Buddhist text - Formula of repentance Tib. sdig bshags gser gyi spu gri bzhugs so, unknown author, Buddhist art, Tibetan culture, graphic prints, Book in the Tibetan pecha style, xylographic print in the disciple script dbu can, 16 folios, folio numbering 2-15 recto, first verso. Print on thin handmade paper, clear translucency. 19th century, Tibet. Graphic, width 25.5 cm, height 7.8 cm, An aged, rectangular sheet with a textured, yellowed surface rests against a dark background; the sheet shows two horizontal framed panels filled with dense, dark ink markings arranged in lines, with the ink appearing black and slightly faded in places, and the frames rendered in thicker black strokes. The paper edges are irregular and worn, with creases and small tears, and there are visible smudges and spots of darker discoloration along the margins. The overall color palette includes off-white, beige, tan, brown, black, and faint gray tones, and the composition shows a few areas where the ink is hea...
Caption

Buddhist text - Formula of repentance Tib. sdig bshags gser gyi spu gri bzhugs so, unknown author, Buddhist art, Tibetan culture, graphic prints, Book in the Tibetan pecha style, xylographic print in the disciple script dbu can, 16 folios, folio numbering 2-15 recto, first verso. Print on thin handmade paper, clear translucency. 19th century, Tibet. Graphic, width 25.5 cm, height 7.8 cm, An aged, rectangular sheet with a textured, yellowed surface rests against a dark background; the sheet shows two horizontal framed panels filled with dense, dark ink markings arranged in lines, with the ink appearing black and slightly faded in places, and the frames rendered in thicker black strokes. The paper edges are irregular and worn, with creases and small tears, and there are visible smudges and spots of darker discoloration along the margins. The overall color palette includes off-white, beige, tan, brown, black, and faint gray tones, and the composition shows a few areas where the ink is heavier and a few areas where the paper fibers are more pronounced.

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Photo12/Liszt Collection

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LZT26A20_065

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