Caption
Ecce Homo, print, album page, Christ after the scourging and mockery. His hands are bound. He wears the crown of thorns and a cloak. In his hand a reed stalk as a scepter. This print is part of an album., printmaker: Jan van Troyen, Southern Netherlands (possibly), after painting by David Teniers, after painting by Padovanino, Italy, Brussels, grantor of privilege: Spanish crown, 1660, paper, etching, height 223 mm x width 173 mm, David Teniers probably produced an oil study on canvas or panel (so-called pasticcio) of all the paintings in the collection of Leopold William of Austria, which served as a model for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., Christ alone (also called 'Ecce Homo'), A black and white engraved image of a seated man shown from the waist up, with long wavy hair and a beard, wearing a crown of thorns and a radiating halo behind his head. He has a cloth draped over one shoulder and wrapped around his body, leaving his chest and one arm exposed, and his hands are bound with rope while he holds a long thin staff. The background is densely hatched, creating a dark rectangular field framed by a lighter border around the edges of the paper. The man’s expression appears solemn and his posture is slightly turned to one side, with detailed line work rendering the folds of the cloth and the texture of his skin and hair.
Credit line
Photo12/Liszt Collection
Reference
LZT26B27_422
License type
Rights managed
Available size
45.0Mb (6.5Mb) / 11.6in x 15.0in / 3488 x 4508 (300dpi)