Lithuanian grosz on a Polish foot, Sigismund II Augustus King of Poland; 1544–1572. Polish coin, Jagiellon dynasty. Obverse: Crowned male bust in armor turned right, inscription in half-circle: SIGIS - AVG.REX; at bottom in two lines: . OLO.MAG/.DVX.L. Reverse: Lithuanian Pogon mounted knight turned left, under a crown dividing the date 15 - 48, a monogram of the letters SA and the Columns of Gediminas coat of arms, which divide the rim inscription: MONETA.MAGNI.DVCA.LITVA. Dated 1548. Minted in Vilnius Grand Duchy of Lithuania., A circular metallic coin with a worn, textured surface showing a raised central design of a horse and rider in profile, both rendered in relief with visible tack and armor details; the rider holds a long object and the horse's head and legs are distinct. Around the central scene is a raised decorative border and a ring of raised characters and symbols following the coin's edge. The coin's color is mainly silvery-gray with darker gray shadows in recessed areas ...
Caption

Lithuanian grosz on a Polish foot, Sigismund II Augustus King of Poland; 1544–1572. Polish coin, Jagiellon dynasty. Obverse: Crowned male bust in armor turned right, inscription in half-circle: SIGIS - AVG.REX; at bottom in two lines: . OLO.MAG/.DVX.L. Reverse: Lithuanian Pogon mounted knight turned left, under a crown dividing the date 15 - 48, a monogram of the letters SA and the Columns of Gediminas coat of arms, which divide the rim inscription: MONETA.MAGNI.DVCA.LITVA. Dated 1548. Minted in Vilnius Grand Duchy of Lithuania., A circular metallic coin with a worn, textured surface showing a raised central design of a horse and rider in profile, both rendered in relief with visible tack and armor details; the rider holds a long object and the horse's head and legs are distinct. Around the central scene is a raised decorative border and a ring of raised characters and symbols following the coin's edge. The coin's color is mainly silvery-gray with darker gray shadows in recessed areas and lighter gray highlights on raised surfaces, and there are some subtle variations in tone across the metal.

Credit line

Photo12/Liszt Collection

Reference

LZT26A32_244

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Rights managed

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