Crossguard tsuba, Kaneie,  school craftsman author. Oval tsuba with an irregular outline slightly merging into the shape of a quatrefoil mokkô, slightly marked edge uchi kaeshi, textured surface. Decorated in low relief with details inlaid with gold and cut into negative openwork. On both sides a similar motif of waterside reeds and a full moon emerging from behind the clouds. At the bottom, one hole udenuki ana. Signed. 18th century Edo period, 1603–1868. Japan; Fushimi, Yamashiro. Materials/subject: Japanese, moon iconography, weapons/melee weapons/swords/katana/sword crossguards/tsuba. Dimensions: height 7.7 cm; width 7.6 cm; depth 0.3 cm., A round, flat metal object with a weathered, rough surface in brown and rusty tones, featuring a central elongated vertical aperture and a few circular cutouts; the metal shows irregular texture and patina with small areas of darker brown and lighter grey, and there are a few tiny bright yellowish spots on the lower right area, along with subtle ...
Caption

Crossguard tsuba, Kaneie, school craftsman author. Oval tsuba with an irregular outline slightly merging into the shape of a quatrefoil mokkô, slightly marked edge uchi kaeshi, textured surface. Decorated in low relief with details inlaid with gold and cut into negative openwork. On both sides a similar motif of waterside reeds and a full moon emerging from behind the clouds. At the bottom, one hole udenuki ana. Signed. 18th century Edo period, 1603–1868. Japan; Fushimi, Yamashiro. Materials/subject: Japanese, moon iconography, weapons/melee weapons/swords/katana/sword crossguards/tsuba. Dimensions: height 7.7 cm; width 7.6 cm; depth 0.3 cm., A round, flat metal object with a weathered, rough surface in brown and rusty tones, featuring a central elongated vertical aperture and a few circular cutouts; the metal shows irregular texture and patina with small areas of darker brown and lighter grey, and there are a few tiny bright yellowish spots on the lower right area, along with subtle carved or incised lines and shallow reliefs near the top and bottom edges.

Credit line

Photo12/Liszt Collection

Reference

LZT26A27_257

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Rights managed

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