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Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. , 1854-56, printed 1862.
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Figure 55: Astonishment badly rendered by the subj...

Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862.
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Figure 9: A study of m. frontalis in maximum contr...

Figure 82: Lady Macbeth, strong expression of cruelty , 1854-56, printed 1862.
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Figure 82: Lady Macbeth, strong expression of crue...

Figure 18: Aggression, wickedness, 1854-56, printed 1862.
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Figure 18: Aggression, wickedness, 1854-56, printe...

Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l?expression des passions applicable à la pratique des arts plastiques, 1854-56, printed 1862.
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Mécanisme de la physionomie humaine ou Analyse éle...

Figure 56: Surprise, 1854-56, printed 1862.
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Figure 56: Surprise, 1854-56, printed 1862.

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. , 1854-56, printed 1862.
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Figure 42: Gaiety expressed by the ideas of lustfu...

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862.
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Figure 36: Scornful laughter and scornful disgust,...

Figure 60: Fright, 1854-56, printed 1862.
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Figure 60: Fright, 1854-56, printed 1862.

Figure 48: Mild weeping, pity and feeble false laughter , 1854-56, printed 1862.
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Figure 48: Mild weeping, pity and feeble false lau...

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862.
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Figure 47: A suggestion of this same weeping, 1854...

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. , 1854-56, printed 1862.
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Figure 39: The attention attracted by an object th...

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862.
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Figure 50: Affected weeping and face in repose, 18...

Figure 49: Painful weeping and forward looking., 1854-56, printed 1862.
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Figure 49: Painful weeping and forward looking., 1...

Figure 19: Suffering , 1854-56, printed 1862.
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Figure 19: Suffering , 1854-56, printed 1862.

Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862.
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Icono-photographique. Mécanisme de la Physionomie ...

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi , 1854-56, printed 1862.
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Figure 12: A study of the contraction of and the e...

Figure 15: Meditation, mental concentration, 1854-56, printed 1862.
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Figure 15: Meditation, mental concentration, 1854-...

Figure 78: Scene of coquetry, 1854-56, printed 1862.
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Figure 78: Scene of coquetry, 1854-56, printed 186...

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. , 1854-56, printed 1862.
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Figure 17: On the right, electrization of m. proce...

Figure 3: The face of an old man... photographed in repose., 1854-56, printed 1862.
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Figure 3: The face of an old man... photographed i...

Faradisation du muscle frontal, 1854-56, printed 1862.
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Faradisation du muscle frontal, 1854-56, printed 1...

Figure 10: Showing the expressive lines of m. frontalis in a young girl , 1854-56, printed 1862.
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Figure 10: Showing the expressive lines of m. fron...

Figure 53: Whimpering and false laughter, 1854-56, printed 1862.
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Figure 53: Whimpering and false laughter, 1854-56,...

Figure 45: Pain and despair. , 1854-56, printed 1862.
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Figure 45: Pain and despair. , 1854-56, printed 18...

Figure 25: Not an expression of pain, 1854-56, printed 1862.
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Figure 25: Not an expression of pain, 1854-56, pri...

Figure 34: Grimace, 1854-56, printed 1862.
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Figure 34: Grimace, 1854-56, printed 1862.

Figure 21: Painful recollection and recollection or calling something to mind , 1854-56, printed 1862.
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Figure 21: Painful recollection and recollection o...

Figure 73: Head of Niobe, 1854-56, printed 1862.
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Figure 73: Head of Niobe, 1854-56, printed 1862.

Figure 75: Nun saying her prayers, 1854-56, printed 1862.
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Figure 75: Nun saying her prayers, 1854-56, printe...

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. , 1854-56, printed 1862.
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Figure 24: Extreme pain to the point of exhaustion...

Figure 4: The face in repose of a young man , 1854-56, printed 1862.
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Figure 4: The face in repose of a young man , 1854...

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862.
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Figure 81: Lady Macbeth, moderate expression of cr...

Figure 26: Expression of painful attention and attention, attentive gaze. , 1854-56, printed 1862.
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Figure 26: Expression of painful attention and att...

Figure 70: Head of the Laocoön of Rome, 1854-56, printed 1862.
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Figure 70: Head of the Laocoön of Rome, 1854-56, p...

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862.
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Figure 52: Voluntary retraction of the lower lip, ...

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862.
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Figure 83: Lady Macbeth, ferocious cruelty, 1854-5...

Figure 63: Expression of terror, 1854-56, printed 1862.
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Figure 63: Expression of terror, 1854-56, printed ...

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862.
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Figure 20: Profound suffering, with resignation, 1...

Figure 6: The grimace produced is similar to a tic of the face , 1854-56, printed 1862.
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Figure 6: The grimace produced is similar to a tic...

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862.
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Figure 54: Voluntary lowering of the lower jaw, 18...

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862.
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Figure 57: Astonishment, stupefaction, amazement, ...

Figure 8: Contraction of the right m. frontalis. , 1854-56, printed 1862.
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Figure 8: Contraction of the right m. frontalis. ,...

Figure 16: Expression of severity , 1854-56, printed 1862.
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Figure 16: Expression of severity , 1854-56, print...

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862.
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Figure 66: Head of Arrotino (the spy, the knife gr...

Figure 71: Same head as in Plate 70, 1854-56, printed 1862.
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Figure 71: Same head as in Plate 70, 1854-56, prin...

Figure 27: Expression proportionally more pained, 1854-56, printed 1862.
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Figure 27: Expression proportionally more pained, ...

Figure 62: Terror, semiprofile, 1854-56, printed 1862.
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Figure 62: Terror, semiprofile, 1854-56, printed 1...

Figure 22: No painful expression , 1854-56, printed 1862.
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Figure 22: No painful expression , 1854-56, printe...

Electro-Physiologie, Figure 64, 1854-56, printed 1862.
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Electro-Physiologie, Figure 64, 1854-56, printed 1...

Getting Electric Light ready -- H.M.S. Edinburgh', c1900.
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Getting Electric Light ready -- H.M.S. Edinburgh',...

Tester or multimeter, device used for measurement of voltage, current and electrical resistance.
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Tester or multimeter, device used for measurement ...

'Electrical Experiment', 1777. Artist: Amédée van Loo
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'Electrical Experiment', 1777. Artist: Amédée van ...

People around a new electrical lamppost in the train station of Friedrichstandt, engraving from 1?
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People around a new electrical lamppost in the tra...

Breda electrical automotive to 3000 Volts DC.
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Breda electrical automotive to 3000 Volts DC.

'Alexander Graham Bell and assistant use an electrical detector to find a bullet in the torso of ail Artist: W Shinkle.
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'Alexander Graham Bell and assistant use an electr...

'Electricity', c1891. Artist: Unknown.
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'Electricity', c1891. Artist: Unknown.

Electrical Power Station at Water Orton, Hams Hall, near Birmingham, 1928. Artist: Unknown
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Electrical Power Station at Water Orton, Hams Hall...

'Electricity In The Art Of Healing', 1881.Artist: W Shinkle
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'Electricity In The Art Of Healing', 1881.Artist: ...

The 'Ignitron' tube, 1938. Artist: Unknown.
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The 'Ignitron' tube, 1938. Artist: Unknown.

'Edison and Steinmetz Join Forces to Achieve Success', 1922, (c1925). Artist: Unknown.
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'Edison and Steinmetz Join Forces to Achieve Succe...

Engine-Room Artificer, 1937.Artist: WA & AC Churchman
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Engine-Room Artificer, 1937.Artist: WA & AC Church...

Electrical Artificer, 1937.Artist: WA & AC Churchman
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Electrical Artificer, 1937.Artist: WA & AC Churchm...