Portrait of the physician Gian Giacomo Bartolotti da Parma, print, album page, This print is part of an album., printmaker: Jan van Troyen, Southern Netherlands (possibly), after painting by David Teniers (II), after painting by Titian, Italy, Brussels, grantor of privilege: Spanish crown, 1660, paper, etching, height 173 mm x width 115 mm, The print was produced after the painting by Titian which is in the collection of the Kunsthistorisches Museum in Vienna (inventory number GG_94). David Teniers likely produced an oil study on canvas or panel (known as a pasticcio) of every painting in the collection of Leopold William of Austria, which served as models for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., Two engraved portraits printed side by side on aged paper show seated men framed by dark crosshatched backgrounds. The figure on the left is an older man with shoulder-length wavy hair, a lined face, an...
Caption

Portrait of the physician Gian Giacomo Bartolotti da Parma, print, album page, This print is part of an album., printmaker: Jan van Troyen, Southern Netherlands (possibly), after painting by David Teniers (II), after painting by Titian, Italy, Brussels, grantor of privilege: Spanish crown, 1660, paper, etching, height 173 mm x width 115 mm, The print was produced after the painting by Titian which is in the collection of the Kunsthistorisches Museum in Vienna (inventory number GG_94). David Teniers likely produced an oil study on canvas or panel (known as a pasticcio) of every painting in the collection of Leopold William of Austria, which served as models for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., Two engraved portraits printed side by side on aged paper show seated men framed by dark crosshatched backgrounds. The figure on the left is an older man with shoulder-length wavy hair, a lined face, and a contemplative expression, wearing a dark robe with a lighter collar and holding an object in his hand. The figure on the right is a bearded man with dark hair and a serious gaze, wearing a heavy fur-trimmed cloak and holding folded sheets of paper in one hand while the other hand rests on his knee. The paper around the portraits shows spotting and discolored areas.

Credit line

Photo12/Liszt Collection

Reference

LZT26B27_442

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