The Return of Tobias, Jan Rembowski (1879–1923). Tobias and the Angel, allegory. The artist admired Jacek Malczewski and adopted similar themes, introducing Tobias and the angel. Rembowski, a patriotic figure who longed to fight for Poland’s independence but was prevented by illness, expressed this longing in his work. Wartime allusions and patriotic atmosphere appear in elements such as the greatcoat draped over the shoulders of a kneeling old man and the cap of young Tobias standing among children—possibly referencing the Lviv Eaglets. In a letter Rembowski envisioned a liberated Poland; the rainbow-winged, luminous angel from the “Polish fields” may symbolize Poland. The figure of the angel appears in his earlier works. 1919; pastel; 70.7 × 99.5 cm.
Caption

The Return of Tobias, Jan Rembowski (1879–1923). Tobias and the Angel, allegory. The artist admired Jacek Malczewski and adopted similar themes, introducing Tobias and the angel. Rembowski, a patriotic figure who longed to fight for Poland’s independence but was prevented by illness, expressed this longing in his work. Wartime allusions and patriotic atmosphere appear in elements such as the greatcoat draped over the shoulders of a kneeling old man and the cap of young Tobias standing among children—possibly referencing the Lviv Eaglets. In a letter Rembowski envisioned a liberated Poland; the rainbow-winged, luminous angel from the “Polish fields” may symbolize Poland. The figure of the angel appears in his earlier works. 1919; pastel; 70.7 × 99.5 cm.

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Photo12/Liszt Collection

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LZT26A39_482

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