Portrait of Michael Tarchaniota Marullus, print, book illustration, printmaker: Nicolas de Larmessin (I), publisher: François Foppens, Brussels, 1682, paper, engraving, letterpress printing, letterpress text, height 181 mm x width 132 mm, height 337 mm x width 212 mm, Print used for: Bullart, Isaac. Académie des Sciences et Arts contenant les vie et éloges his. the people's illustrations show their excellence and their professions in their environment throughout their lives. Brussels: François Foppens, 1682. The book was also published in Amsterdam in 1682 by the heirs of Daniel Elzevier. Each portrait is an illustration accompanying the biography of an artist or scholar. Most of the portraits were produced by Nicolas de Larmessin (162), 93 by De Boulonois and a third by unidentified printmakers. This concerns an illustration on p. 319, part II., Person, Michael Tarchaniota Marullus, historical persons, portrait of a writer, A sepia-toned engraved portrait of a man shown from the chest...
Caption

Portrait of Michael Tarchaniota Marullus, print, book illustration, printmaker: Nicolas de Larmessin (I), publisher: François Foppens, Brussels, 1682, paper, engraving, letterpress printing, letterpress text, height 181 mm x width 132 mm, height 337 mm x width 212 mm, Print used for: Bullart, Isaac. Académie des Sciences et Arts contenant les vie et éloges his. the people's illustrations show their excellence and their professions in their environment throughout their lives. Brussels: François Foppens, 1682. The book was also published in Amsterdam in 1682 by the heirs of Daniel Elzevier. Each portrait is an illustration accompanying the biography of an artist or scholar. Most of the portraits were produced by Nicolas de Larmessin (162), 93 by De Boulonois and a third by unidentified printmakers. This concerns an illustration on p. 319, part II., Person, Michael Tarchaniota Marullus, historical persons, portrait of a writer, A sepia-toned engraved portrait of a man shown from the chest up, facing slightly to his left with his gaze turned toward the viewer, wearing a soft, brimless cap and a loose, draped garment with visible folds; he has shoulder-length wavy hair, pronounced facial lines, deep-set eyes, a long nose, and a slightly pursed mouth, all rendered with fine linework and crosshatching; the portrait is framed by a lined rectangular border and set on a page with decorative typographic elements and blocks of text below, including a large ornate initial letter and a centered name in capital letters beneath the image.

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Photo12/Liszt Collection

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LZT26B16_480

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