Relief with the Abduction of Proserpina, Roman sculpted reliefs, Icones et segment, print, album page, Series number, 16, 50, Relief with the Abduction of Proserpina by Pluto. Ceres rides in a chariot drawn by large snakes behind Pluto's chariot. A river god sits on the right. Text in Latin in the lower margin. Print is part of an album., inscription: 'Ende lib. No. 5. fol. 78 and 79.', number: '43', printmaker: François Perrier, Paris, writer (clerical worker): Giovanni Pietro Bellori, publisher: widow of François Perrier, grantor of privilege: Innocent X, Vatican City, 1645, François Perrier, Giovanni Pietro Bellori, widow of François Perrier, Innocent X, printmaker, writer (clerical worker), publisher, grantor of privilege, paper, etching, height 162 mm x width 430 mm, This print is part of a series of 54 prints (title print) after ancient reliefs. The numbering on the prints runs from 1 to 50. Some prints have double numbers., piece of sculpture, reproduction of a piece of sculptur...
Caption

Relief with the Abduction of Proserpina, Roman sculpted reliefs, Icones et segment, print, album page, Series number, 16, 50, Relief with the Abduction of Proserpina by Pluto. Ceres rides in a chariot drawn by large snakes behind Pluto's chariot. A river god sits on the right. Text in Latin in the lower margin. Print is part of an album., inscription: 'Ende lib. No. 5. fol. 78 and 79.', number: '43', printmaker: François Perrier, Paris, writer (clerical worker): Giovanni Pietro Bellori, publisher: widow of François Perrier, grantor of privilege: Innocent X, Vatican City, 1645, François Perrier, Giovanni Pietro Bellori, widow of François Perrier, Innocent X, printmaker, writer (clerical worker), publisher, grantor of privilege, paper, etching, height 162 mm x width 430 mm, This print is part of a series of 54 prints (title print) after ancient reliefs. The numbering on the prints runs from 1 to 50. Some prints have double numbers., piece of sculpture, reproduction of a piece of sculpture, the rape of Proserpina (by Pluto in his chariot), possibly with Diana and Minerva trying to rescue her, Ceres drives her chariot, drawn by dragons, and holds one or two torches, lit at the fires of Etna, A detailed monochrome engraving shows a classical scene with multiple figures and animals across a wide horizontal composition. On the left a bearded seated man draped in cloth gestures with one arm while a partly veiled standing figure leans toward him and a multi-headed dog sits at the foot of the chair. Nearby stand several mostly nude or lightly draped youths, one holding a caduceus and another wearing a wreath and carrying a basket of flowers, while a reclining robed woman reaches toward the center. In the middle a pair of rearing horses fills the space, their bridles visible and their legs raised as if in motion, with a small winged infant above them. To the right a muscular bearded man stands beside a semi-reclining female figure who arches b

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Photo12/Liszt Collection

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LZT26B30_357

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