The Death of Grazyna, illustration for 'Grazyna' by Adam Mickiewicz. Rymwid finds the dying Grazyna (lines 971–976). Niewiarowicz, Wladyslaw (1815–1891), draughtsman; Hoffman, Karol (1798–1875). A drawing printed on a block covered with primer, further developed in pen, ink, pencil, with highlights in white gouache; the block was ready for cutting. Before 1851, Paris. Woodcut block; height 11.4 cm, width 14.8 cm, thickness 2.3 cm., A roughly rectangular wooden panel with a central vertical crack shows a detailed monochrome drawing of a reclining scene. The image includes a seated bearded figure wearing a helmet and cloak near the center, a fallen figure in armor with a helmet lying to the left foreground, and another partially visible reclining figure to the right foreground. The left side shows textured foliage and sketchy tree forms, while the right side has faint background figures and landscape lines. The drawing is rendered mainly in shades of gray and black with touches of white ...
Caption

The Death of Grazyna, illustration for 'Grazyna' by Adam Mickiewicz. Rymwid finds the dying Grazyna (lines 971–976). Niewiarowicz, Wladyslaw (1815–1891), draughtsman; Hoffman, Karol (1798–1875). A drawing printed on a block covered with primer, further developed in pen, ink, pencil, with highlights in white gouache; the block was ready for cutting. Before 1851, Paris. Woodcut block; height 11.4 cm, width 14.8 cm, thickness 2.3 cm., A roughly rectangular wooden panel with a central vertical crack shows a detailed monochrome drawing of a reclining scene. The image includes a seated bearded figure wearing a helmet and cloak near the center, a fallen figure in armor with a helmet lying to the left foreground, and another partially visible reclining figure to the right foreground. The left side shows textured foliage and sketchy tree forms, while the right side has faint background figures and landscape lines. The drawing is rendered mainly in shades of gray and black with touches of white highlighting and small accents of blue and green, and the wood grain and natural beige tones of the panel are visible throughout.

Credit line

Photo12/Liszt Collection

Reference

LZT26A39_159

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Rights managed

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