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HRM20A77_316
Figure 55: Astonishment badly rendered by the subj...
HRM20A77_327
Figure 9: A study of m. frontalis in maximum contr...
HRM20A77_336
Figure 82: Lady Macbeth, strong expression of crue...
HRM20A77_347
Figure 18: Aggression, wickedness, 1854-56, printe...
HRM20A77_358
Mécanisme de la physionomie humaine ou Analyse éle...
HRM20A77_317
Figure 56: Surprise, 1854-56, printed 1862.
HRM20A77_326
Figure 42: Gaiety expressed by the ideas of lustfu...
HRM20A77_337
Figure 36: Scornful laughter and scornful disgust,...
HRM20A77_346
Figure 60: Fright, 1854-56, printed 1862.
HRM20A77_311
Figure 48: Mild weeping, pity and feeble false lau...
HRM20A77_318
Figure 47: A suggestion of this same weeping, 1854...
HRM20A77_329
Figure 39: The attention attracted by an object th...
HRM20A77_338
Figure 50: Affected weeping and face in repose, 18...
HRM20A77_349
Figure 49: Painful weeping and forward looking., 1...
HRM20A77_356
Figure 19: Suffering , 1854-56, printed 1862.
HRM20A77_310
Icono-photographique. Mécanisme de la Physionomie ...
HRM20A77_319
Figure 12: A study of the contraction of and the e...
HRM20A77_328
Figure 15: Meditation, mental concentration, 1854-...
HRM20A77_339
Figure 78: Scene of coquetry, 1854-56, printed 186...
HRM20A77_348
Figure 17: On the right, electrization of m. proce...
HRM20A77_357
Figure 3: The face of an old man... photographed i...
HRM20A77_312
Faradisation du muscle frontal, 1854-56, printed 1...
HRM20A77_323
Figure 10: Showing the expressive lines of m. fron...
HRM20A77_332
Figure 53: Whimpering and false laughter, 1854-56,...
HRM20A77_343
Figure 45: Pain and despair. , 1854-56, printed 18...
HRM20A77_354
Figure 25: Not an expression of pain, 1854-56, pri...
HRM20A77_313
Figure 34: Grimace, 1854-56, printed 1862.
HRM20A77_322
Figure 21: Painful recollection and recollection o...
HRM20A77_333
Figure 73: Head of Niobe, 1854-56, printed 1862.
HRM20A77_342
Figure 75: Nun saying her prayers, 1854-56, printe...
HRM20A77_355
Figure 24: Extreme pain to the point of exhaustion...
HRM20A77_314
Figure 4: The face in repose of a young man , 1854...
HRM20A77_325
Figure 81: Lady Macbeth, moderate expression of cr...
HRM20A77_334
Figure 26: Expression of painful attention and att...
HRM20A77_345
Figure 70: Head of the Laocoön of Rome, 1854-56, p...
HRM20A77_352
Figure 52: Voluntary retraction of the lower lip, ...
HRM20A77_315
Figure 83: Lady Macbeth, ferocious cruelty, 1854-5...
HRM20A77_324
Figure 63: Expression of terror, 1854-56, printed ...
HRM20A77_335
Figure 20: Profound suffering, with resignation, 1...
HRM20A77_344
Figure 6: The grimace produced is similar to a tic...
HRM20A77_353
Figure 54: Voluntary lowering of the lower jaw, 18...
HRM20A77_320
Figure 57: Astonishment, stupefaction, amazement, ...
HRM20A77_331
Figure 8: Contraction of the right m. frontalis. ,...
HRM20A77_340
Figure 16: Expression of severity , 1854-56, print...
HRM20A77_351
Figure 66: Head of Arrotino (the spy, the knife gr...
HRM20A77_321
Figure 71: Same head as in Plate 70, 1854-56, prin...
HRM20A77_330
Figure 27: Expression proportionally more pained, ...
HRM20A77_341
Figure 62: Terror, semiprofile, 1854-56, printed 1...
HRM20A77_350
Figure 22: No painful expression , 1854-56, printe...
HRM20A72_124
Electro-Physiologie, Figure 64, 1854-56, printed 1...
HRM19B79_410
E.E.G recording. Artist: Unknown
HRM19B66_301
The Five Senses, late 16th century. Artist: Adriae...
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