Buddhist text - Commentary on the praise of the names of Manjushri by Ga Rabjampa Kunga Yeshe Tib. 'phags pa 'jam dpal gyi mtshan yang dag par brjod pa zhugs so, noted. Buddhist art, Tibetan, graphic prints, book in Tibetan pecha style, xylographic print in student script dbu can. 26 folios, recto page numbering, first verso, 2 pages missing. Buddhist commentary on the prayer of praise in honor of the names of the bodhisattva Manjushri Tib. 'jam dpal dbyang by Ga Rabjampa Kunga Yeshe Tib. sga rab 'byams pa kun dga' ye shes. Original text from the 15th century; this copy 19th century, Tibet. Graphics; width 24.6 cm, height 8.0 cm., A worn rectangular object with a textured surface lies against a dark background, showing a muted palette of beige, tan, brown, black, and faded gray. The object appears to be made of layered material with rounded corners and slightly frayed edges, divided visually into two horizontal panels separated by a crease. Each panel is framed by dark rectangular bord...
Caption

Buddhist text - Commentary on the praise of the names of Manjushri by Ga Rabjampa Kunga Yeshe Tib. 'phags pa 'jam dpal gyi mtshan yang dag par brjod pa zhugs so, noted. Buddhist art, Tibetan, graphic prints, book in Tibetan pecha style, xylographic print in student script dbu can. 26 folios, recto page numbering, first verso, 2 pages missing. Buddhist commentary on the prayer of praise in honor of the names of the bodhisattva Manjushri Tib. 'jam dpal dbyang by Ga Rabjampa Kunga Yeshe Tib. sga rab 'byams pa kun dga' ye shes. Original text from the 15th century; this copy 19th century, Tibet. Graphics; width 24.6 cm, height 8.0 cm., A worn rectangular object with a textured surface lies against a dark background, showing a muted palette of beige, tan, brown, black, and faded gray. The object appears to be made of layered material with rounded corners and slightly frayed edges, divided visually into two horizontal panels separated by a crease. Each panel is framed by dark rectangular borders and filled with dense dark markings arranged in horizontal rows. The surface shows uneven discoloration, stains, smudges, and areas of darker aging along the edges and crease, with a few small holes and spots of wear. The overall look is aged and antique, with contrasts between the lighter central areas and darker border and edge tones.

Credit line

Photo12/Liszt Collection

Reference

LZT26A30_145

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Rights managed

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