The Greater Raising of Lazarus, Norblin de la Gourdaine, Jean Pierre (1745–1830), graphic artist; Witke-Jezewski, Dominik (1862–1944). Subject: Lazarus (Bible), Jesus Christ, the raising of Lazarus; apostles, tombs, underworld, miracles of Christ. French/Polish; religious, biblical, mass scenes. Not signed and undated. Hillemacher lists five states of this engraving; Franke three. Smolik notes beautiful copies on thick white paper representing the last two states of the engraving, which differ by slight final needle strokes; one copy shows retouching with a brush in Chinese ink. Date: ca. 1776–1777. Medium: print, graphic matrix/plate. Dimensions: height 18.8 cm, width 17.0 cm, thickness 0.2 cm., A rectangular metal plate with rounded corners rests on a flat gray background; the plate surface shows a mottled, weathered appearance with areas of dark black and charcoal staining, patches of rust-colored brown and coppery orange, and regions of dull gray and muted tan. The surface texture ...
Caption

The Greater Raising of Lazarus, Norblin de la Gourdaine, Jean Pierre (1745–1830), graphic artist; Witke-Jezewski, Dominik (1862–1944). Subject: Lazarus (Bible), Jesus Christ, the raising of Lazarus; apostles, tombs, underworld, miracles of Christ. French/Polish; religious, biblical, mass scenes. Not signed and undated. Hillemacher lists five states of this engraving; Franke three. Smolik notes beautiful copies on thick white paper representing the last two states of the engraving, which differ by slight final needle strokes; one copy shows retouching with a brush in Chinese ink. Date: ca. 1776–1777. Medium: print, graphic matrix/plate. Dimensions: height 18.8 cm, width 17.0 cm, thickness 0.2 cm., A rectangular metal plate with rounded corners rests on a flat gray background; the plate surface shows a mottled, weathered appearance with areas of dark black and charcoal staining, patches of rust-colored brown and coppery orange, and regions of dull gray and muted tan. The surface texture appears pitted and speckled with irregular blotches and smudges, and there are several darker clusters and lighter worn spots spread unevenly across the plate. Faint scratches and scuffed marks are visible, and a few small circular and amorphous shapes create a spotted pattern across the metal. The outer edge of the plate shows a thin darker outline against the background, and the overall look is aged and corroded with varied tones of black, gray, brown, and orange.

Credit line

Photo12/Liszt Collection

Reference

LZT26A38_493

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