Sculpture of Abundance, Abundantia, print, album page, Series number, 6, 98, Classical sculpture of the personification of Abundance. She has her left arm in the air and in her right hand she holds a dish., with a series of prints after the sculptures in the collection of Gerard Reynst., number: '42', inscription: 'Vide lib. No 4. fol. 18, 19', printmaker: Hubert Quellinus, Antwerp, printmaker: Gerard de Lairesse, 1646 - 1670, paper, engraving, height 330 mm x width 203 mm, piece of sculpture, reproduction of a piece of sculpture, Abundance, 'Abondanza', 'Abondanza maritima' (Ripa), A grayscale engraving of a full-length classical female figure wearing a long, draped gown with detailed folds and a tied belt around the waist, standing with one arm extended outward holding a shallow dish and the other arm raised, with short wavy hair, bare feet visible at the hem of the robe, and fine line shading emphasizing the contours of the body and fabric against a plain background.
Caption

Sculpture of Abundance, Abundantia, print, album page, Series number, 6, 98, Classical sculpture of the personification of Abundance. She has her left arm in the air and in her right hand she holds a dish., with a series of prints after the sculptures in the collection of Gerard Reynst., number: '42', inscription: 'Vide lib. No 4. fol. 18, 19', printmaker: Hubert Quellinus, Antwerp, printmaker: Gerard de Lairesse, 1646 - 1670, paper, engraving, height 330 mm x width 203 mm, piece of sculpture, reproduction of a piece of sculpture, Abundance, 'Abondanza', 'Abondanza maritima' (Ripa), A grayscale engraving of a full-length classical female figure wearing a long, draped gown with detailed folds and a tied belt around the waist, standing with one arm extended outward holding a shallow dish and the other arm raised, with short wavy hair, bare feet visible at the hem of the robe, and fine line shading emphasizing the contours of the body and fabric against a plain background.

Credit line

Photo12/Liszt Collection

Reference

LZT26B30_129

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