Crossguard tsuba. Maker: Jakushi; Kizaemon. Tsuba in the shape of a mokkô quatrefoil, with a kôgai hitsu hole plugged with shakudô, copper sekigane, textured surface ishime ji. Decoration in low relief hirabori with fine details inlaid with gold, using nunome technique in places, and copper. Both sides show a Chinese-style mountainous landscape with human and architectural staffage, including mountains, bamboos, pine trees, and bridges. Signed. 18th century Edo period, 1603–1868. Japan, Nagasaki, Hizen. Function: katana sword crossguard. Dimensions: height 7.6 cm; width 6.0 cm; depth 0.4 cm., A roughly oval, dark brown metal object with a textured, pitted surface and a few irregular cutouts in the center, showing a matte gray background through them; the piece has scattered areas of gold-colored inlay forming linear and patchy highlights along the top edge and parts of the lower half, and there are small raised and engraved motifs suggesting natural shapes across the surface rendered i...
Caption

Crossguard tsuba. Maker: Jakushi; Kizaemon. Tsuba in the shape of a mokkô quatrefoil, with a kôgai hitsu hole plugged with shakudô, copper sekigane, textured surface ishime ji. Decoration in low relief hirabori with fine details inlaid with gold, using nunome technique in places, and copper. Both sides show a Chinese-style mountainous landscape with human and architectural staffage, including mountains, bamboos, pine trees, and bridges. Signed. 18th century Edo period, 1603–1868. Japan, Nagasaki, Hizen. Function: katana sword crossguard. Dimensions: height 7.6 cm; width 6.0 cm; depth 0.4 cm., A roughly oval, dark brown metal object with a textured, pitted surface and a few irregular cutouts in the center, showing a matte gray background through them; the piece has scattered areas of gold-colored inlay forming linear and patchy highlights along the top edge and parts of the lower half, and there are small raised and engraved motifs suggesting natural shapes across the surface rendered in tones of gold, brown, and muted silver; the overall palette includes dark brown, gold, gray, and subtle hints of bronze.

Credit line

Photo12/Liszt Collection

Reference

LZT26A21_469

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Rights managed

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