Buddhist text - Prayer for rebirth in the pure land of Sukhavati by master Raga Asja the first reincarnation of the Karma Chagme lineage, unknown creator role, Buddhist art, Tibetan, graphic prints, prayer text, Buddhist book of the pecha type, xylographic print in disciple script dbu can, top edge tied with string. Leaf numbering on recto, 16 folios in total, 15 numbered with text, the last blank. 15th folio verso handwritten in pencil in Ume script dbu med, 16th folio verso handwritten in ink upside down in the scripts of students and Ume. The original prayer text by master Raga Asja Tib. ra ga a syas, the first tulku of the Karma Chagme Tib. kar ma chags med reincarnation lineage, dates from the 17th century. 19th century, Tibet, graphic, height 30.5 cm, width 8.6 cm, A horizontal, rectangular sheet with an off-white, aged paper surface set against a dark brown background, showing a fold across the middle and worn, slightly rounded corners. The sheet contains two framed rectangular ...
Caption

Buddhist text - Prayer for rebirth in the pure land of Sukhavati by master Raga Asja the first reincarnation of the Karma Chagme lineage, unknown creator role, Buddhist art, Tibetan, graphic prints, prayer text, Buddhist book of the pecha type, xylographic print in disciple script dbu can, top edge tied with string. Leaf numbering on recto, 16 folios in total, 15 numbered with text, the last blank. 15th folio verso handwritten in pencil in Ume script dbu med, 16th folio verso handwritten in ink upside down in the scripts of students and Ume. The original prayer text by master Raga Asja Tib. ra ga a syas, the first tulku of the Karma Chagme Tib. kar ma chags med reincarnation lineage, dates from the 17th century. 19th century, Tibet, graphic, height 30.5 cm, width 8.6 cm, A horizontal, rectangular sheet with an off-white, aged paper surface set against a dark brown background, showing a fold across the middle and worn, slightly rounded corners. The sheet contains two framed rectangular blocks, one above the fold and one below, each filled with dense dark gray markings that form repeated linear patterns. The paper shows spots of darker smudging and light stains along the edges and near the fold, and there are faint darker impressions outlining the inner frames. Visible colors are off-white, dark gray, brown, and faint beige.

Credit line

Photo12/Liszt Collection

Reference

LZT26A30_109

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Rights managed

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