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107 résultats pour : amand

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Roman Scene, 1755-1769. Creator: Jacques-Francois Amand.
HRM25A11_226

Roman Scene, 1755-1769. Creator: Jacques-Francois ...

Saint Amand baptizing Sigebert III. From Vita sancti Amandi, c1165. Creator: Anonymous ().
HRM24A41_289

Saint Amand baptizing Sigebert III. From Vita sanc...

Abraham Lincoln, ca.1934.
HRM22B39_493

Abraham Lincoln, ca.1934.

Portrait of Saint-Amand Bazard, 1821.
HRM22A87_422

Portrait of Saint-Amand Bazard, 1821.

L'Abaye St. Amand, Rouen, 1839.
HRM22A13_416

L'Abaye St. Amand, Rouen, 1839.

Saint Amond, 1621.
HRM21A59_434

Saint Amond, 1621.

Saint Amond, 1621.
HRM21A59_426

Saint Amond, 1621.

Saint Amond, 1621.
HRM21A59_429

Saint Amond, 1621.

The author Alexandre Dumas père (1802-1870), ca 1868. Private Collection.
HRM21A70_289

The author Alexandre Dumas père (1802-1870), ca 18...

A relaxed face (left); Profound attention (right), 1854-1856, printed 1862.
HRM21A19_421

A relaxed face (left); Profound attention (right),...

Dissatisfaction, somber thoughts (left); Reflection (right), 1854-1856, printed 1862.
HRM21A19_432

Dissatisfaction, somber thoughts (left); Reflectio...

Spasm of m. corrugator supercilii under very strong light (left); A relaxed face (photographed in full sunshine) (right) , 1854-1855, printed 1862.
HRM21A19_447

Spasm of m. corrugator supercilii under very stron...

A relaxed face (left); False joy or laughter (right), 1854-1856, printed 1862.
HRM21A19_420

A relaxed face (left); False joy or laughter (righ...

Expression of severity, 1854-1856, printed 1862.
HRM21A19_433

Expression of severity, 1854-1856, printed 1862.

Slight lowering of the angle of the mouth due to depression (left); False laughter (right), 1854-1856, printed 1862.
HRM21A19_446

Slight lowering of the angle of the mouth due to d...

Astonishment, stupefaction, amazement, 1854-1856, printed 1862.
HRM21A19_424

Astonishment, stupefaction, amazement, 1854-1856, ...

Expression of terror, 1854-1856, printed 1862.
HRM21A19_435

Expression of terror, 1854-1856, printed 1862.

Scornful disgust (left); Scornful laughter (right), 1854-1856, printed 1862.
HRM21A19_445

Scornful disgust (left); Scornful laughter (right)...

Aggression, wickedness, 1854-1856, printed 1862.
HRM21A19_422

Aggression, wickedness, 1854-1856, printed 1862.

Extreme pain, the head of Christ (left); Memory of love or ecstatic gaze (right), 1854-1856, printed 1862.
HRM21A19_436

Extreme pain, the head of Christ (left); Memory of...

Painful recollection or painful thoughts, 1854-1856, printed 1862.
HRM21A19_444

Painful recollection or painful thoughts, 1854-185...

A false, incomplete expression of agreeable surprise, or admiration, 1854-1856, printed 1862.
HRM21A19_417

A false, incomplete expression of agreeable surpri...

Attention, 1854-1856, printed 1862.
HRM21A19_427

Attention, 1854-1856, printed 1862.

Painful memories, 1854-1856, printed 1862.
HRM21A19_443

Painful memories, 1854-1856, printed 1862.

This contraction of m. platysma alone lacks expression, 1854-1856, printed 1862.
HRM21A19_452

This contraction of m. platysma alone lacks expres...

Portrait of Saint-Amand Bazard (1791-1832) , 1821. Found in the collection of Musée de la Vie romantique, Paris.
HRM21A27_064

Portrait of Saint-Amand Bazard (1791-1832) , 1821....

Attention, attentive gaze (left); Painful attention (right), 1854-1856, printed 1862.
HRM21A19_428

Attention, attentive gaze (left); Painful attentio...

Pain and despair, 1854-1856, printed 1862.
HRM21A19_442

Pain and despair, 1854-1856, printed 1862.

Weeping, tears of pity (left); Relaxed face (right), 1854-1856, printed 1862.
HRM21A19_453

Weeping, tears of pity (left); Relaxed face (right...

A relaxed expression (left); Disgust (right), 1854-1856, printed 1862.
HRM21A19_419

A relaxed expression (left); Disgust (right), 1854...

Bad humor, malcontentment, 1854-1856, printed 1862.
HRM21A19_429

Bad humor, malcontentment, 1854-1856, printed 1862...

Mécanisme de la Physionomie (The Mechanism of Human Facial Expression), 1862.
HRM21A19_441

Mécanisme de la Physionomie (The Mechanism of Huma...

The attention attracted by an object that provokes lascivious ideas and desires, 1854-1856, printed 1862.
HRM21A19_450

The attention attracted by an object that provokes...

Portrait of the opera singer Carlotta Patti (1835-1889). Private Collection.
HRM21A25_485

Portrait of the opera singer Carlotta Patti (1835-...

A portrait, seen in profile, of a man 42 years old, stupefied by the abuse of alcohol; his nose is aquiline, 1854-1856, printed 1862.
HRM21A19_418

A portrait, seen in profile, of a man 42 years old...

Discontent, bad humor, 1854-1856, printed 1862.
HRM21A19_431

Discontent, bad humor, 1854-1856, printed 1862.

Gaiety expressed by the ideas of lustfulness, cynicism and lewdness, 1854-1856, printed 1862.
HRM21A19_440

Gaiety expressed by the ideas of lustfulness, cyni...

The muscle of attention (left); Eyebrow contraction due to bright light (right), 1854-1856, printed 1862.
HRM21A19_451

The muscle of attention (left); Eyebrow contractio...

Attention (left); Severity, aggression (right), 1854-1856, printed 1862.
HRM21A19_426

Attention (left); Severity, aggression (right), 18...

Face in repose, 1854-1856, printed 1862.
HRM21A19_437

Face in repose, 1854-1856, printed 1862.

Attention (left); Reflection (right), 1854-1856, printed 1862.
HRM21A19_425

Attention (left); Reflection (right), 1854-1856, p...

Face in repose, 1854-1856, printed 1862.
HRM21A19_439

Face in repose, 1854-1856, printed 1862.

Terror mixed with pain, torture, 1854-1856, printed 1862.
HRM21A19_449

Terror mixed with pain, torture, 1854-1856, printe...

Surprise, 1854-1855, printed 1862.
HRM21A19_448

Surprise, 1854-1855, printed 1862.

Emancipated Slaves
HRM21A12_170

Emancipated Slaves

Gustave Eiffel (From: Les Hommes du siècle). Creator: Vaché, Amand (active 1860s-1880s).
HRM20A84_082

Gustave Eiffel (From: Les Hommes du siècle). Creat...

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. , 1854-56, printed 1862.
HRM20A77_316

Figure 55: Astonishment badly rendered by the subj...

Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862.
HRM20A77_327

Figure 9: A study of m. frontalis in maximum contr...

Figure 82: Lady Macbeth, strong expression of cruelty , 1854-56, printed 1862.
HRM20A77_336

Figure 82: Lady Macbeth, strong expression of crue...

Figure 18: Aggression, wickedness, 1854-56, printed 1862.
HRM20A77_347

Figure 18: Aggression, wickedness, 1854-56, printe...

Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l?expression des passions applicable à la pratique des arts plastiques, 1854-56, printed 1862.
HRM20A77_358

Mécanisme de la physionomie humaine ou Analyse éle...

Figure 56: Surprise, 1854-56, printed 1862.
HRM20A77_317

Figure 56: Surprise, 1854-56, printed 1862.

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. , 1854-56, printed 1862.
HRM20A77_326

Figure 42: Gaiety expressed by the ideas of lustfu...

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862.
HRM20A77_337

Figure 36: Scornful laughter and scornful disgust,...

Figure 60: Fright, 1854-56, printed 1862.
HRM20A77_346

Figure 60: Fright, 1854-56, printed 1862.

Figure 48: Mild weeping, pity and feeble false laughter , 1854-56, printed 1862.
HRM20A77_311

Figure 48: Mild weeping, pity and feeble false lau...

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862.
HRM20A77_318

Figure 47: A suggestion of this same weeping, 1854...

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. , 1854-56, printed 1862.
HRM20A77_329

Figure 39: The attention attracted by an object th...

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862.
HRM20A77_338

Figure 50: Affected weeping and face in repose, 18...

Figure 49: Painful weeping and forward looking., 1854-56, printed 1862.
HRM20A77_349

Figure 49: Painful weeping and forward looking., 1...

Figure 19: Suffering , 1854-56, printed 1862.
HRM20A77_356

Figure 19: Suffering , 1854-56, printed 1862.

Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862.
HRM20A77_310

Icono-photographique. Mécanisme de la Physionomie ...

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi , 1854-56, printed 1862.
HRM20A77_319

Figure 12: A study of the contraction of and the e...

Figure 15: Meditation, mental concentration, 1854-56, printed 1862.
HRM20A77_328

Figure 15: Meditation, mental concentration, 1854-...

Figure 78: Scene of coquetry, 1854-56, printed 1862.
HRM20A77_339

Figure 78: Scene of coquetry, 1854-56, printed 186...

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. , 1854-56, printed 1862.
HRM20A77_348

Figure 17: On the right, electrization of m. proce...

Figure 3: The face of an old man... photographed in repose., 1854-56, printed 1862.
HRM20A77_357

Figure 3: The face of an old man... photographed i...

Faradisation du muscle frontal, 1854-56, printed 1862.
HRM20A77_312

Faradisation du muscle frontal, 1854-56, printed 1...

Figure 10: Showing the expressive lines of m. frontalis in a young girl , 1854-56, printed 1862.
HRM20A77_323

Figure 10: Showing the expressive lines of m. fron...

Figure 53: Whimpering and false laughter, 1854-56, printed 1862.
HRM20A77_332

Figure 53: Whimpering and false laughter, 1854-56,...

Figure 45: Pain and despair. , 1854-56, printed 1862.
HRM20A77_343

Figure 45: Pain and despair. , 1854-56, printed 18...

Figure 25: Not an expression of pain, 1854-56, printed 1862.
HRM20A77_354

Figure 25: Not an expression of pain, 1854-56, pri...

Figure 34: Grimace, 1854-56, printed 1862.
HRM20A77_313

Figure 34: Grimace, 1854-56, printed 1862.

Figure 21: Painful recollection and recollection or calling something to mind , 1854-56, printed 1862.
HRM20A77_322

Figure 21: Painful recollection and recollection o...

Figure 73: Head of Niobe, 1854-56, printed 1862.
HRM20A77_333

Figure 73: Head of Niobe, 1854-56, printed 1862.

Figure 75: Nun saying her prayers, 1854-56, printed 1862.
HRM20A77_342

Figure 75: Nun saying her prayers, 1854-56, printe...

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. , 1854-56, printed 1862.
HRM20A77_355

Figure 24: Extreme pain to the point of exhaustion...

Figure 4: The face in repose of a young man , 1854-56, printed 1862.
HRM20A77_314

Figure 4: The face in repose of a young man , 1854...

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862.
HRM20A77_325

Figure 81: Lady Macbeth, moderate expression of cr...

Figure 26: Expression of painful attention and attention, attentive gaze. , 1854-56, printed 1862.
HRM20A77_334

Figure 26: Expression of painful attention and att...

Figure 70: Head of the Laocoön of Rome, 1854-56, printed 1862.
HRM20A77_345

Figure 70: Head of the Laocoön of Rome, 1854-56, p...

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862.
HRM20A77_352

Figure 52: Voluntary retraction of the lower lip, ...

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862.
HRM20A77_315

Figure 83: Lady Macbeth, ferocious cruelty, 1854-5...

Figure 63: Expression of terror, 1854-56, printed 1862.
HRM20A77_324

Figure 63: Expression of terror, 1854-56, printed ...

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862.
HRM20A77_335

Figure 20: Profound suffering, with resignation, 1...

Figure 6: The grimace produced is similar to a tic of the face , 1854-56, printed 1862.
HRM20A77_344

Figure 6: The grimace produced is similar to a tic...

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862.
HRM20A77_353

Figure 54: Voluntary lowering of the lower jaw, 18...

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862.
HRM20A77_320

Figure 57: Astonishment, stupefaction, amazement, ...

Figure 8: Contraction of the right m. frontalis. , 1854-56, printed 1862.
HRM20A77_331

Figure 8: Contraction of the right m. frontalis. ,...

Figure 16: Expression of severity , 1854-56, printed 1862.
HRM20A77_340

Figure 16: Expression of severity , 1854-56, print...

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862.
HRM20A77_351

Figure 66: Head of Arrotino (the spy, the knife gr...

Figure 71: Same head as in Plate 70, 1854-56, printed 1862.
HRM20A77_321

Figure 71: Same head as in Plate 70, 1854-56, prin...

Figure 27: Expression proportionally more pained, 1854-56, printed 1862.
HRM20A77_330

Figure 27: Expression proportionally more pained, ...

Figure 62: Terror, semiprofile, 1854-56, printed 1862.
HRM20A77_341

Figure 62: Terror, semiprofile, 1854-56, printed 1...

Figure 22: No painful expression , 1854-56, printed 1862.
HRM20A77_350

Figure 22: No painful expression , 1854-56, printe...

Electro-Physiologie, Figure 64, 1854-56, printed 1862.
HRM20A72_124

Electro-Physiologie, Figure 64, 1854-56, printed 1...

Cloitre Saint-Amand, Rouen, 1852-53.
HRM20A74_125

Cloitre Saint-Amand, Rouen, 1852-53.

St. Amand Preaching in a Wood. Creator: Jacques Callot (French, 1592-1635).
HRM19G07_189

St. Amand Preaching in a Wood. Creator: Jacques Ca...

LAbbaye St. Amand, Rouen, 1839. Creator: Thomas Shotter Boys (British, 1803-1874).
HRM19F89_456

LAbbaye St. Amand, Rouen, 1839. Creator: Thomas Sh...

Figure 54: Abaissement volontaire de la mâchoire inférieure: mouvement inexpressif, c. 1856. Creator: Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806-1875); Adrien Tournachon (French, 18...
HRM19F80_488

Figure 54: Abaissement volontaire de la mâchoire i...

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