Waterskin matara, Turkish, Ottoman dynasty 1299–1922, 2nd half of the 16th century, Turkey, vessel; leather, kidney-shaped waterskin with an appliqué of a colorful lizard; height 23.0 cm, width 24.5 cm, depth 14.0 cm, weight 0.62 kg. Bottle with rounded bottom, narrow neck for pouring and a small spout for drinking; decorated with applied arabesques cut from shagreen and arabesques painted with gold. One narrow side bears a protective emblem in the form of a six-pointed star Seal of Solomon intended to ensure the water's freshness. The leather matara is a copy of gold bottles set with precious stones used at the sultan's court and may have been used by the sultan during military expeditions in Europe. The matara is a unique object type; four such artifacts are known worldwide., An ornate object with a symmetrical, elongated shape sits against a plain pale gray background; the object displays a textured surface with decorative patterns in shades of green, red, orange, gold, and dark gra...
Caption

Waterskin matara, Turkish, Ottoman dynasty 1299–1922, 2nd half of the 16th century, Turkey, vessel; leather, kidney-shaped waterskin with an appliqué of a colorful lizard; height 23.0 cm, width 24.5 cm, depth 14.0 cm, weight 0.62 kg. Bottle with rounded bottom, narrow neck for pouring and a small spout for drinking; decorated with applied arabesques cut from shagreen and arabesques painted with gold. One narrow side bears a protective emblem in the form of a six-pointed star Seal of Solomon intended to ensure the water's freshness. The leather matara is a copy of gold bottles set with precious stones used at the sultan's court and may have been used by the sultan during military expeditions in Europe. The matara is a unique object type; four such artifacts are known worldwide., An ornate object with a symmetrical, elongated shape sits against a plain pale gray background; the object displays a textured surface with decorative patterns in shades of green, red, orange, gold, and dark gray, and features a central round opening on its visible face, curved edges, and a small protrusion at the bottom, with the piece casting a soft reflection on the surface beneath it.

Credit line

Photo12/Liszt Collection

Reference

LZT26A22_347

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