Sculpture of Amor, Cupid, print, album page, Series number, 4, 12, Classical sculpture of a boy with curly hair and a cloth tied around his waist. He is looking upwards and has his right hand in the air. Bottom right: D., with a series of prints after the sculptures in the collection of Gerard Reynst., inscription: 'Vide lib. No. 4 ... fol. 22 ... ad fol. 283 et ....', number: '35', printmaker: Hubert Quellinus, Antwerp, printmaker: Gerard de Lairesse, 1646 - 1670, paper, engraving, height 325 mm x width 200 mm, piece of sculpture, reproduction of a piece of sculpture, (story of) Cupid, Amor (Eros), A monochrome engraving of a nude childlike figure standing on a plinth with one arm raised and the other arm lowered, the raised hand reaching upward with fingers slightly curled and the lowered hand pointing outward, the figure gazing upward with curly hair framing the face, a draped cloth wrapped around the torso and knotted at the waist with folds hanging at the side, detailed shading an...
Caption

Sculpture of Amor, Cupid, print, album page, Series number, 4, 12, Classical sculpture of a boy with curly hair and a cloth tied around his waist. He is looking upwards and has his right hand in the air. Bottom right: D., with a series of prints after the sculptures in the collection of Gerard Reynst., inscription: 'Vide lib. No. 4 ... fol. 22 ... ad fol. 283 et ....', number: '35', printmaker: Hubert Quellinus, Antwerp, printmaker: Gerard de Lairesse, 1646 - 1670, paper, engraving, height 325 mm x width 200 mm, piece of sculpture, reproduction of a piece of sculpture, (story of) Cupid, Amor (Eros), A monochrome engraving of a nude childlike figure standing on a plinth with one arm raised and the other arm lowered, the raised hand reaching upward with fingers slightly curled and the lowered hand pointing outward, the figure gazing upward with curly hair framing the face, a draped cloth wrapped around the torso and knotted at the waist with folds hanging at the side, detailed shading and cross-hatching rendering the musculature and contours of the body, the feet positioned on a stepped base, and the background left blank.

Credit line

Photo12/Liszt Collection

Reference

LZT26B30_115

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