Buddhist text - Prayer for rebirth in the pure land of Sukhavati by master Raga Asja the first reincarnation of the Karma Chagme lineage, unknown creator role / graphic artist / author, Buddhist art, Tibetan, graphic prints, prayer text, Buddhist book of the pecha type, xylographic print in disciple script dbu can, top edge tied with string. Leaf numbering on recto, 16 folios in total, 15 numbered with text, the last blank. 15th folio verso handwritten in pencil in Ume script dbu med; 16th folio verso handwritten in ink upside down in the scripts of students and Ume. The original prayer text by master Raga Asja Tib. ra ga a syas, the first tulku of the Karma Chagme Tib. kar ma chags med reincarnation lineage, dates from the 17th century. 19th century, Tibet; graphic; height 30.5 cm, width 8.6 cm., An open, aged manuscript page laid flat on a dark background showing two horizontal rectangular blocks each containing rows of hand-drawn text-like marks; the paper is yellowed beige with dar...
Caption

Buddhist text - Prayer for rebirth in the pure land of Sukhavati by master Raga Asja the first reincarnation of the Karma Chagme lineage, unknown creator role / graphic artist / author, Buddhist art, Tibetan, graphic prints, prayer text, Buddhist book of the pecha type, xylographic print in disciple script dbu can, top edge tied with string. Leaf numbering on recto, 16 folios in total, 15 numbered with text, the last blank. 15th folio verso handwritten in pencil in Ume script dbu med; 16th folio verso handwritten in ink upside down in the scripts of students and Ume. The original prayer text by master Raga Asja Tib. ra ga a syas, the first tulku of the Karma Chagme Tib. kar ma chags med reincarnation lineage, dates from the 17th century. 19th century, Tibet; graphic; height 30.5 cm, width 8.6 cm., An open, aged manuscript page laid flat on a dark background showing two horizontal rectangular blocks each containing rows of hand-drawn text-like marks; the paper is yellowed beige with darker beige and brown aging spots and smudges, and the inked marks are a faded dark gray to black. The rectangles are outlined with thin double-lined borders that are uneven and hand-drawn, and there are scattered smudges and speckles of dark gray around the edges and within the margins. The sheet shows creases and slight tears at the corners, with rounded and worn edges that are darker where handled. The overall appearance includes variations in beige, cream, brown, dark gray, and black tones, with the darker background visible around the manuscript.

Credit line

Photo12/Liszt Collection

Reference

LZT26A30_107

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Rights managed

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