Tête d'étude, Victoire Tranchart on her deathbed, French etchings from 1877, L'eau-forte en 1877, print, collector's mark: 'AFE v S', printmaker: Jean Paul Laurens, after design by Jean Paul Laurens, publisher: widow Alfred Cadart, Paris, 1877, Jean Paul Laurens, widow Alfred Cadart, printmaker, publisher, paper, etching, drypoint, intaglio printmaking technique, height 280 mm x width 198 mm, Person, Victoire Tranchart, historical persons - BB - woman, old woman, deathbed, lying figure - AA - female human figure, A detailed pen-and-ink drawing of a person’s head and shoulders viewed in profile, the face turned upward and to the left, with pronounced shading and crosshatching defining the cheekbones, nose, and eye sockets; the figure wears a cap with a soft rounded top and a gathered back, and is surrounded by voluminous folds of fabric or cushions that frame the head; dense diagonal and circular hatch marks fill the background behind the head, while lighter, sketchy lines suggest drape...
Caption

Tête d'étude, Victoire Tranchart on her deathbed, French etchings from 1877, L'eau-forte en 1877, print, collector's mark: 'AFE v S', printmaker: Jean Paul Laurens, after design by Jean Paul Laurens, publisher: widow Alfred Cadart, Paris, 1877, Jean Paul Laurens, widow Alfred Cadart, printmaker, publisher, paper, etching, drypoint, intaglio printmaking technique, height 280 mm x width 198 mm, Person, Victoire Tranchart, historical persons - BB - woman, old woman, deathbed, lying figure - AA - female human figure, A detailed pen-and-ink drawing of a person’s head and shoulders viewed in profile, the face turned upward and to the left, with pronounced shading and crosshatching defining the cheekbones, nose, and eye sockets; the figure wears a cap with a soft rounded top and a gathered back, and is surrounded by voluminous folds of fabric or cushions that frame the head; dense diagonal and circular hatch marks fill the background behind the head, while lighter, sketchy lines suggest drapery extending downward; a small, stylized initial appears on one lower cloth surface and a faint signature-like inscription is visible on the right cushion; the paper has a warm toned, slightly aged appearance.

Credit line

Photo12/Liszt Collection

Reference

LZT26B25_187

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Rights managed

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