Triptych with the legend of St. Stanislaus, unknown sculptor, Hans von Kulmbach ca. 1485–1522, legend of St. Stanislaus, Stanislaus of Szczepanów ca. 1030–1079, Plawno parish church, Kraków origin, altar, bas-relief, 1510–1520, masterpiece, compare: brass crowns from the head of King Boleslaw secondary, crosier from the scene of the Murder of St. Stanislaus secondary, A carved triptych with three arched panels and two lower rectangular panels, all set in a gilded frame, showing intricately carved figures and architectural elements in bas-relief. The carvings depict groups of people in expressive poses, some seated and some standing, arranged in scenes with arches, columns, a ladder, and a well or circular feature. The surface colors include gold on the frame and background, with brown and darker brown tones on the carved figures and architectural details, and subtle touches of red and muted green on some garments. The overall composition is symmetrical with ornate moulding separating t...
Caption

Triptych with the legend of St. Stanislaus, unknown sculptor, Hans von Kulmbach ca. 1485–1522, legend of St. Stanislaus, Stanislaus of Szczepanów ca. 1030–1079, Plawno parish church, Kraków origin, altar, bas-relief, 1510–1520, masterpiece, compare: brass crowns from the head of King Boleslaw secondary, crosier from the scene of the Murder of St. Stanislaus secondary, A carved triptych with three arched panels and two lower rectangular panels, all set in a gilded frame, showing intricately carved figures and architectural elements in bas-relief. The carvings depict groups of people in expressive poses, some seated and some standing, arranged in scenes with arches, columns, a ladder, and a well or circular feature. The surface colors include gold on the frame and background, with brown and darker brown tones on the carved figures and architectural details, and subtle touches of red and muted green on some garments. The overall composition is symmetrical with ornate moulding separating the panels and a continuous decorative band around the edges.

Credit line

Photo12/Liszt Collection

Reference

LZT26A19_070

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