Netsuke in the shape of a twig with biwa loquat fruits, Gyokuhôsai Ryûchin, fl. ca. 1850–1870. Ivory, engraving; 2.0 × 4.2 × 2.8 cm. Signed Gyokuhosai. Second half of 19th century ca. 1850–1860, Kaei 5–Ansei 7, Japan. Miniature carved netsuke katabori in the form of a biwa branch, rendered faithfully to the plant so the fruit is readily identifiable. In three fruits the artist carved microscopic landscapes, identified by inscriptions as Shinobazu Pond, the Tama River, and the plateau Sengenyama. Gyokuhôsai is the signature used by Yamada Bunjiro, active in Edo in the second half of the 19th century. Height 2.0 cm; width 4.2 cm; depth 2.8 cm., A small carved object sits on a flat surface against a plain background, showing a smooth yellowed ivory tone with darker brown shading in crevices and along carved lines, and small areas of darker brown spotting; the carving forms rounded bulbous shapes connected by an openwork organic lattice and includes stylized leaf forms with incised veining...
Caption

Netsuke in the shape of a twig with biwa loquat fruits, Gyokuhôsai Ryûchin, fl. ca. 1850–1870. Ivory, engraving; 2.0 × 4.2 × 2.8 cm. Signed Gyokuhosai. Second half of 19th century ca. 1850–1860, Kaei 5–Ansei 7, Japan. Miniature carved netsuke katabori in the form of a biwa branch, rendered faithfully to the plant so the fruit is readily identifiable. In three fruits the artist carved microscopic landscapes, identified by inscriptions as Shinobazu Pond, the Tama River, and the plateau Sengenyama. Gyokuhôsai is the signature used by Yamada Bunjiro, active in Edo in the second half of the 19th century. Height 2.0 cm; width 4.2 cm; depth 2.8 cm., A small carved object sits on a flat surface against a plain background, showing a smooth yellowed ivory tone with darker brown shading in crevices and along carved lines, and small areas of darker brown spotting; the carving forms rounded bulbous shapes connected by an openwork organic lattice and includes stylized leaf forms with incised veining, a rounded element with a star-like incision, and a curved protrusion with dotted texture; the background is a muted gray and the surface beneath the object is a slightly lighter gray, with soft shadows beneath and to the right of the object.

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Photo12/Liszt Collection

Reference

LZT26A21_455

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