Buddhist text - Prayer for rebirth in the pure land of Sukhavati by master Raga Asja the first reincarnation of the Karma Chagme lineage, unknown creator role, Tibetan Buddhist graphic prints, prayer text, Buddhist book of the pecha type, xylographic print in disciple script dbu can, top edge tied with string. Leaf numbering on recto, 16 folios in total, 15 numbered with text, the last blank. 15th folio verso handwritten in pencil in Ume script dbu med, 16th folio verso handwritten ink upside down in the scripts of students and Ume. The original prayer text by master Raga Asja Tib. ra ga a syas, the first tulku of the Karma Chagme Tib. kar ma chags med reincarnation lineage, dates from the 17th century. 19th century, Tibet, graphic, height 30.5 cm, width 8.6 cm, A horizontally oriented aged paper or parchment sheet set against a dark background, showing two rectangular panels separated by a horizontal fold; the sheet is off-white to yellowed with uneven discoloration and darker brown s...
Caption

Buddhist text - Prayer for rebirth in the pure land of Sukhavati by master Raga Asja the first reincarnation of the Karma Chagme lineage, unknown creator role, Tibetan Buddhist graphic prints, prayer text, Buddhist book of the pecha type, xylographic print in disciple script dbu can, top edge tied with string. Leaf numbering on recto, 16 folios in total, 15 numbered with text, the last blank. 15th folio verso handwritten in pencil in Ume script dbu med, 16th folio verso handwritten ink upside down in the scripts of students and Ume. The original prayer text by master Raga Asja Tib. ra ga a syas, the first tulku of the Karma Chagme Tib. kar ma chags med reincarnation lineage, dates from the 17th century. 19th century, Tibet, graphic, height 30.5 cm, width 8.6 cm, A horizontally oriented aged paper or parchment sheet set against a dark background, showing two rectangular panels separated by a horizontal fold; the sheet is off-white to yellowed with uneven discoloration and darker brown stains along the left edge and near the fold, and there are small spots and smudges scattered across the surface; each panel is framed by thin hand-drawn borders in a dark gray or black ink, and within the panels are dense rows of uniform short dark gray markings forming lines across the width; the left and right outer margins show additional vertical darker smudging and wear, and the corners are slightly rounded with crease marks and a few small tears; overall tones include off-white, yellowed beige, dark gray or black ink, brown stains, and subtle tan variations.

Credit line

Photo12/Liszt Collection

Reference

LZT26A30_101

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Rights managed

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