F. Hodler,

LZT20A49_304

Willows on the Rhone, c. 1885, oil on canvas, 34.9...

Portrait Marc Odier, 1892, oil on canvas, 100 x 79.1 cm, unmarked, Ferdinand Hodler, Bern 1853–1918

LZT20A51_083

Portrait Marc Odier, 1892, oil on canvas, 100 x 79...

Disappointed Soul, c. 1891/1892, oil on canvas, 38.3 x 65.7 cm, signed lower right: F. Hodler.,

LZT20A49_046

Disappointed Soul, c. 1891/1892, oil on canvas, 38...

Portrait of Friedrich Neukomm, c. 1881, oil on canvas, 36.7 x 25.1 cm, signed lower left: F. Hodler

LZT20A49_302

Portrait of Friedrich Neukomm, c. 1881, oil on can...

Sunny street, c. 1890, oil on canvas, 41 x 33 cm, signed lower right: Ferd., Hodler, ., Ferdinand

LZT20A49_303

Sunny street, c. 1890, oil on canvas, 41 x 33 cm, ...

Piazza dell'Olmo in Tivoli, 1896, oil on canvas, 31 x 45 cm, signed and dated lower right: EV., VAN

LZT20A48_184

Piazza dell'Olmo in Tivoli, 1896, oil on canvas, 3...

The Brave Woman, 1886, oil on canvas, 98.9 x 171 cm, signed lower right: Hodler, Ferdinand Hodler,

LZT20A51_021

The Brave Woman, 1886, oil on canvas, 98.9 x 171 c...

Portrait of Pastor Jakob Probst in Rümlingen, 1875, oil on canvas, 36.2 x 27.8 cm, signed lower

LZT20A49_300

Portrait of Pastor Jakob Probst in Rümlingen, 1875...

Sarcelles, 1853 (print 1900/1914), etching on bluish paper, 5th condition (of five), Edition 100 Ex

LZT20A52_172

Sarcelles, 1853 (print 1900/1914), etching on blui...

The Virgin of Isenfluh from, 1902, oil on canvas, 75 x 56 cm, unmarked, Ferdinand Hodler, Bern

LZT20A49_301

The Virgin of Isenfluh from, 1902, oil on canvas, ...

Nakabayashi Chikuto, Japanese, 1776-1853, Ducks in the Winter Moonlight, between early and mid-19th

LZT20A56_459

Nakabayashi Chikuto, Japanese, 1776-1853, Ducks in...

The Burgäschisee, c. 1901, oil on canvas, 49.5 x 69 cm, signed lower right: F. Hodler., Ferdinand

LZT20A49_295

The Burgäschisee, c. 1901, oil on canvas, 49.5 x 6...

Lake Thun from Breitlauenen, 1906, oil on canvas, 65 x 95 cm, signed lower right: F. Hodler,

LZT20A49_298

Lake Thun from Breitlauenen, 1906, oil on canvas, ...

Selfportrait, 1897, oil on canvas, 56 x 42 cm, signed and dated lower right: EV., VAN MUYDEN, 1897,

LZT20A49_199

Selfportrait, 1897, oil on canvas, 56 x 42 cm, sig...

The church of Rümlingen, 1875, oil on canvas on cardboard, 18 x 14.5 cm, signed on the left, above

LZT20A49_299

The church of Rümlingen, 1875, oil on canvas on ca...

Friends of Buchser in England and Spain, c. 1853/54, oil on canvas, mounted on cardboard, 75 x 112

LZT20A48_213

Friends of Buchser in England and Spain, c. 1853/5...

The Battle of Näfels, 1896-1897, tempera on paper, 52.3 x 98.3 cm, signed lower right: F. Hodler.,

LZT20A51_034

The Battle of Näfels, 1896-1897, tempera on paper,...

Portrait of Kathe von Bach (in the garden), 1904, oil on canvas, 42.2 x 32.6 cm, signed lower

LZT20A49_048

Portrait of Kathe von Bach (in the garden), 1904, ...

Warrior with Halberd, c. 1898, oil on canvas, 204.5 x 107.3 cm, signed lower right: F. Hodler.,

LZT20A49_297

Warrior with Halberd, c. 1898, oil on canvas, 204....

Portrait of the painter Daniel Ostermann (1830-1853), 1853, oil on canvas, 45.5 x 37.5 cm, signed

LZT20A48_280

Portrait of the painter Daniel Ostermann (1830-185...

View into the Infinite, c. 1903, oil and pencil on paper on canvas, 64.6 x 45.9 cm, signed lower

LZT20A51_136

View into the Infinite, c. 1903, oil and pencil on...

Aufgehen im All, 1892, oil on canvas, 159 x 97.2 cm, signed twice lower right: Ferd Hodler, Ferd.,

LZT20A49_049

Aufgehen im All, 1892, oil on canvas, 159 x 97.2 c...

The Pension, 1879, oil on canvas, 38.1 x 46 cm, monogrammed and dated lower right: F. H., ..79,

LZT20A49_296

The Pension, 1879, oil on canvas, 38.1 x 46 cm, mo...

A Poor Soul, c. 1890, oil on canvas, 71.5 x 93.5 cm, signed and dated lower right: F. Hodler., 1891

LZT20A49_050

A Poor Soul, c. 1890, oil on canvas, 71.5 x 93.5 c...

Portrait of Maria Rosa Krebs-Schüpbach, 1876, oil on canvas, 169.4 x 91.8 cm, signed and dated

LZT20A50_323

Portrait of Maria Rosa Krebs-Schüpbach, 1876, oil ...

Marguerite Gachet au piano, 1890 (26-27 June), oil on canvas, 102.5 x 50 cm, unmarked, Vincent van

LZT20A49_041

Marguerite Gachet au piano, 1890 (26-27 June), oil...

Meadow piece, around 1901, oil on canvas, 38.2 x 46.3 cm, signed lower right: F. Hodler., Ferdinand

LZT20A49_051

Meadow piece, around 1901, oil on canvas, 38.2 x 4...

Landscape near Palestrina, 1853, oil on canvas, 16 x 24.4 cm, unsigned, Arnold Böcklin, Basel

LZT20A49_348

Landscape near Palestrina, 1853, oil on canvas, 16...

The Niesen by Heustrich, 1910, oil on canvas, 83 x 105.5 cm, signed lower right: F. Hodler,

LZT20A49_254

The Niesen by Heustrich, 1910, oil on canvas, 83 x...

Paris, prize de Montmartre, Spring 1886, oil on canvas, 38.5 x 61.2 cm, signed lower left: Vincent,

LZT20A49_042

Paris, prize de Montmartre, Spring 1886, oil on ca...

Portrait of Charles Girault, c. 1875, oil on canvas, 39 x 33 cm, signed lower right: EV., VAN

LZT20A50_421

Portrait of Charles Girault, c. 1875, oil on canva...

Portrait of August Hodler (The Pupil), 1875, oil on canvas, 68.4 x 37.8 cm, signed lower right:

LZT20A49_045

Portrait of August Hodler (The Pupil), 1875, oil o...

Le lac de Géronde, 1897, oil on canvas, 41.5 x 61.5 cm, signed and dated lower right: EV., VAN

LZT20A48_050

Le lac de Géronde, 1897, oil on canvas, 41.5 x 61....

Route de Mornex, oil on canvas, 17 x 22 cm, signed lower right: EV., VAN MUYDEN, Evert Louis van

LZT20A48_239

Route de Mornex, oil on canvas, 17 x 22 cm, signed...

Charles Meryon, French, 1821-1868, Le stryge, 1853, etching printed in black ink on japan paper,

LZT20A56_036

Charles Meryon, French, 1821-1868, Le stryge, 1853...

Holy Hour, 1910, oil on canvas, 179.5 x 89.4 cm, signed lower right: F. Hodler., Ferdinand Hodler,

LZT20A49_044

Holy Hour, 1910, oil on canvas, 179.5 x 89.4 cm, s...

Portrait of the painter Theodor Deschwanden, 1853, oil on canvas, 46.5 x 38 cm, signed and dated

LZT20A48_283

Portrait of the painter Theodor Deschwanden, 1853,...

Lake Geneva from Chexbres, 1905, oil on canvas, 82.1 x 104.2 cm, Dated and signed lower right: 1905

LZT20A49_253

Lake Geneva from Chexbres, 1905, oil on canvas, 82...

Husbands Always Make Me Laugh: Ninie, I’ve just had an idea, 1853, Paul Gavarni, French, 1804-1866,

LZT20A10_064

Husbands Always Make Me Laugh: Ninie, I’ve just ha...

The Poet’s Garden, 1888, Vincent van Gogh, Dutch, 1853-1890, Netherlands, Oil on canvas, 28 3/4 ×

LZT20A22_100

The Poet’s Garden, 1888, Vincent van Gogh, Dutch, ...

Les maris me font toujours rire: Je suis le mari de M’ame Jolibiais, 1853, Paul Gavarni, French,

LZT20A24_276

Les maris me font toujours rire: Je suis le mari d...

Ely Cathedral: Nave into North Transept, 1891, Frederick H. Evans, English, 1853–1943, England,

LZT20A42_403

Ely Cathedral: Nave into North Transept, 1891, Fre...

Ely Cathedral: Choir Stalls, 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide,

LZT20A42_410

Ely Cathedral: Choir Stalls, 1891, Frederick H. Ev...

Ely Cathedral: Carving Over Prior’s Door, 1891, Frederick H. Evans, English, 1853–1943, England,

LZT20A42_421

Ely Cathedral: Carving Over Prior’s Door, 1891, Fr...

Queen Victoria on Horseback, 1853, Thomas Thornycroft, English, 1815-1885, England, Bronze, 54.6 ×

LZT20A36_025

Queen Victoria on Horseback, 1853, Thomas Thornycr...

Relais, Avenue des Champs-Élysées, Paris (recto), Scene from the Life of Odysseus (verso), 1812,

LZT20A42_447

Relais, Avenue des Champs-Élysées, Paris (recto), ...

Les anglais chez eux:, Rien, sur ma parole!…, 1853, Paul Gavarni, French, 1804-1866, France,

LZT20A24_265

Les anglais chez eux:, Rien, sur ma parole!…, 1853...

Odes and Sonnets Table of Contents, 1887, Will Hicock Low, American, 1853-1932, United States,

LZT20A01_007

Odes and Sonnets Table of Contents, 1887, Will Hic...

Title Page from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, c. 1880,

LZT20A08_162

Title Page from George Cruikshank’s Steel Etchings...

August, Dogs Have Their Days from George Cruikshank’s Steel Etchings to The Comic Almanacks:

LZT20A08_173

August, Dogs Have Their Days from George Cruikshan...

December, The Winter of Our Discontent from George Cruikshank’s Steel Etchings to The Comic

LZT20A08_176

December, The Winter of Our Discontent from George...

December, Christmas Bustle from George Cruikshank’s Steel Etchings to The Comic Almanacks:

LZT20A08_187

December, Christmas Bustle from George Cruikshank’...

Change for a Sovereign, an Anticipated Pantomime from George Cruikshank’s Steel Etchings to The

LZT20A08_198

Change for a Sovereign, an Anticipated Pantomime f...

As It Ought to Be or The Ladies Trying a Contemptible Scoundrel for a Breach of Promise from George

LZT20A08_209

As It Ought to Be or The Ladies Trying a Contempti...

Les-Parents-Terribles series: But, grandfather, if Seraphim’s Puncinello don’t exist, 1853, Paul

LZT20A10_028

Les-Parents-Terribles series: But, grandfather, if...

Woman Shearing Sheep, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French,

LZT20A26_422

Woman Shearing Sheep, 1853, after drawing made in ...

Untitled, 1853, 19th century, Unknown Place, Daguerreotype, 8.2 x 7 cm (plate), 9.5 x 8 x 1.5 cm

LZT20A39_121

Untitled, 1853, 19th century, Unknown Place, Dague...

Husbands Always Make Me Laugh: Really my son-in-law, 1853, Paul Gavarni, French, 1804-1866, France,

LZT20A10_065

Husbands Always Make Me Laugh: Really my son-in-la...

Ely Cathedral: Nave Arches, 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8

LZT20A42_402

Ely Cathedral: Nave Arches, 1891, Frederick H. Eva...

Ely Cathedral: Bishop Alcock’s Chapel from Reho-Choir, 1891, Frederick H. Evans, English,

LZT20A42_411

Ely Cathedral: Bishop Alcock’s Chapel from Reho-Ch...

Ely Cathedral: Choir from an Engraving, c. 1891, Frederick H. Evans, English, 1853–1943, England,

LZT20A42_420

Ely Cathedral: Choir from an Engraving, c. 1891, F...

L’Arche du Pont Notre-Dame, 1853, Charles Meryon, French, 1821-1868, France, Etching and drypoint

LZT20A17_360

L’Arche du Pont Notre-Dame, 1853, Charles Meryon, ...

Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto), Design for a Gothic

LZT20A38_295

Design for a Gothic Arch with the Artist and Effie...

Kelmscott Manor: Bed Wm. Morris Was Born In, 1896, Frederick H. Evans, English, 1853–1943, England,

LZT20A42_393

Kelmscott Manor: Bed Wm. Morris Was Born In, 1896,...

Odes and Sonnets List of Drawings, 1887, Will Hicock Low, American, 1853-1932, United States, Brown

LZT20A01_006

Odes and Sonnets List of Drawings, 1887, Will Hico...

September – Cockney Sportsmen from George Cruikshank’s Steel Etchings to The Comic Almanacks:

LZT20A08_163

September – Cockney Sportsmen from George Cruiksha...

July, Summary Proceedings from George Cruikshank’s Steel Etchings to The Comic Almanacks:

LZT20A08_172

July, Summary Proceedings from George Cruikshank’s...

January, The Announcement from George Cruikshank’s Steel Etchings to The Comic Almanacks:

LZT20A08_177

January, The Announcement from George Cruikshank’s...

November, Law-Life Assurance from George Cruikshank’s Steel Etchings to The Comic Almanacks:

LZT20A08_186

November, Law-Life Assurance from George Cruikshan...

January – Hard Frost from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top

LZT20A08_199

January – Hard Frost from George Cruikshank’s Stee...

May – Old May Day from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top

LZT20A08_208

May – Old May Day from George Cruikshank’s Steel E...

Les-Parents-Terribles series: You will conjugate for me 25 times, 1853, Paul Gavarni, French,

LZT20A10_029

Les-Parents-Terribles series: You will conjugate f...

Dieppe, 1885, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in

LZT20A22_462

Dieppe, 1885, James McNeill Whistler, American, 18...

Les maris me font toujours rire: Comme tu ments mal, mon chéri, 1853, Paul Gavarni, French,

LZT20A24_275

Les maris me font toujours rire: Comme tu ments ma...

Mower, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean

LZT20A26_421

Mower, 1853, after drawing made in 1852, Jacques A...

Family with Picnic Baskets, 1820, Ludwig Ferdinand Schnorr von Carolsfeld, German, 1788-1853,

LZT20A43_288

Family with Picnic Baskets, 1820, Ludwig Ferdinand...

Les Propos de Thomas Vireloque: Ego! ego…ego, all equal (egaux-ego, buth pronounced alike), 1853,

LZT20A10_041

Les Propos de Thomas Vireloque: Ego! ego…ego, all ...

Les Propos de Thomas Vireloque: Figaro grown old-becomes Bazile, 1853, Paul Gavarni, French,

LZT20A10_048

Les Propos de Thomas Vireloque: Figaro grown old-b...

Husbands Always Make Me Laugh: And the judge’s son told my wife, 1853, Paul Gavarni, French,

LZT20A10_066

Husbands Always Make Me Laugh: And the judge’s son...

Shimosa Province: The Outer Bay at Choshi Beach (Shimosa, Choshi no hama Toura), from the series

LZT20A13_485

Shimosa Province: The Outer Bay at Choshi Beach (S...

Say-So, Papa!, from Masques et Visages, 1853, Paul Gavarni, French, 1804-1866, France, Lithograph

LZT20A24_278

Say-So, Papa!, from Masques et Visages, 1853, Paul...

Ely Cathedral: Nave from Porch Door, 1891, Frederick H. Evans, English, 1853–1943, England, Lantern

LZT20A42_401

Ely Cathedral: Nave from Porch Door, 1891, Frederi...

Ely Cathedral: North Choir Aisle to West, 1891, Frederick H. Evans, English, 1853–1943, England,

LZT20A42_412

Ely Cathedral: North Choir Aisle to West, 1891, Fr...

Ely Cathedral: Prior’s Door, Side Details, c. 1891, Frederick H. Evans, English, 1853–1943,

LZT20A42_423

Ely Cathedral: Prior’s Door, Side Details, c. 1891...

Ely Cathedral: From Br. West’s Chapel into South Choir Aisle, c. 1891, Frederick H. Evans, English,

LZT20A42_434

Ely Cathedral: From Br. West’s Chapel into South C...

Old Shoreham, c. 1891, Charles Job, English, c. 1853–1930, United Kingdom, Platinum print, 26.5 x

LZT20A42_390

Old Shoreham, c. 1891, Charles Job, English, c. 18...

Mutsu Province: View of Matsushima with a Distant Prospect of Mount Tomi (Mutsu, Matsushima fukei,

LZT20A36_277

Mutsu Province: View of Matsushima with a Distant ...

Side Chair, Designed c. 1885, Made c. 1900/15, Designed by August Thonet, Austrian, 1853-1921, Made

LZT20A39_212

Side Chair, Designed c. 1885, Made c. 1900/15, Des...

Landscape with Old Trees by Water, from the first issue of Specimens of Polyautography, 1803, Henry

LZT20A44_265

Landscape with Old Trees by Water, from the first ...

Study for An Aragonese Smuggler, 1881, William Turner Dannat, American, 1853–1929, United States,

LZT20A00_004

Study for An Aragonese Smuggler, 1881, William Tur...

Ode on Melancholy, 1887, Will Hicock Low, American, 1853-1932, United States, Oil on canvas, 606 x

LZT20A01_009

Ode on Melancholy, 1887, Will Hicock Low, American...

May, Restoration Day from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853,

LZT20A08_171

May, Restoration Day from George Cruikshank’s Stee...

February, First Rout from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853,

LZT20A08_178

February, First Rout from George Cruikshank’s Stee...

September from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left),

LZT20A08_189

September from George Cruikshank’s Steel Etchings ...

Quarter Day from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left),

LZT20A08_196

Quarter Day from George Cruikshank’s Steel Etching...

A Good Pennyworth from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top

LZT20A08_207

A Good Pennyworth from George Cruikshank’s Steel E...

Les-Parents-Terribles series: Don’t you think, father…, 1853, Paul Gavarni, French, 1804-1866,

LZT20A10_030

Les-Parents-Terribles series: Don’t you think, fat...

The Vampire, 1853, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French,

LZT20A17_357

The Vampire, 1853, Charles Meryon (French, 1821-18...

View of Ariccia, 1853, George Loring Brown, American, 1814-1889, United States, Etching on cream

LZT20A44_016

View of Ariccia, 1853, George Loring Brown, Americ...

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