The Murderer (Il Bravo), print, album page, An armed man grabs his victim by the shoulder, while hiding a dagger behind his back. The other man, with vine leaves in his hair, turns around. This print is part of an album., printmaker: Jan van Troyen, Southern Netherlands (possibly), after painting by Giorgione, Venice, after painting by Titian (attributed to), publisher: David Teniers (II), Brussels, grantor of privilege: Spanish Crown, 1660, Attributed to, paper, etching, engraving, etching and engraving, height 227 mm x width 176 mm, Print after the painting by (attributed to) Titian which is in the collection of the Kunsthistorisches Museum in Vienna (inventory number GG_64). David Teniers probably produced an oil study on canvas or panel (so-called pasticcio) of all the paintings in the collection of Leopold William of Austria, which served as a model for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., ...
Caption

The Murderer (Il Bravo), print, album page, An armed man grabs his victim by the shoulder, while hiding a dagger behind his back. The other man, with vine leaves in his hair, turns around. This print is part of an album., printmaker: Jan van Troyen, Southern Netherlands (possibly), after painting by Giorgione, Venice, after painting by Titian (attributed to), publisher: David Teniers (II), Brussels, grantor of privilege: Spanish Crown, 1660, Attributed to, paper, etching, engraving, etching and engraving, height 227 mm x width 176 mm, Print after the painting by (attributed to) Titian which is in the collection of the Kunsthistorisches Museum in Vienna (inventory number GG_64). David Teniers probably produced an oil study on canvas or panel (so-called pasticcio) of all the paintings in the collection of Leopold William of Austria, which served as a model for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., murderer, A detailed black and white engraving shows two figures in close proximity, one facing away with short wavy hair and a patterned garment, the other's face turned toward the viewer with long curly hair and a leafy wreath on the head; the visible face has a neutral expression with clear eyes and defined features, while the turned figure's arm rests on the other's shoulder and a hand holds a partially visible cylindrical object; the clothing displays elaborate folds and textured shading, and the background is densely stippled creating a dark backdrop around the figures.

Credit line

Photo12/Liszt Collection

Reference

LZT26B27_429

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