Paintings within the gates of victory and honor in front of the Court, Paintings inside the triumphal arch that is in front of the court, Paintings on the triumphal arches in front of the Buitenhof, 1691, print, book illustration, Overview of six large and four small paintings on the triumphal arches displayed in front of the Buitenhof, February 5, 1691. Primarily allegorical representations of the victories of Stadtholder-King William III and the virtue of Queen Mary Stuart., printmaker: Romeyn de Hooghe, Northern Netherlands, paper, etching, height 333 mm x width 445 mm, Print also used in: Bidloo, Govard. Arrival of His Majesty William III. King of Great Britain, etc. in Holland, or a detailed description of everything, (...) decorated with copper plates. The Hague: Arnoud Leers, 1691., Person, William III (Prince of Orange and King of England, Scotland, and Ireland), Maria II Stuart (Queen of England, Scotland and Ireland), coat of arms (as symbol of the state, etc.) (nation, natio...
Caption

Paintings within the gates of victory and honor in front of the Court, Paintings inside the triumphal arch that is in front of the court, Paintings on the triumphal arches in front of the Buitenhof, 1691, print, book illustration, Overview of six large and four small paintings on the triumphal arches displayed in front of the Buitenhof, February 5, 1691. Primarily allegorical representations of the victories of Stadtholder-King William III and the virtue of Queen Mary Stuart., printmaker: Romeyn de Hooghe, Northern Netherlands, paper, etching, height 333 mm x width 445 mm, Print also used in: Bidloo, Govard. Arrival of His Majesty William III. King of Great Britain, etc. in Holland, or a detailed description of everything, (...) decorated with copper plates. The Hague: Arnoud Leers, 1691., Person, William III (Prince of Orange and King of England, Scotland, and Ireland), Maria II Stuart (Queen of England, Scotland and Ireland), coat of arms (as symbol of the state, etc.) (nation, national), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', Entry of William III into The Hague (1691), The Hague, Buitenhof, Period, 1691-02-05, A large engraved sheet divided into multiple rectangular and arched panels filled with intricate classical scenes; figures in flowing robes and armor occupy thrones, stages, battlefields, and architectural settings, with reclining and seated nude and draped figures, attendants, and musicians; mythic and allegorical characters appear with tridents, helmets, shields, cornucopias, and banners, while cherubs and putti cluster around larger figures; scenes include groups gathered around seated royal figures under canopies, processions before grand buildings with columns and towers, naval and land battle imagery with cannons and fallen warriors, and pastoral moments with shepherds and animals; decorative cartouches, wreaths, and sculptural elements

Credit line

Photo12/Liszt Collection

Reference

LZT26B34_105

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