Mary with the Christ Child and St. John, print, album page, Behind them an angel. This print is part of an album., printmaker: D. Claessens, Southern Netherlands, after painting by Giulio Cesare Procaccini, Italy, publisher: David Teniers (II), Brussels, grantor of privilege: Spanish crown, 1660, paper, etching, engraving, etching and engraving, height 192 mm x width 143 mm, The print was produced after the painting by Procaccini which is in the collection of the Kunsthistorisches Museum in Vienna (inventory number GG_1617). David Teniers probably produced an oil study on canvas or panel (so-called pasticcio) of every painting in the collection of Leopold William of Austria, which served as models for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., Mary and the Christ-child with John the Baptist (as child) (angel(s)), A detailed black and white etching shows a central seated woman with wavy hair and draped...
Caption

Mary with the Christ Child and St. John, print, album page, Behind them an angel. This print is part of an album., printmaker: D. Claessens, Southern Netherlands, after painting by Giulio Cesare Procaccini, Italy, publisher: David Teniers (II), Brussels, grantor of privilege: Spanish crown, 1660, paper, etching, engraving, etching and engraving, height 192 mm x width 143 mm, The print was produced after the painting by Procaccini which is in the collection of the Kunsthistorisches Museum in Vienna (inventory number GG_1617). David Teniers probably produced an oil study on canvas or panel (so-called pasticcio) of every painting in the collection of Leopold William of Austria, which served as models for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., Mary and the Christ-child with John the Baptist (as child) (angel(s)), A detailed black and white etching shows a central seated woman with wavy hair and draped clothing holding a reclining child whose body is mostly unclothed and whose head tilts back with a relaxed expression; a second figure with curly hair leans in from behind the woman, holding a small round object near the woman's shoulder, and a third smaller figure kneels at the woman's side looking up while touching the woman's arm; billowing drapery and shaded crosshatching fill the background and frame the figures, and a hand at the top left offers a blooming flower.

Credit line

Photo12/Liszt Collection

Reference

LZT26B27_437

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