Letter to Andries Bonger, letter, writer (clerical worker): Émile Bernard, Cairo (city), 1900-09-28, writer (clerical worker), Ottoman Empire, North Africa, materials by function, paper, ink, writing (processes), pen, height 425 mm x width 425 mm, Person, Rembrandt van Rijn, Peter Paul Rubens, Frans Hals, Eugène Delacroix, Andries Bonger, Albert Besnard, Raphael, Titian, Paul Verlaine, Andrea Mantegna, Jacopo Tintoretto, Diego Rodriguez de Silva y Velázquez, Charles Baudelaire, Giotto de Bondone, Odilon Redon, Leonardo da Vinci, Pierre Cécile Puvis de Chavannes, Paul Gauguin, Edouard Manet, Donatello, Léon Vanier, Aurelio Luini, Francis Jourdain, travelling, tourism, family life, painting (including book-illumination, miniature-painting), exhibition, art, money, passions, emotions, affections, Paris, Antwerp, Egypt, Holland, Catalonia, Barcelona (city), Brussels, Lombardy, Venice, Madrid, Comunidad de Madrid, Milan, Padua, Colombes, A sheet of off-white paper covered in dense cursive h...
Caption

Letter to Andries Bonger, letter, writer (clerical worker): Émile Bernard, Cairo (city), 1900-09-28, writer (clerical worker), Ottoman Empire, North Africa, materials by function, paper, ink, writing (processes), pen, height 425 mm x width 425 mm, Person, Rembrandt van Rijn, Peter Paul Rubens, Frans Hals, Eugène Delacroix, Andries Bonger, Albert Besnard, Raphael, Titian, Paul Verlaine, Andrea Mantegna, Jacopo Tintoretto, Diego Rodriguez de Silva y Velázquez, Charles Baudelaire, Giotto de Bondone, Odilon Redon, Leonardo da Vinci, Pierre Cécile Puvis de Chavannes, Paul Gauguin, Edouard Manet, Donatello, Léon Vanier, Aurelio Luini, Francis Jourdain, travelling, tourism, family life, painting (including book-illumination, miniature-painting), exhibition, art, money, passions, emotions, affections, Paris, Antwerp, Egypt, Holland, Catalonia, Barcelona (city), Brussels, Lombardy, Venice, Madrid, Comunidad de Madrid, Milan, Padua, Colombes, A sheet of off-white paper covered in dense cursive handwriting in dark ink, with writing filling most of the page from the top to near the bottom and lines of text written at a slight diagonal, showing variations in ink intensity and occasional darker strokes, faint bleed-through of writing visible from the reverse side, a small blank margin around the edges, and the handwriting featuring looping letters, occasional underlines, and occasional smudges.

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Photo12/Liszt Collection

Reference

LZT26B07_432

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