Cain beats Abel to death, print, album page, Cain attacks his brother with a club. He presses the wounded Abel to the ground. In the background Abel's sacrificed lamb and on the right Cain's offering. This print is part of an album., printmaker: Peter van Liesebetten, Antwerp, after painting by Jacopo Palma (il Giovane), Italy, publisher: David Teniers (II), Brussels, grantor of privilege: Spanish crown, 1660, paper, etching, engraving, etching and engraving, height 225 mm x width 169 mm, David Teniers probably produced an oil study on canvas or panel (so-called pasticcio) of all the paintings in the collection of Leopold William of Austria, which served as a model for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon, A monochrome engraved scene shows two partially clothed male figure...
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Cain beats Abel to death, print, album page, Cain attacks his brother with a club. He presses the wounded Abel to the ground. In the background Abel's sacrificed lamb and on the right Cain's offering. This print is part of an album., printmaker: Peter van Liesebetten, Antwerp, after painting by Jacopo Palma (il Giovane), Italy, publisher: David Teniers (II), Brussels, grantor of privilege: Spanish crown, 1660, paper, etching, engraving, etching and engraving, height 225 mm x width 169 mm, David Teniers probably produced an oil study on canvas or panel (so-called pasticcio) of all the paintings in the collection of Leopold William of Austria, which served as a model for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon, A monochrome engraved scene shows two partially clothed male figures on a stone ledge, one standing and gripping a club raised above his shoulder while looking down, the other fallen on his back with an arm reaching upward and a foot lifted; the standing figure wears a draped cloth around his waist and has short curly hair, the fallen figure is muscular and reclined with a stream of liquid coming from his mouth; nearby are a cluster of round fruits on the stone surface and a pile of feathers below, while a stone structure with smoke or a column of textured marks rises at the upper edge and a sky filled with lined cloud shapes forms the backdrop.

Crédit

Photo12/Liszt Collection

Notre référence

LZT26B27_400

Licence

Droits gérés

Format disponible

51.9Mo (6.8Mo) / 32.1cm x 40.4cm / 3796 x 4775 (300dpi)

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