Buddhist text - Formula of repentance Tib. sdig bshags gser gyi spu gri bzhugs so, unknown author/graphic artist, Buddhist art, Tibetan, graphic prints, Book in the Tibetan pecha style, xylographic print in the disciple script dbu can, 16 folios folio numbering 2–15 recto, first verso, print on thin handmade paper with clear translucency, 19th century, Tibet, graphic, width 25.5 cm, height 7.8 cm, An aged rectangular sheet rests against a dark background, showing a worn, textured surface in shades of beige, tan, and light brown with darker browning at the edges; two horizontal framed blocks occupy the sheet, each containing rows of dense, dark ink markings arranged uniformly across the interior of the frames; the ink appears black to dark brown and shows variable intensity with some faded and smudged areas; the paper has creases, small tears, and uneven, slightly frayed edges, with a few darker spots and stains scattered across the surface; thin black border lines surround each framed ...
Caption

Buddhist text - Formula of repentance Tib. sdig bshags gser gyi spu gri bzhugs so, unknown author/graphic artist, Buddhist art, Tibetan, graphic prints, Book in the Tibetan pecha style, xylographic print in the disciple script dbu can, 16 folios folio numbering 2–15 recto, first verso, print on thin handmade paper with clear translucency, 19th century, Tibet, graphic, width 25.5 cm, height 7.8 cm, An aged rectangular sheet rests against a dark background, showing a worn, textured surface in shades of beige, tan, and light brown with darker browning at the edges; two horizontal framed blocks occupy the sheet, each containing rows of dense, dark ink markings arranged uniformly across the interior of the frames; the ink appears black to dark brown and shows variable intensity with some faded and smudged areas; the paper has creases, small tears, and uneven, slightly frayed edges, with a few darker spots and stains scattered across the surface; thin black border lines surround each framed block and a narrow vertical margin runs along the left side where the layers of the sheet appear slightly thicker and layered.

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Photo12/Liszt Collection

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LZT26A20_064

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Rights managed

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