Trophy of Marius, Trophea Marii de bello Cymbr. putat. ab aed. D. Euseb. Romae, Speculum Romanae Magnificentiae, print, album page, Trophy of the Roman army commander Marius on the Capitol in Rome. Print is part of an album., number: '...', number: '72', number: '80', inscription: '... lib. full. 23. fol. 396 ...lib. full. 10. fol. 14...lib. full. 6. ... 2. vol. 119.lib. full. 21. fol. 463. 464.', printmaker, Italy, paper, engraving, intaglio printmaking technique, height 383 mm x width 240 mm, This print belongs to the print corpus known as the 'Speculum Romanae Magnificentiae' ('Mirror of Roman Splendor'). This corpus, consisting of prints depicting artworks and buildings from ancient and modern Rome, originated with publishers Antonio Salamanca and Antonio Lafreri. These two foreign publishers joined forces in Rome during the period 1553–1563. Their prints quickly became immensely popular among tourists and collectors, who purchased the prints individually or in large groups. Large ...
Légende

Trophy of Marius, Trophea Marii de bello Cymbr. putat. ab aed. D. Euseb. Romae, Speculum Romanae Magnificentiae, print, album page, Trophy of the Roman army commander Marius on the Capitol in Rome. Print is part of an album., number: '...', number: '72', number: '80', inscription: '... lib. full. 23. fol. 396 ...lib. full. 10. fol. 14...lib. full. 6. ... 2. vol. 119.lib. full. 21. fol. 463. 464.', printmaker, Italy, paper, engraving, intaglio printmaking technique, height 383 mm x width 240 mm, This print belongs to the print corpus known as the 'Speculum Romanae Magnificentiae' ('Mirror of Roman Splendor'). This corpus, consisting of prints depicting artworks and buildings from ancient and modern Rome, originated with publishers Antonio Salamanca and Antonio Lafreri. These two foreign publishers joined forces in Rome during the period 1553–1563. Their prints quickly became immensely popular among tourists and collectors, who purchased the prints individually or in large groups. Large groups of Speculum prints were often bound together in albums upon request. Several Speculum albums have survived, all differing in content. Between 1573 and 1577, Antonio Lafreri published a special title page (titled 'Speculum Romanae Magnificentiae') that people could add to their collections. Lafreri's death in 1577 did not mark the end of the corpus. A large portion of the copper plates passed to Claudio and Stefano Duchetti. The remainder was dispersed among various other publishers. The popularity of the Speculum prints continued to inspire publishers for a considerable period to commission copies and add new prints to the corpus., piece of sculpture, reproduction of a piece of sculpture, cupids: 'amores', 'amoretti', 'putti', armour, trophy, battle, war, A tall, draped armored figure stands centrally, wearing an ornate helmet and a long cloak with a broad sash; behind the figure are two decorative rectangular panels with carved floral and circular motifs. In front of the figu

Crédit

Photo12/Liszt Collection

Notre référence

LZT26B31_117

Licence

Droits gérés

Format disponible

35.5Mo (11.5Mo) / 23.4cm x 38.1cm / 2760 x 4495 (300dpi)

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