Sujet

Italian Renaissance wood mosaic, (1898). Creator: Unknown.

Légende

Italian Renaissance wood mosaic, (1898). Fig 1: From the choir-stalls in S. Anastasia at Verona. Fig 2: From the dado of the vestry-shrines in S. Maria in Organo ibid. Figs 3-7: From the choir-stalls ibid.Fig 8: From the choir-stalls in Monte Oliveto maggiore. Figs 9-10: From the choir-stalls in S. Petronio at Bologna. (Ground of the centre-compartments black). Figs 11-13: From the choir-stalls in the Certosa near Pavia. (In Fig 12 ground black)...Wood-carving in general was highly flourishing, as is known, in the Renaissance-period, especially however (in the highest degree) one branch of it, termed Intarsia, i. e. inlaid wood-work, with which stalls, shrines in vestries etc., were most richly decorated...'. Plate 48 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

Crédit

Photo12/The Print Collector

Notre référence

HRM19G33_315

Model release

NA

Property release

NA

Licence

Droits gérés

Format disponible

63,8Mo (3,7Mo) / 32,5cm x 49,1cm / 3843 x 5799 (300dpi)

Mots clés

Italien bois intérieur religieux arts pays religion modèle art livre église feuillage conception décoratif Christianisme en bois mosaïque La Renaissance endroit siècle symétrie sepia ange anges floral conception intérieure littérature concept angélique symétrique B&W stylised fleuri putto décoration intérieure Modelé marqueté 19e siècle noir et blanc noir et blanc B W 16ème siècle dix-neuvième siècle seizième siècle The Print Collector Unknown Dolmetsch amorini BT Batsford E. H Historic Styles of Ornament B. T. Batsford Batsford B. T. BT B T B.T. B.T. Batsford B T Batsford H. Dolmetsch Heinrich Dolmetsch H. Heinrich H Dolmetsch E. Hochdanz Hochdanz E Hochdanz Hochd inlaying intarsia