Floor plan of the ground floor of the Palazzo Interiano Pallavicini in Genoa, Prima pianta del Palazzo. G, print, album page, This print is part of an album., printmaker: Nicolaes Ryckmans, Antwerp, publisher: Peter Paul Rubens, grantor of privilege: Spanish crown, 1622, paper, engraving, height 188 mm x width 210 mm, height 583 mm x width 435 mm, plan, architecture, hotel, i.e. small palace in city - AA - civic architecture: inside, Genoa, Palazzo Interiano Pallavicini, A detailed architectural floor plan drawn in black ink on a cream background showing multiple rectangular and square rooms separated by thick shaded walls and thinner interior partitions, with hatched sections indicating staircases and diagonal dashed lines forming geometric patterns in large central spaces; the drawing includes small rectangular projections in wall openings, narrow stair flights with parallel hatch marks, and symmetrical bay-like wall indentations along the perimeter; fine hand-drawn dimension marks a...
Caption

Floor plan of the ground floor of the Palazzo Interiano Pallavicini in Genoa, Prima pianta del Palazzo. G, print, album page, This print is part of an album., printmaker: Nicolaes Ryckmans, Antwerp, publisher: Peter Paul Rubens, grantor of privilege: Spanish crown, 1622, paper, engraving, height 188 mm x width 210 mm, height 583 mm x width 435 mm, plan, architecture, hotel, i.e. small palace in city - AA - civic architecture: inside, Genoa, Palazzo Interiano Pallavicini, A detailed architectural floor plan drawn in black ink on a cream background showing multiple rectangular and square rooms separated by thick shaded walls and thinner interior partitions, with hatched sections indicating staircases and diagonal dashed lines forming geometric patterns in large central spaces; the drawing includes small rectangular projections in wall openings, narrow stair flights with parallel hatch marks, and symmetrical bay-like wall indentations along the perimeter; fine hand-drawn dimension marks and small ticks appear near walls and openings, and lightly sketched guideline lines and faint smudges are visible across the paper.

Credit line

Photo12/Liszt Collection

Reference

LZT26B27_331

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