Trophea Marii de bello Cymbr. putat. ab aed. D. Euseb. Rom., Trophy of Marius, Speculum Romanae Magnificentiae, print, album page, Trophy of the Roman military commander Marius on the Capitoline Hill in Rome. Print is part of an album., inscription: '... lib. vol. 18. fol. 25. ... lib. vol. 10. fol. 14 ... lib. vol. 6. ... 2. vol. 118. lib. vol. 21. fol. 463. 464.', number: '81', number: '2', number: '72', printmaker, publisher, Rome, Italy, paper, engraving, intaglio printmaking technique, height 383 mm x width 265 mm, This print belongs to the print corpus known as the 'Speculum Romanae Magnificentiae' ('Mirror of Roman Splendor'). This corpus, consisting of prints depicting artworks and buildings from ancient and modern Rome, originated with publishers Antonio Salamanca and Antonio Lafreri. These two foreign publishers joined forces in Rome during the period 1553–1563. Their prints quickly became immensely popular among tourists and collectors, who purchased the prints individually ...
Légende

Trophea Marii de bello Cymbr. putat. ab aed. D. Euseb. Rom., Trophy of Marius, Speculum Romanae Magnificentiae, print, album page, Trophy of the Roman military commander Marius on the Capitoline Hill in Rome. Print is part of an album., inscription: '... lib. vol. 18. fol. 25. ... lib. vol. 10. fol. 14 ... lib. vol. 6. ... 2. vol. 118. lib. vol. 21. fol. 463. 464.', number: '81', number: '2', number: '72', printmaker, publisher, Rome, Italy, paper, engraving, intaglio printmaking technique, height 383 mm x width 265 mm, This print belongs to the print corpus known as the 'Speculum Romanae Magnificentiae' ('Mirror of Roman Splendor'). This corpus, consisting of prints depicting artworks and buildings from ancient and modern Rome, originated with publishers Antonio Salamanca and Antonio Lafreri. These two foreign publishers joined forces in Rome during the period 1553–1563. Their prints quickly became immensely popular among tourists and collectors, who purchased the prints individually or in large groups. Large groups of Speculum prints were often bound together in albums upon request. Several Speculum albums have survived, all differing in content. Between 1573 and 1577, Antonio Lafreri published a special title page (titled 'Speculum Romanae Magnificentiae') that people could add to their collections. Lafreri's death in 1577 did not mark the end of the corpus. A large portion of the copper plates passed to Claudio and Stefano Duchetti. The remainder was dispersed among various other publishers. The popularity of the Speculum prints continued to inspire publishers for a considerable period to commission copies and add new prints to the corpus., piece of sculpture, reproduction of a piece of sculpture, cupids: 'amores', 'amoretti', 'putti', 'Victoria', 'Vittoria', 'Vittoria navale', 'Vittoria degl'antichi' (Ripa), armour, trophy, battle, war, A tall armor-clad figure stands centrally with a decorated helmet and scale-like armor, a draped cloth across the chest, and

Crédit

Photo12/Liszt Collection

Notre référence

LZT26B31_118

Licence

Droits gérés

Format disponible

38.4Mo (6.0Mo) / 26.3cm x 36.6cm / 3102 x 4328 (300dpi)

Connectez-vous pour télécharger cette image en HD