Explanation accompanying the Allegory on the Restoration of Stadtholder William V, 1787, Explanation of the Symbolic Artwork, Invented and Published by Mr. Vitez, for the Perpetuation of the Happy Turning Point in the United Netherlands, text sheet, Text sheet with an explanation of the representation of the print with the allegory on the restoration of Stadtholder William V in 1787. Explanation in four points followed by the prices of the various editions of the print. At the bottom, the name of a publisher, Trop, is written in pen., inscription: 'by JH Trop te Amsteldam', publisher: Joseph Vitez, Northern Netherlands, bookseller (person): JH Trop, Amsterdam, bookseller (person), paper, letterpress printing, text in letterpress, height 447 mm x width 260 mm, Person, William V (Prince of Orange-Nassau), Charles William Ferdinand Duke of Brunswick-Wolfenbüttel, William Gustav Frederick Bentinck of Rhoon, Restoration of Stadtholder William V (1787), Period, A single sheet of aged paper p...
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Explanation accompanying the Allegory on the Restoration of Stadtholder William V, 1787, Explanation of the Symbolic Artwork, Invented and Published by Mr. Vitez, for the Perpetuation of the Happy Turning Point in the United Netherlands, text sheet, Text sheet with an explanation of the representation of the print with the allegory on the restoration of Stadtholder William V in 1787. Explanation in four points followed by the prices of the various editions of the print. At the bottom, the name of a publisher, Trop, is written in pen., inscription: 'by JH Trop te Amsteldam', publisher: Joseph Vitez, Northern Netherlands, bookseller (person): JH Trop, Amsterdam, bookseller (person), paper, letterpress printing, text in letterpress, height 447 mm x width 260 mm, Person, William V (Prince of Orange-Nassau), Charles William Ferdinand Duke of Brunswick-Wolfenbüttel, William Gustav Frederick Bentinck of Rhoon, Restoration of Stadtholder William V (1787), Period, A single sheet of aged paper printed with dense blocks of serif text arranged in sections and paragraphs, the top featuring a larger decorative word set in ornate capitals, below which several headings in bold uppercase appear, and the remainder filled with smaller regular type in neatly justified lines; there are occasional italicized words and short parenthetical marks, visible punctuation like commas and periods, and a handwritten cursive signature or note near the lower right above the bottom paragraphs; the paper shows a light cream tone with subtle uneven texture and faint spotting, and margins are visible around the printed area.

Crédit

Photo12/Liszt Collection

Notre référence

LZT26B45_350

Licence

Droits gérés

Format disponible

50.0Mo (11.1Mo) / 25.1cm x 49.8cm / 2969 x 5885 (300dpi)

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