The Dormition of the Virgin Mary, cardboard for a stained glass window in the Grauer family burial chapel in Opava, by Józef Mehoffer 1869–1946; stained glass design, watercolor and drawing, 1901; subject: The Dormition of the Virgin Mary with apostles, saints, allegory Faithful Memory, pansies and floral symbolism mourning for the dead; neo-Gothic / Art Nouveau / Young Poland styles; materials: watercolor on cardboard; dimensions: height 186 cm, width 73 cm frame: height 196.0 cm, width 83.5 cm, thickness 4.8 cm., A tall rectangular stained glass panel set in a golden frame shows two arched window openings beneath a circular decorative medallion, all with swirling floral and geometric patterns. The design uses colors including gold, green, teal, red, orange, brown, purple, blue, black, cream, and beige. Within the two arched openings, stylized flowers and ornate latticework form the upper sections, while the lower sections depict a group of seated and reclining figures in layered clot...
Caption

The Dormition of the Virgin Mary, cardboard for a stained glass window in the Grauer family burial chapel in Opava, by Józef Mehoffer 1869–1946; stained glass design, watercolor and drawing, 1901; subject: The Dormition of the Virgin Mary with apostles, saints, allegory Faithful Memory, pansies and floral symbolism mourning for the dead; neo-Gothic / Art Nouveau / Young Poland styles; materials: watercolor on cardboard; dimensions: height 186 cm, width 73 cm frame: height 196.0 cm, width 83.5 cm, thickness 4.8 cm., A tall rectangular stained glass panel set in a golden frame shows two arched window openings beneath a circular decorative medallion, all with swirling floral and geometric patterns. The design uses colors including gold, green, teal, red, orange, brown, purple, blue, black, cream, and beige. Within the two arched openings, stylized flowers and ornate latticework form the upper sections, while the lower sections depict a group of seated and reclining figures in layered clothing, shown in profile and three-quarter views, with varied hair and facial hair, some hands raised near faces and others resting; nearby are decorative urns or finials and curling leaf-like motifs. The circular medallion and arch tops contain looping scrolls and curvilinear shapes, and the panel base repeats floral motifs and architectural details with checkerboard floor elements visible near the center. The entire composition is bordered by a broad gold background and inner gold columns separating the two arched scenes.

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Photo12/Liszt Collection

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LZT26A32_284

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