Vestigia delle Terme di Tito. Decoration of the vault called in fondo nero a grottesco, in room 23. Marco Carlone (1742–1796), graphic artist; Franciszek Smuglewicz (1745–1807), draughtsman; Vincenzo Brenna (1741–1820), draughtsman; Ludovico Mirri (1738–1786), publisher. Subject: ancient architecture — traces, traces of decoration; Nero's Golden House (Rome) / The Baths of Titus (Rome); grotesques (ornament). Title: Vestigia delle Terme di Tito, 1776 — illustration. Italian graphic art; antiquity; archaeology. Colored graphic print; board marked no. 55, in the graphic album page 40. Dimensions: height 51.9 cm, width 56.1 cm., A square decorative panel with a symmetrical grid of rectangular and square compartments featuring ornamental motifs and small figurative medallions, dominated by red and blue color blocks with gold detailing and beige accents; a central circular medallion shows two seated figures in beige and muted pink tones surrounded by concentric decorative bands in blue, red...
Caption

Vestigia delle Terme di Tito. Decoration of the vault called in fondo nero a grottesco, in room 23. Marco Carlone (1742–1796), graphic artist; Franciszek Smuglewicz (1745–1807), draughtsman; Vincenzo Brenna (1741–1820), draughtsman; Ludovico Mirri (1738–1786), publisher. Subject: ancient architecture — traces, traces of decoration; Nero's Golden House (Rome) / The Baths of Titus (Rome); grotesques (ornament). Title: Vestigia delle Terme di Tito, 1776 — illustration. Italian graphic art; antiquity; archaeology. Colored graphic print; board marked no. 55, in the graphic album page 40. Dimensions: height 51.9 cm, width 56.1 cm., A square decorative panel with a symmetrical grid of rectangular and square compartments featuring ornamental motifs and small figurative medallions, dominated by red and blue color blocks with gold detailing and beige accents; a central circular medallion shows two seated figures in beige and muted pink tones surrounded by concentric decorative bands in blue, red, and gold; surrounding compartments include fan-shaped shell motifs in brownish gold set against blue, small round medallions with human and animal figures in beige and brown, and several panels filled with ornate scrollwork and acanthus-like designs in gold on blue; the borders between compartments are highlighted with intricate gold patterns and small repeating geometric ornamentation, and an outer frame in beige and off-white encloses the whole composition.

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Photo12/Liszt Collection

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LZT26A74_347

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